Ben 0427 pic Detail of figure ex smb-digital.de
Ben 0427 pic ex smb-digital.de
Ben 0427 pic Detail inscription only ex smb-digita

Benesch 427 Details, Enlarged

Benesch 427
Rembrandt*
Portrait of Saskia van Uylenburgh, 1633 (1634??)
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0428 ex Hamburg site

Benesch 428
Rembrandt
Seated Woman Holding a Letter, c.1631-32
D Hamburg, Kunsthalle

Ben 0428 Mierevelt 1628 COMPARATIVE

Fig. a Michiel van Miereveldt
Elizabteth Stuart (The Winter Queen), 1628
Sotheby's, London, 2015

Ben 0428 COMP C Janssens 1630 Portrait 1630

Fig. b Cornelis Janssens
Portrait of a Woman, 1630
GB Boughton House (The Duke of Buccleuch)

Ben 0428 fig.c Van Dyck Henrietta Maria ex Pinterest

Fig. c Anthonie van Dyck
Portrait of Queen Henrietta Maria,1636-37
USA New York, Private Collection

Ben 0428 ex Hamburg site

Benesch 428 (reduced)

Ben 0082 ex wga.hu

Fig.d Benesch 82 (reduced)

Fig.e.6
Detail of
Benesch 6
verso

Fig.e.1-5 Mosaic of illustrations:
Fig.e.1 (from Benesch 428) showing both diagonal shading and more sharply pointed trailing lines
Fig.e.2 (from Benesch 82) showing similar diagonal shading (top box) and more sharply pointed trailing lines (lower box)
Figs.e.3 and 4 (from Benesch 46) showing comparable diagonal shading
Fig.e.5 (from Benesch 90) showing comparable diagonal shading

Ben 0021 Detail shading to left ex BM site

Fig.g Benesch 0021 Detail

Ben 0428 Detail shadin left and lower ex Hamburg site

Fig.f Benesch 428 Detail

Ben 0041 ex 1.bp..blogspot.com DETAIL for COMP Ben 0428

Fig.h.3 Benesch 41, Detail
(photograph in black and white)

Ben 0082 DETAIL drapery left ex wga.hu

Fig.h.2 Benesch 82, Detail

Ben 0428 Scratching Out Comp ill ex Hamburg site

Fig.h.1 Benesch 428, Detail

Figs h.1-3 show the comparable use of repeated dark strokes of chalk in the outlines, and the frequent use of dark lines that are drawn over and cut across the underlying shading

Ben 0428 DETAIL drapery lower left ex Hamburg site

Fig.i Benesch 428, Detail
Showing the soft style of shading

Not in Benesch Proof of Uytenbogaert 1635 DETAIL background upper right ex BM site

Fig.j Rembrandt, Detail of etched Portrait
of Johannes Uytenbogaert, 1635, touched
proof in black chalk (see further under the
Not in Benesch tab)

The soft style of shading is comparable to Benesch 428

Fig.k.1 Benesch 428, Detail

Figs k.1-3 Mosaic of details showing comparable dark accents in and near the sleeves
Similar accents are also found in Fig.g under the arm of Lot (Benesch 82)
(The contrasts are stronger in Benesch 0428 as the other two drawings are in red, rather than black chalk.)

Ben 0020 Detail L Black  ex Getty

Fig.n Benesch 20 Detail

Ben 0046 DETAIL COMP for Ben 0428 central dark area ex Louvre site

Fig.m Benesch 046
Detail

Ben 0428 Detail contours and shading

Fig.l Benesch 0428 Detail

Figs l-n show similar traces of creasing and/or scratching in the paper

Ben 0428 DETAIL BandW her right hand ex Hamburg site

Fig.o.1 Benesch 428, Detail

Ben 0021 DETAIL hands ex BM site

Fig.o.2 Benesch 21, Detail

Ben 0428 Detail dark accents by sleev etc. ex Hamb

Fig.o.3 Benesch 428, Detail

Figs o.1-3 Compare the firm outlines of the arm and hand in Fig.x with those in the nearer arm in Fig.y (including the little finger). Also, both forearms are subtly shaded before the wrist in an identical manner (the upper section of the exposed arm in Fig.x, the forearm in Fig.y).
The more sketchily drawn further hand in Fig.y seems compatible with that in Fig.z.

Ben 0429 Verso ex Louvre site

Benesch 429 Verso
Rembrandt
Three Studies of a Sleeve, c.1635-36
F Paris, Musée du Louvre

Ben 0430 COMP B.17 1633 ex BM

Fig.a
Rembrandt
Self-Portrait with a Cap and Scarf, 1633
Etching, Bartsch 17; NH 120, ii (illustrated in reverse)
GB London, British Museum (inv. F,4.18, formerly 1973,U.839)

Ben 0430 ex pubhist

Benesch 430
Rembrandt
Self-Portrait, c.1633
F Marseille, Musée des Beaux-Arts

Ben 0430 COMP Ben 0083a B&W DETAIL REVERSED of verso ex BM site

Fig.b
Benesch 83a
Detail, reversed to show the original direction of the draughtsmanship

Ben 0430 Detail shading ex pubhist

Benesch 430
Detail

Ben 0430 DETAIL Face ex pubhist

Benesch 430 Detail, Enlarged

Ben 0430 COMP B.17 1633 Detail eyes ex BM

Fig. d Detail of Fig.a, Enlarged

Ben 0431 COMP Fig. a Kassel Saskia ex Kassel.de

Fig.a
Rembrandt
Portrait of Saskia van Uylenburgh, begun c.1633, completed 1642
Oil on panel, 99.5 x 78.8 cm.
D Kassel, Gemäldegalerie

Ben 0431 pic ex Basel Museum

Benesch 431
Ferdinand Bol
A Woman Standing in a Flat Cap, c.1640-42
CH Basel, Kunstmuseum

Ben 0431 COMP b Antwerp version of Kassel Portrait

Fig. c Rembrandt and studio,
Portrait of Saskia Uylenburgh, c.1642 or later?
Oil on canvas, 112 x 89 cm
B Antwerp, Koninklijk Museum voor Schone Kunsten

Ben 0431 Fig.a Flinck attrib Vienna HdG 1431 Sumo 947x Flinck

Fig.c Attributed to Govert Flinck
Portrait of a Woman
Pen and brown ink with brown wash. 139 x 116
A Vienna, Albertina

Ben 0432 pic ex rembrandtpainting.net

Benesch 432
Rembrandt
Self-Portrait, c.1633-35
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0432 pic DETAIL ex rembrandtpainting.net

Ben 0432 Detail

Ben 0432 Fig.a Ben 0054 pic DETAIL mouth ex Rijksmuseum

Fig.a
Benesch 54, Detail

Ben 0432 Fig.b Ben 0257 pic separate without inscription

Fig. b
Benesch 257

Ben 0432 Fig.c Not Benesch DETAIL TOP LEFT St Peter with Kevin Balacz final

Fig.c
Not In Benesch, Detail
of version of Benesch 124
(considerably darkened by damage)

Ben 0432 DETAIL hand pic ex rembrandtpainting.net

Benesch 432, Detail

Ben 0432 Fig.d Not in Benesch Harvard Girl Ben A010

Fig.d
Benesch A10, Detail
(see under 'Not in Benesch' tab)

Ben 0432 Fig.d COMP Louvre Self-Portrait

Fig.e
Rembrandt
Self-Portrait with a Gold Chain, 1633
Oil on panel, 61 x 48.1 cm
F Paris, Musée du Louvre

Ben 0433

Benesch 433
Rembrandt*
Portrait of a seated Man in an Armchair (Willem Jansz. van der Pluym?), 1640-41 (based on a prototype of 1634)
COLLECTION: USA, Private Collection

Ben 0433 IR signature to use

Fig.a Detail, Infra-Red photograph, revealing the earlier signature and date

Ben 0433 COMP Fig.a Ben 0759 Anslo Detail pic ex. 1.bp.blogspot.com

Fig. b Benesch 759, Detail, enlarged

Ben 0433_1 DETAIL

Benesch 433, Detail

Ben 0434 pic ex Met Museum site smaller

Benesch 434, ENLARGED. The areas drawn in grey and grey black were added at a later date, using the brush and the tip of the brush (mostly in the turban) for outlines

Ben 0434 pic ex Met Museum site

Benesch 434
Rembrandt
Self-Portrait, c.1635, reworked c.1661
USA New York, The Metropolitan Museum of Art (Robert Lehmann Collection)

Ben 0434 COMP detail of Benesch 0292 pic

Fig.a. Benesch 292, DETAIL

Ben 0434 COMP Windsor Self-Portrait ex Royal Collection site 255504-1473672276

Fig. b. Rembrandt, Self-Portrait, 1642
Oil on panel, 70.4 x 58.8 cm
Brirtish Royal Collection (Thed Royal Collections Trust)

Ben 0434 COMP Self-P as St Paul ex Google_Art_Project

Fig. c. Rembrandt, Self-Portrait as St Paul,1661
Oil on canvas, 93.2 x 79.1 cm.
NL Amsterdam, Rijksmuseum

Ben 434 COMP Ben 1066 ex pubhist 26544

Fig.d. Benesch 1066, Actual size

Ben 0434 pic DETAIL head only ex Met Museum site

Benesch 434, DETAIL, Actual size
The outlines drawn with the tip of the brush in dark grey may be compared with the broad lines - made not with the brush but with a reed pen - in Benesch 1066 (Fig.c). Compare also the detail of Fig.b below

Ben 0434 COMP Self-P as Apostle Paul DETAIL ex Google_Art_Project

Detail of Fig.c. The canted angle of the head is the same as in Benesch 434 (see detail above). Note also the line of the collar to the nearer cheek, and the angle of the collar and shoulder on the right, as also the outline of the nose

Ben 0435 Pic ex pubhist bandw

Benesch 0435
School of Rembrandt (Rembrandt??)
Portrait of a Young Man in a Flat Cap, c.1635
Private Collection (formerly Victor Koch)

Ben 0435 DETAIL pic ex Riley Smith and not good

Benesch 0435, DETAIL (recent photograph taken from a slight angle)

Ben 0435 COMP fig.a Bol selfportrait Dordrecht ex Dordrecht site DM-887-372

Fig.a
Ferdinand Bol,
Self-Portrait, 1646
Oil on canvas, 102 x 85.5 cm,
NL, Dordrecht, Dordrechts Museum

Ben 436 COMP Fig. a Ben 0257 pic separate without inscription

Fig.a Benesch 257

Ben 0436 pic ex useum.org

Benesch 436
Rembrandt?
A Woman with her Arm in a Sling, c.1635?
NL Amsterdam, Rijksmuseum.

Ben 0436 Fig.b Detail of Ben 0300 pic

Fig.b Benesch 300, DETAIL

Ben 0436 DETAIL ex rijksmuseum.nl

Benesch 436, DETAIL, Enlarged, of the hand, showing retouches in darker ink, for example in the zigzag at the fingers

Ben 0436 Fig.c Ben 0152 DETAIL

Fig.c Benesch 152, DETAIL

Ben 0436 DETAIL 2 FACE ex Rijksmuseum.nl

Benesch 436 DETAIL, Enlarged, of the face (also showing later strengthening of the eyes, nose and mouth)

Ben 0437 pic ex nga site C16981

Benesch 437 Enlarged

Ben 0437 pic ex nga site C16981

Benesch 437
Rembrandt
Self-Portrait Wearing a Cap, c.1634-36
USA Washington, National Gallery of Art (Rosenwald Collection)

Ben 0437 Fig a etched Self-Portrait Flipped

Fig.a Rembrandt, Self-Portrait wearing a soft cap, full face, head only, c.1634, etching (shown in reverse and much enlarged), Bartsch 2; NH 133, only state.
GB London, British Museum (1868,0822.654)

Ben 0437 verso Grasselli TEMPORARY photo
Ben 0437 verso Grasselli TEMPORARY photo

Benesch 437 Verso

Benesch 0437 Verso, Enlarged

Ben 0438 ex RKD site

Benesch 438
Ferdinand Bol*
Portrait of a Man, c.1647
P Wroclaw, Ossolineum

Ben 0438 Fig. a Bol ptg Schwerin

Fig.a
Ferdinand Bol
#5 cm.
Portrait of a Man, 1647
Oil on canvas. 88.2 x 76.5 cm.
D Schwerin, Staatliches Museum

Ben 0438 ex RKD site

Benesch 438, Enlarged.

Ben 0439 pic ex Pubhist BandW

Benesch 439
Rembrandt? Ferdinand Bol?
Portrait of a Bearded Man, c.1640-45?
D Copenhagen, Statens Museum for Kunst.

Ben 0439 COMP etching Man in Divided Hat

Fig. a Rembrandt, The Man with the Divided Hat, 1640, etching, 150 x 138. GB London, British Museum (1829,0415.24)

Ben 0763 ex BM site

Fig. b. Benesch 763.
GB London, British Museum

Ben 0440 pic ex Nationalmuseum site

Benesch 0440
Rembrandt
Portrait Bust of a Boy, c.1638-39
S Stockholm, Nationalmuseum

Ben 0440 Fig.a Ben 0339 Detail Pic Abrams Heads

Fig.a Benesch 339, Detail (to compare the use of the tip of the brush)
USA Cambridge (Mass.), Harvard University Art Museums (Maida and George Abrams Collection)

Ben 0441 pic ex Nationalmuseum site

Benesch 441
Rembrandt
Portrait of Titia van Uylenburgh, 1639
S Stockholm, Nationalmuseum

Ben 0441 pic DETAIL ex Nationalmuseum site

Benesch 441 DETAIL, Enlarged

Ben 0441 Fig.a Lucas ex BM site

Fig.a Lucas van Leyden, An Old Man Drawing, Black chalk, 273 x 273.
GB London, British Museum (1892,0804.16)

Ben 0442 pic ex BM site AN00223010_001_l

Benesch 442
Rembrandt*
A Study for the Portrait of a Young Woman (Maria Trip?)
GB London, British Museum

Ben 0442 Fig. a painting of Maria Trip ex Wikimedia

Fig.a Rembrandt, Portrait of a Young Woman (Maria Trip?), 1639?
Oil on poplar panel, 107 x 82 cm.
NL Amsterdam, Rijksmuseum (on loan from the Stichting Familie van Weede)

Ben 0443 large pic ex Met Museum

Benesch 443
Rembrandt*
The Last Supper, after Leonardo da Vinci, c.1635
USA New York, The Metropolitan Museum of Art, Robert Lehman Collection

Ben 0443 Fig.a ex met Museum Birago after Leonardo DT4290

Fig.a Attributed to Giovanni Antonio Birago, The Last Supper, after Leonardo da Vinci.
Engraving, c.1500, 213 x 440. USA New York, The Metropolitan Museum of Art (Purchase, Dr. and Mrs. Goodwin M. Breinin Gift)

Ben 0443 DETAIL Left Group from large pic ex Met M

Benesch 443, Detail, Enlarged

Ben 0443 DETAIL Right Group ex large pic ex Met Museum

Benesch 443 Detail, Enlarged

Ben 0443 DETAIL Bust of Christ ex large pic ex Met Museum

Benesch 443, Detail, Enlarged

Ben 0444 BM after Leonardo ex BM site

Benesch 444
Rembrandt*
The Last Supper, after Soutman after Leonmardo and Rubens, c.1635
GB London, The British Museum

Ben 0443 Fig b Soutman after Rubens

Fig.b Pieter Soutman after Leonardo da Vinci and Rubens, The Last Supper
Red and black chalk with brown wash. 202 x 515. Chatsworth, Devonshire Collection, The Trustees of the Chatsworth Settlement (Inv.677)

Ben 0443 COMP fig.3 The Leonardo Fresco

Fig.c Leonardo da Vinci, The Last Supper, fresco, width: 880 cms. Milan, S. Maria delle Grazie

Ben 0445  ex Holm

Benesch 445
Rembrandt*
The Last Supper, after Leonardo da Vinci, 1635
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0445  ex Holm DETAIL left

Benesch 445 Derail, left, enlarged

Ben 0445  ex Holm DETAIL Centre

Benesch 445 Detail, centre, enlarged

Ben 0445 ex HOLM DETAIL Right

Benesch 445 Detail, right, enlarged

Ben 0446 Vienna ex Albertina Joseph after Lastman

Benesch 465
Rembrandt*
Joseph Distributing Corn in Egypt (after Pieter Lastman)
A Vienna, Albertina

Ben 0446 Fig.a Lastman Joseph Distributing Corn ex Pubhist.com

Fig. a
Pieter Lastman
Joseph Distributing Corn in Egypt, 1612
Oil on panel., 57.6 x 88.2 cm.
IRL Dublin, National Gallery of Ireland

Ben 0447 pic ex kulturpool.at site

Benesch 446
Rembrandt
The Dismissal of Hagar, after Pieter Lastman, c.1636-37
A Vienna, Albertina

Ben 0447 Fig astar DETAIL Lastman ptg ex Hamburg s

Detail of Fig.a

Ben 0447 Fig a Lastman ptg ex Hamburg site

Fig. a Pieter Lastman, The Dismissal of Hagar, signed and dated 1612. Oil on panel, 49 x 71 cm.
D Hamburg, Kunsthalle.

Ben 0012

Fig.b Benesch 12

Ben 0447 Fig.c Rembrandt etching Expulsion of Haga

Detail of Fig.a

Fig.c Rembrandt, The Dismissal of Hagar, 1637
Etching, 125 x 95. Bartsch 30; NH 166
GB London, British Museum (1847,0609.14)

Ben 0448 Berlin ex Berlin Museums site

Benesch 448
Rembrandt
Susannah and the Elders, after Pieter Lastman , c.1635
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0448 Fig.b Mauritshuis Susannah

Fig.b Rembrandt, Susannah and the Elders, 1636. Oil on panel, 47.2 x 38.6 cm. NL The Hague, Mauritshuis

Ben 0448 Fig.a Lastman painting

Fig.a Pieter Lastman, Susannah and the Elders, 1614. Oil on panel, 42 x 58 cm. D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0448 Fig.c Berlin Susanna ex Corpus

Fig.c Rembrandt, Susannah and the Elders, begun c.1638, completed 1647.
Oil on panel, 76.6 x 92.8 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

You are viewing the text version of this site.

To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled.

Need help? check the requirements page.


Get Flash Player