Drawings still considered to be by Rembrandt are aligned to the left
Comparative illustrations are ranged down the centre and some ‘attributed’ drawings
Drawings no longer considered to be by Rembrandt are aligned to the right
NB The illustrations are almost all taken from readily available online resources. They must not be used for commercial purposes. For an explanation of the use of asterisks and question marks in the captions, please see under the ‘About’ tab.
PLEASE SEE THE DISCLAIMER ON THE ‘HOME’ PAGE
Benesch 120,
Rembrandt
Willem Ruyter as Bishop Gozewijn (?) 1638?
GB Chatsworth, Derbyshire (The Trustees of the
Chatsworth Settlement)
Benesch 121
Govert Flinck?
Willem Ruyter in the Role of Bishop Gozewijn, being robed 1638?
D Dresden, Kupferstich-Kabinett
Benesch 122
Gerbrand van den Eeckhout?
Willem Ruyter in the Role of Bishop Gozewijn 1638
D Braunschweig, Herzog Anton Ulrich-Museum
Benesch 123 Recto
Gerbrandt van den Eeckhout?
An Actor in the Role of the Abbess Klaris
van Velzen 1638
D Dresden, Kupferstich-Kabinett
Benesch 123 Verso
Gerbrand van den Eeckhout?
Willem Ruyter in the Role of Bishop Gozewijn,
facing front 1638
D Dresden, Kupferstich-Kabinett
Benesch 124 COMPARATIVE
Illustration. The original of
Benesch 124, discussed under
the ‘Not in Benesch’ tab.
Benesch 124
Govert Flinck?
Study of a Prophet or Apostle
(St Peter?) 1640?
Private collection (whereabouts
unknown)
Benesch 125
Ferdinand Bol?
Jacob’s Dream 1640-45?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 126
Ferdinand Bol??
St Peter and the Angel 1640-45?
USA Sacramento, Crocker Art Gallery
Benesch 126, Enlarged
Benesch 127 Recto
Govert Flinck?
Delilah Cutting Samson’s Hair 1640?
F Dijon, Musée des Beaux-Arts
Benesch 127 Verso
Govert Flinck?
Sketch of a Woman Surprised and of a Seated Old Man with a Woman 1640?
F Dijon, Musée des Beaux-Arts
Benesch 127A
Ferdinand Bol
A Sleeping Soldier
1640-45?
Private Collection?
(Sold Sotheby’s New York 2005)
Benesch 127A Detail, enlarged
(making the underdrawing in
black chalk more visible)
COMPARATIVE photograph for Benesch 127A:
Ferdinand Bol: The Liberation of St Peter
Pen and brown ink with grey was over
black chalk; 438 x 410 mm
Whereabouts unknown
COMPARATIVE photograph for Benesch 127A:
Ferdinand Bol: The Liberation of St Peter
(signed) Oil on panel; 736 x 590 mm
Schoten, P. Baaij
Benesch 127B
Ferdinand Bol??/
Rembrandt???
Sketch for Christ on the Mount of Olives 1635-40
Whereabouts unknown
COMPARATIVE illustration to Benesch 127B. Showing Benesch 0104 (left) and Benesch 0127B, Ferdinand Bol??/Rembrandt??? 1635-40?
Christ Comforted by the Angel on the Mount of Olives. D Munich, Staatliche Graphische Sammlung
Benesch 128
Rembrandt
Lot and his Daughters 1636-38?
D Weimar, Goethe-Nationalmuseum
Benesch 128, Enlarged
Benesch 128 Verso
School of Rembrandt
A Seated Woman with a Kneeling Figure by a Table, c.1636-38?
Fig.a. Attributed to Jan van Noordt (formerly as Christoph Paudiss),
Lot and His Daughters, 1649?
Oil on canvas 155.5 x 198 cm.
H Budapest, Szepmüveszeti Muzeum (inv. 51.2883)
Benesch 129 Govert Flinck? or Jan Victors???
Lot and his Family Leaving Sodom 1640-45?
A Vienna, Albertina
Benesch 129 Verso
Circle of Rembrandt : Govert Flinck?? Jan van Vliet?? or Jan Victors???
The Sacrifice of Isaac c.1635-45?? (depending on the attribution)
A Vienna, Albertina
COMPARATIVE illustration to Benesch 129. Circle of Rembrandt, The Good Samaritan. 160 x 185mm
USA Cambridge (MA), Fogg Art Museum, Harvard University
Benesch 130
Govert Flinck??
Tobit Taking Leave of his Mother? 1640?
F Paris, Musée du Louvre
COMPARATIVE illustration to Benesch 130A
Anonymous copy perhaps after Rembrandt (or after Benesch 130A)
Amsterdam, Rijksmuseum (inv. A2422, Benesch C23)
Benesch 130A
School of Rembrandt,
perhaps after Rembrandt
Jacob Blessing Joseph’s Sons 1640?
Private Collection (unknown)
Benesch 130B
Gerbrand van den Eeckhout?? or Rembrandt???
A Woman Kneeling (Hagar?) 1636-38?
D Dortmund, Private Collection
Benesch 131
School of Rembrandt – Gerbrand van den Eeckhout???
Tobias Curing the Old Tobit 1638-42?
GB London, Courtauld Institute
Benesch 132
Rembrandt
Zacharias (?) and the Angel 1634-35?
USA Cambridge (MA), Mass, Fogg Art Museum, Harvard University
(Maida and George Abrams Collection).
Benesch 132, Enlarged
Benesch 133
Rembrandt
Ruth and Boaz 1634-35?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 134 Recto
Ferdinand Bol?
Isaac blessing Jacob 1635-40?
NL Rotterdam, Museum Boijmans Van Beuningen
Benesch 134 Verso
Ferdinand Bol?
Isaac blessing Jacob (traced from the recto) 1635-40?
NL Rotterdam, Museum Boijmans Van Beuningen
Benesch 135
Rembrandt, Scene of Judgement (Christ or Barabbas?) c.1635-38
D Dresden, Kupferstich-Kabinett
Benesch 135 Watermark
COMPARATIVE illustration to Benesch 0135
Christ before Pilate 1634
Grisaille on paper laid down on canvas, the outlines indented for transfer to a copper plate, 545 x 445mm
London, National Gallery
COMPARATIVE illustration to Benesch 0135
Christ presented to the People 1655
Drypoint, 1st state, 383 x 455
London, British Museum (1848,0911.38 )
Benesch 136 [image reduced]
Rembrandt?
King Solomon with his Wives and Concubines Adoring an Idol 1635?
F Paris, Musée du Louvre
Benesch 137
Rembrandt
Study of a Woman with a Snake (Cleopatra) 1637?
USA Los Angeles, J. Paul Getty Museum
Benesch 137, Enlarged
Benesch 137 Fig.a
Hans Sebald Beham
Eve 1523
Engraving (Bartsch 4; Pauli, 4, 2nd state) 78 x 51
GB London, British Museum (inv. 1895,0915.378)
Benesch 138
Gerbrand van den Eeckhout
St Paul Preaching in Athens, 1635-40?
GB London, British Museum
Ben 138 DETAIL, Enlarged
Benesch 139
Rembrandt
Pilate and his Wife 1633-34?
F Paris, Fondation Custodia, Collection F. Lugt
Benesch 139A
Rembrandt?
St John the Baptist Preaching 1652-55?
USA New York, Morgan Library, Thaw Collection
COMPARATIVE Illustration to Benesch 139A:
Rembrandt*, detail of
Benesch 886 (St Jerome). D Hamburg, Kunsthalle
COMPARATIVE illustration to Benesch 139A
Rembrandt, St John the Baptist Preaching 1633-34?
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
COMPARATIVE illustration to Benesch 139A, 140, 141, 142, 142A and 336: Rembrandt, St John the Baptist Preaching c.1633-34, oil on canvas en grisaille, laid on panel, 62.7 x 81 cm D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 140
Rembrandt
Listeners for St John the Baptist Preaching 1633-34?
D Berlin, Staatlich Museen Berlin, Kupferstichkabinett
COMPARATIVE illustration to Benesch 140
Rembrandt, Joseph Telling his Dreams, c.1638 (Detail enlarged). Etching B.37ii. GB London, British Museum
(inv. 1868,0822.660)
Benesch 0141
Rembrandt*
Studies for the Standing Scribes and Other Figures for St John the Baptist Preaching 1633-34?
D Berlin, Kupferstichkabinett (KdZ. 3773 [formerly 2612]; stamped verso with L.1607)
COMPARATIVE illustration to Benesch 141-142. Rembrandt, St John the Baptist Preaching 1633-34? (Detail). Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm. D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 142 recto
Rembrandt*
Study for the Scribes in the St. John the Baptist Preaching, and a half-length sketch of a woman 1633-34?
GB Chatsworth, Derbyshire (the Trustees of the Chatsworth Settlement)
COMPARATIVE illustration to
Benesch 142 Rembrandt, St John
the Baptist Preaching 1633-34?
(Detail). Oil on canvas en grisaille,
laid on panel. 62.7 x 81 cm. D Berlin,
Staatliche Museen Berlin,
Gemäldegalerie
Benesch 142 verso
Rembrandt*
Sketches of Heads for the St. John the
Baptist Preaching 1633-34?
GB Chatsworth, Derbyshire (the Trustees
of the Chatsworth Settlement)
Benesch 142A recto
Rembrandt*
Two Studies for St John the Baptist 1633-34?
GB London, Courtald Institute
COMPARATIVE illustration to Benesch
142A. Rembrandt, St John the Baptist
Preaching 1633-34? (Detail). Oil on
canvas en grisaille, laid on panel. 62.7
x 81 cm D Berlin, Staatliche Museen
Berlin, Gemäldegalerie
Benesch 142A Verso
Rembrandt*
Head of a Man (probably St. John the Baptist) 1633-34?
GB London, Courtald Institute
Benesch 143
Rembrandt
Standing Old Man, full-length,
wearing a flat hat, his right arm
extended 1637-39?
USA Cambridge (Mass.), Fogg
Art Museum
Benesch 144
School of Rembrandt (Gerbrand van den Eeckhout or Jan Victors??)
The Calling of St. Matthew 1638-40??
S Stockholm, Nationalmuseum
COMPARATIVE illustration to Benesch 144A, Pieter Lastman, The Good Samaritan 1612-15? Oil on canvas 102 x 128 cm. Private Collection
Benesch 144A
Gerbrand van den Eeckhout??
The Good Samaritan 1635-38??
GB Buscot Park, Oxfordshire, The Faringdon Collection
Benesch 145
Rembrandt
A Russian Archer, Boyar and Two Disgraced Men 1637?
USA New York, Morgan Library and Museum
Benesch 146
Gerbrand van den Eeckhout
Young Solomon Proclaimed King, Riding King David’s Mule 1635-38?
F Paris, Musée du Louvre
COMPARATIVE illustration to Benesch 146
After Gerbrand van den Eeckhout, Young Solomon Proclaimed King, Riding King David’s Mule. GB London, art market, 2000.
Benesch 147
Gerbrand van den Eeckhout (retouched by Rembrandt??)
Rebecca Taking Leave of her Parents 1637-40?
D Stuttgart, Staatsgalerie
Benesch 148 Recto
Rembrandt? (Gerbrand van den Eeckhout??)
Mattathias and the Officers of Antiochus at Modin 1633-35?
GB London, British Museum
Ben 148 Recto, Enlarged
Benesch 148 Verso
Rembrandt
A slight sketch with figures in a landscape 1633-35?
GB London, British Museum
Benesch 149
Rembrandt?? Gerbrand van den Eeckhout??
Recto: The Daughters of Cecrops Opening the Chest Containing Erichthonius 1635-37?
Anonymous Verso: Kneeling Abraham (?) with a Slaughtered Ram 1635-37?
D Göttingen, Kunstsammlungen der Universität.
Benesch 150
Govert Flinck?
The Daughters of Cecrops Opening the Chest Containing Erichthonius 1638-40?
USA Private Collection, New York
Benesch 151
Rembrandt
Horsemen near a Slope , c.1631-34
NL Rotterdam, Museum Boijmans van Beuningen
COMPARATIVE illustration to Benesch 151
Antonio Tempesta, Two Hunters on Horseback Watching an Ostrich Hunt (Bartsch 1144)
GB London, British Museum (inv.1848,1125.76)
COMPARATIVE illustration to Benesch 151
Antonio Tempesta, Alexander Crossing the Mountains (Bartsch 552)
USA Cambridge (Mass.), Fogg Art Museum, Harvard University Art Museums
(inv.S8.25.2)
Benesch 152
Rembrandt*
Studies of the Magdalene and the Virgin in
Sorrow 1635-36?
NL Amsterdam, Rijksmuseum
COMPARATIVE illustration to Benesch 152
Rembrandt, The Entombment of Christ
Oil on canvas. 92.6 x 68.9 cm
D Munich, Alte Pinakothek
COMPARATIVE illustration to Benesch 152. Rembrandt, The Entombment of Christ (Detail)
Oil on canvas. 92.6 x 68.9 cm. D Munich, Alte Pinakothek
Benesch 152: Watermark
Benesch 153
After Rembrandt? Rembrandt??
Bust of a Mourning Mary 1635-37?
NL Amsterdam, Amsterdam Museum
Benesch 154
Rembrandt*
The Lamentation at the Foot of the Cross 1634-35?
GB London, British Museum
Benesch 154, Verso (the back of the tertiary support), showing oil
stains that have seeped through from the recto, especially in the
area of the ladder, below and down the edge (right here, left on
the recto). Author’s photo taken with a phone and through a
perspex window; size reduced
Benesch 154, Enlarged
Fig.a Rembrandt,
The Lamentation, 1634-35? Oil on paper, stuck down on canvas and also later adhered to a wooden panel. 319 x 267mm. GB London, The National Gallery (illustration somewhat reduced)
Benesch 154 Fig.b. Benesch 154 photographed in transmitted light; to the right, a diagram of the support (produced by Samantha Taylor; © The Trustees of the British Museum). The small white patch – lower left centre in the diagram – is where the primary support, after being split and then reattached to the tertiary support, overlaps with itself
Benesch 154 Fig.c. Benesch 154, with the two divided sections brought back together as they originally were – the top image is a precise digital reconstruction of the line of separation (produced by Samantha Taylor; © The Trustees of the British Museum)
Fig.d. An animated overlay, actual size, of Benesch 154 and the National Gallery picture (fig.a), keeping the ladder nearest the centre in the same position – see the separate images of the two works above. I am grateful to Katherine Snow for creating the file.
Fig.e Benesch 154 photographed in infra red light
Benesch 155
Rembrandt
Two Sketches of an Old Man in a
Turban 1645-47?
NL Private Collection
Benesch 155 Enlarged
Benesch 155 Fig.a. Rembrandt, Susannah and the Elders, 1636.
Oil on panel, 47.4 x 38.6 cm. Bredius 505; Wetering 144.
NL The Hague, Mauritshuis.
Benesch 155 Fig.b. Detail of Fig.a (digitally adjusted for clarity) with Benesch 155 right (enlarged)
Benesch 155 Fig.c. Rembrandt, Susannah and the Elders, c.1638-47. Oil on panel,
77 x 93 cm. Bredius 516; Wetering 213.
D Berlin, Staatliche Museen Berlin, Gemäldegalerie (with detail to right)
Benesch 155 Fig.d. Pupil of Rembrandt, Copy after the painting in Fig.c at an early stage in its development, c.1643? Pen and brown ink with brown and grey wash and some red chalk. 178 x 238. H Budapest, Szepmüvészeti Múzeum
COMPARATIVE illustration to Benesch 156
Detail of the painting shown under Benesch 155 Fig.c
Benesch 156
Govert Flinck?
Head of an Oriental in
a Turban 1637-40?
Formerly F Paris, Private
Collection (Otto Wertheimer)
Benesch 157
Rembrandt*
Study of an Elder (for Susannah and the Elders) 1638?
AUS Melbourne, National Gallery of Victoria
COMPARATIVE illustrations to Benesch 157
Rembrandt, Susannah and the Elders, 1647
Oil on panel, 77 x 93 cm, with detail below
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 158
Rembrandt
Head of an Oriental in a Turban and a Dead Bird
of Paradise 1638?
F Paris, Musée du Louvre
Benesch 159 Watermark
Benesch 159
Gerbrand van den Eeckhout?
Susannah and the Elders 1638-40
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 160
Gerbrand van den Eeckhout? Retouched by Rembrandt?
The Adoration of the Magi 1638-40?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 0160 DETAIL, Enlarged
Benesch 160, Details, Enlarged, of two of the areas probably retouched by Rembrandt, in broader, more fluid pen lines
Benesch 161 Recto
Rembrandt*
Ruth and Naomi 1638
NL Rotterdam, Museum Boijmans Van
Beuningen
Benesch 0161 verso
Rembrandt*
Joseph Telling his Dreams 1638
NL Rotterdam, Museum Boijmans Van
Beuningen
Benesch 0161 verso COMPARATIVE illustration
Rembrandt, Joseph Telling His Dreams 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)
Benesch 161 verso, COMPARATIVE illustration
Rembrandt, Joseph Telling his Dreams, 1633?
Grisaille in oils on paper, 558 x 387 mm.
NL Amsterdam, Rijksmuseum
Benesch 162
Gerbrand van den Eeckhout?
Boaz and Ruth 1638-40?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 163
Rembrandt?? (Gerbrand van
den Eeckhout???),
Adam and Eve 1638?
USA, Private Collection (?)
Benesch 164
Rembrandt*
Adam and Eve 1638?
NL Leiden, Prentenkabinet van de Universiteit Leiden
Benesch 164, Enlarged
COMPARATIVE illustration to Benesch 164. Rembrandt, Adam and Eve, 1638. Etching, touched with black chalk. 162 x 116, Bartsch 28 (1st state)
London, British Museum (1852,1211.42)
Benesch 165
Ferdinand Bol,
Vertumnus and Pomona, 1640?
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 166
Ferdinand Bol
Amnon and Tamar, c.1640
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 167
Ferdinand Bol*, Elijah Sleeping Beneath a Tree c.1640-42
F Paris, Fondation Custodia, Frits Lugt Collection
COMPARATIVE illustration
to Benesch 167. Ferdinand Bol?
Beggar Couple with a Dog
Etching, 77 x 58 mm. NL Amsterdam, Rijksmuseum
(inv.RP-P-OB-424)
Fig.a Benesch 167 Detail, enlarged and reversed
(which resembles Jacob’s
right hand in Benesch 285a)
COMPARATIVE illustration to Benesch 167. Ferdinand Bol, Elijah Dreaming Beneath a Tree c.1642-43. Oil on canvas,
162 by 178 cm. Sold London, Sotheby’s, 5 Dec 2007, lot 27.
USA New York, The Leiden Collection.
Benesch 168
Rembrandt*, Studies of a Woman Reading
and an Oriental Man, c.1638
USA New York, Private Collection (Kramarsky)
COMPARATIVE illustration to Benesch 168
Rembrandt, Joseph Telling His Dreams 1638. Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)
COMPARATIVE illustration to Benesch 169. Rembrandt, Joseph Telling His Dreams (detail) 1638
Etching. Counterproof (i.e. in reverse to usual printings),
110 x 83 mm. GB London, British Museum (F,4.67) For
the whole image see under Benesch 168.
Benesch 169, Rembrandt??; (more probably Ferdinand Bol? after Rembrandt? )
Saskia (?) in Bed
USA Washington DC, National Gallery of Art
Benesch 170
Gerbrand van den Eeckhout??, Govert Flinck??
The Liberation of St Peter 1639?
GB London, British Museum.
Benesch 171
Gerbrand van den Eeckhout? or Rembrandt??
Darab Sheltered by the Ruined Vault [?] 1639?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 171 COMPARATIVE illustration. Folio from a Shahnama (Book of Kings) by Firdawsi (d.1020): Darab sleeping in the ruined vault c.1330-40. Tbriz, Iran. Il-Khanid period, Mongol period. Ink, opaque watercolor and gold on paper
252 x 204mm. USA Washington D.C., Freer Gallery of Art (inv. F1930.78)
Benesch 172
School of Rembrandt (Govert Flinck??)
Two Priests with Two Kneeling Worshippers 1638-40?
D Munich, Staatliche Graphische Sammlung
Benesch 173
Govert Flinck? or Rembrandt???
The Agony in the Garden
USA New York, Queen’s College
Benesch 174
Anonymous School of Rembrandt, Govert Flinck??
Lot and his Daughters
1638-40?
D Dresden, Kupferstich-Kabinett (missing since 1945)
Benesch 175
Etched copy after Govert Flinck? or Rembrandt??
Boaz and Ruth, 1638-40?
GB London, British Museum (also to be found in other collections)
NB: Here illustrated in reverse, thus in the same direction as the original drawing.
Benesch 176
School of Rembrandt (Gerbrand van den Eeckhout??)
The Beheading of Holofernes with Judith and her Servant
1636-40
F Paris, Musée du Louvre
Benesch 177
Rembrandt, c.1635
A Man Haranguing a Woman seated at the left
USA Los Angeles, J Paul Getty Museum
Benesch 178
Rembrandt
The Conversion of Saint Paul 1635?
D Berlin, Staatliche Museen, Kupferstichkabinett
COMPARATIVE illustration to Benesch 178
Nicolas Beatrizet after Michelangelo
The Conversion of St Paul (detail) 1550?
Engraving. GB London, British Museum (inv. V,2.45)
Benesch 179
Govert Flinck?
The Angel Departing from Manoah and his Wife
1639-40?
F Paris, Musée du Louvre
Benesch 180 Recto
Rembrandt?
Manoah’s Offering 1635-36?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 180 Verso
Rembrandt??
Bust of a man in a Cap and a half-length Study of a Standing, Corpulent Man (both traces of an offset)
D Berlin, Kupferstichkabinett SMPK
On a separate piece
of paper from
Benesch 180 verso:
Bust of a Man in a Cap
D Berlin, Kupferstichkabinett
SMPK
Benesch 180 COMPARATIVE Illustration: Rembrandt, The Angel Leaving Tobit and his Family. Oil on panel 66 x 52cm
F Paris, Musée du Louvre
Benesch 180 COMPARATIVE Illustration. Govert Flinck (1615-60), Manoah’s Sacrifice 1640. Oil on canvas, 74.3 x 123.8 cm
Canada, Kingston, Ontario, Queen’s University, Etherington Art Centre, Bader Collection.
.
Benesch 181 Rembrandt? (Gerbrand van den Eeckhout??)
Joseph Lifted from the Well by his Brothers 1636-38?
NL Private Collection
Benesch 182
Rembrandt
Christ Washing the Feet of his Disciples, 1628-29?
GB London, British Museum
Benesch 0183 Recto
Rembrandt*
Studies for the Sick Woman in the “Hundred Guilder Print”, c.1645-48
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet
Benesch 0183 Verso
Rembrandt*
Slight sketch of the Head
of the Sick Woman
1645-48?
NL Amsterdam, Rijksmuseum,
Rijksprentenkabinet
COMPARATIVE Illustration to
Benesch 183. Charles Le Blanc
after Rembrandt. Etching.
The drawing was only known
through this etching until the
original drawing reappeared at
auction in 1964
COMPARATIVE Illustrations to Benesch 183.
Rembrandt, The Sick Woman with a Large White Headdress (Saskia?)
1645? Etching, Bartsch 359; NH 228, ii/ii. 61 x 51mm. GB London,
British Museum (1842,0806.152) Shown enlarged and, on the right,
reversed, to compare with the drawing and also with the Hundred
Guilder Print (below)
COMPARATIVE Illustration to Benesch 183. Rembrandt, Christ Healing the Sick: The Hundred Guilder Print, 1648?
Etching, engraving and drypoint. 278 x 388mm. Bartsch 74; NH 239, ii/ii. With detail to right. NL Amsterdam, Rijksmuseum, Rijksprentenkabinet (RP-P-OB-602)
Benesch 184
Rembrandt*
Standing Man with a
Cap in his Outstretched
Hand: study for the
“Hundred Guilder Print”, 1640-42? GB London, Courtauld Gallery (inv. D.1978.PG.188)
FOR COMPARATIVE ILLUSTRATIONS to Benesch 184, see:
1. Benesch 184 for the “Hundred Guilder Print”
2. Benesch 188 , which shows the same figure.
Right:
Benesch 184, Enlarged
Benesch 185
Rembrandt*
A Blind Old Man Guided
by a Woman: study for the “Hundred Guilder Print”,
c.1645-48
F Paris, Musée du Louvre (inv.22891)
COMPARATIVE ILLUSTRATION
to Benesch 185. Rembrandt:
Detail of the “Hundred Guilder
Print” (see under Benesch 183
for the whole print)
Benesch 186
School of Rembrandt
A Woman Standing with a Baby in her Arms, 1637-45??
NL Rotterdam, Museum Boijmans Van Beuningen (inv. R 47)
Benesch 186 Verso (detail)
Benesch 187
Rembrandt??
A Woman with a Child in her Arms, 1637-39?
Formerly USA, Cambridge (Mass.), Harvard University Art Museums, Fogg Art Museum
Benesch 188
Rembrandt*
Study for a Group of Figures in the “Hundred Guilder Print”,
1645-48?
D Berlin, Kupferstichkabinett (inv. KdZ 2695)
COMPARATIVE Illustration to Benesch 188: Detail of the Hundred Guilder Print (see below) and the same detail reversed.
COMPARATIVE Illustration to Benesch 188
Rembrandt, Christ Healing the Sick: The Hundred Guilder Print, c.1648
Etching, engraving and drypoint. 278 x 388mm. Bartsch 74; NH 239, ii/ii
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet (RP-P-OB-602)
Benesch 189
Rembrandt
An Old Man led by a Boy (study for Jacob with Benjamin?) c.1646-49
S Stockholm, Nationalmuseum
Benesch 190
Rembrandt
An Old Man Led by a Boy and another Figure, with a study
of a head (Jacob with Benjamin and another son?) c.1646-49
NL Rotterdam, Boijmans van Beuningen Museum
Benesch 191
Govert Flinck??
Two Studies of a Nude Woman, Resting, c.1640?
NL Rotterdam, Museum Boijmans Van Beuningen
Benesch 192
Govert Flinck?
Study of a Seated Female Nude, seen from behind, 1635?
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 192 verso
Govert Flinck?
Study of a Seated Female Nude, seen from behind, 1635?
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 193
Rembrandt
Study of a Seated Female Nude, seen from behind, c.1635?
GB London, Courtauld Institute
Benesch 193A
Govert Flinck?
A Nude Woman reclining near a Tree, seen from behind, c.1637-40
S Stockholm, Nationalmuseum
Benesch 0194 Recto
Rembrandt
A Woman Standing Holding a Child and Two Studies of a Seated Woman, 1637-39
AUS Melbourne, National Gallery of Victoria
Benesch 195 Recto
Rembrandt
Seated Woman with Clasped Hands, c.1628-29?
A Vienna, Albertina
Benesch 0194 Verso
Rembrandt
Profile Bust of a Man in a Turban; Sketch of a Woman Sleeping (Saskia?)
1637-39
AUS Melbourne, National Gallery of Victoria
Benesch 195 Verso
Rembrandt
Studies of Heads and Busts, c.1628-29
A Vienna, Albertina
Benesch 196
Rembrandt
A Seated Woman, in profile, full-length, c.1629
D Dresden, Kupferstich-Kabinett
Benesch 197
Rembrandt
Two Studies of a Seated Beggar-Woman with Two Children, c.1638-39
F Paris, Musée du Louvre
Benesch 0198
Rembrandt
A Woman Seated on the Ground with Two Children, c.1638-39
USA Washington, National Gallery of Art
Benesch 199 recto
Rembrandt
Studies of Two Men and Two Children, c.1638-39
F Paris, Musée du Louvre
Benesch 199 verso
Rembrandt
An Oriental Holding a Tilted Parasol, c.1638-39
F Paris, Musée du Louvre
Benesch 200
Nicolaes Maes?
Studies of Two Men and a Woman Teaching a Child to Walk 1647-50?
USA New York, Metropolitan Museum of Art (Bequest of Harry G. Sperling)
Benesch 201
Rembrandt? (After Rembrandt?)
Two Peasant Men in Discussion, 1638-39?
D Frankfurt, Städel Museum
Benesch 202
Rembrandt?
An Old Man and a Young Woman
Walking, 1638-40?
D Dresden, Kupferstichkabinett
Benesch 203 Recto
Rembrandt
A Seated Woman, Reading, c.1638-39
D Berlin, Kupferstichkabinett
Benesch 203 Verso
Rembrandt
Head of a Man in a Turban, c.1638-39
D Berlin, Kupferstichkabinett
Benesch 204
School of Rembrandt
A Seated Woman Reading, Wearing a Veil, profile to left, c.1638-40
D Ulm, Ulmer Museum (Strölin bequest)
Benesch 204a
Gerbrand van den Eeckhout? / Govert Flinck??
A Seated Scholar in a Barret at his Desk, c.1638-40?
GB London, Courtauld Institute
Benesch 205
Rembrandt
Standing Man, to right, his arm outstretched, c.1639
NL Amsterdam, Rijksmuseum
Benesch 206
Rembrandt
A Beggar and Beggar-Woman, c.1629?
USA Washington, National Gallery of Art
Benesch 206, Enlarged
Benesch 207
Rembrandt
An Oriental Standing, full-length, 1639?
GB London, British Museum
Benesch 207 Verso
Rembrandt
Sketch of the Head of a Man, wearing
a turban (crossed out)
GB London, British Museum
Benesch 208
Rembrandt??
A Young Oriental Riding a Camel, c.1638-39
Formerly Dresden, Friedrich August Collection
(present whereabouts unknown)
Benesch 209
School of Rembrandt/Carel Fabritius??
Three Orientals Standing, c.1639?
D Berlin, Kupferstichkabinett
Benesch 210
School of Rembrandt/Carel Fabritius??
Four Orientals Standing, c.1639?
H Budapest, Szépművészeti Múzeum
Benesch 211
School of Rembrandt/ Rembrandt??
Two Orientals in Cloaks, in conversation, 1639?
NL Haarlem, Teyler Museum
Benesch 211a
School of Rembrandt
Two Orientals Standing
Whereabouts unknown (Formerly Private Collection, Paris, F. Flameng)
Benesch 212
School of Rembrandt (Carel Fabritius??)
Two Standing Orientals, c.1639?/1640s
F Paris, Musée du Louvre
Benesch 213
Rembrandt
Bust of a Man in a Turban, head turned to right, c.1638-39
F Paris, Musée du Louvre
Benesch 0214
School of Rembrandt (Carel Fabritius??)
Two Busts of Oriental Men in Turbans, c.1638-42
B Brussels, Musée des Beaux Arts
Benesch 215
Rembrandt (probably with later additions by another
hand)
Bust of an Oriental, full face
USA Private Collection, Rhode Island (Middendorf)
Benesch 216
Anonymous School of Rembrandt (Attributed to Rembrandt??)
A Bearded Old Man in a High Hat at a Door, 1639?
D Dresden, Kupferstich-Kabinett
Benesch 217
Rembrandt
A Woman Standing in Profile to Left, full-length 1638-39?
D Bremen, Kunsthalle
Benesch 217A
Rembrandt
A Study for a Portrait of Saskia van Uylenburgh, standing, full-length, her face in profile to left, 1638-39?
GB London, Courtauld Institute of Art
Right: Benesch 0217A COMPARATIVE illustration
Detail of Benesch 0197, with similar technique, style and shading (actual size)
Benesch 217A COMPARATIVE Illustration
Rembrandt, Half-Length Portrait of Saskia
van Uylenburgh, c.1633-42. Oil on panel,
99.5 x 78.8 cm. D Kassel, Gemäldegalerie
Benesch 218
Rembrandt
Sheet of Seven Figure-Studies Including a Crying
Child, c.1638-39
D Berlin, Kupferstichkabinett SMPK
Right: Detail, enlarged
Benesch 219
Rembrandt
Mosaic of Studies of Nine Figures, with Sketches for a Vertumnus and Pomona 1638-39?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
THE DRAWINGS OF REMBRANDT 