THE DRAWINGS OF REMBRANDT:  

  a revision of Otto Benesch's catalogue raisonné

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Illustrations 2_1

Benesch 129 Verso  Circle of Rembrandt : Govert Flinck?? Jan van Vliet?? or Jan Victors???

The Sacrifice of Isaac  c.1635-45?? (depending on the attribution)

A Vienna, Albertina

Ben 0129 verso comp Fogg Samaritan

COMPARATIVE illustration to Benesch 129

Circle of Rembrandt

The Good Samaritan. 160 x 185mm

Fogg Art Museum, Harvard University

Ben 0130

Benesch 130  Govert Flinck?? c.1640?

Tobit Taking Leave of his Mother?

F Paris, Musée du Louvre

Benesch 128, Rembrandt,  c.1636-38

Lot and his Daughters

D Weimar, Goethe-Nationalmuseum

Fig.a. Christoph Paudiss, Lot and His Daughters, 1649

Oil on canvas 155.5 x 198 cm.

H Budapest, Szepmüveszeti Muzeum

Ben 0129 recto colour

Benesch 129  Govert Flinck? or Jan Victors??? c.1640-45

Lot and his Family Leaving Sodom

A Vienna, Albertina

Ben 0129 verso

0127A  Ferdinand Bol c.1640-45?

A Sleeping Soldier

Private Collection?

(Sold Sotheby's New York 2005)

Ben 0127A comp Bol ptg

COMPARATIVE photograph for Benesch 127A:

Ferdinand Bol: The Liberation of St Peter (signed)

Oil on panel; 736 x 590 mm

Schoten, P. Baaij

Ben 0127 Comp dg 001 Ben 0104 with 127B Ben 0127B

COMPARATIVE illustration to Benesch 127B                                                                                      Benesch 127B

Benesch 0104 and 0127B    Ferdinand Bol??/Rembrandt??? c.1635-40                                                            

Christ Comforted by the Angel on the Mount of Olives

D Munich, Staatliche Graphische Sammlung

Ben 0128 Ben 0128 comp  Paudiss

Benesch 126  Ferdinand Bol?? c.1640-45?

St Peter and the Angel

USA Sacramento, Crocker Art Gallery

Benesch 126: small colour image from Crocker Art

Gallery website

downloaded 26 January 2013

http://www.crockerartmuseum.org/

digital-crocker/item/

liberation-of-saint-peter-17th-century

Benesch 127 Recto  Govert Flinck? c.1640

Delilah Cutting Samson's Hair

Dijon, Musée des Beaux-Arts

Benesch 127 Verso  Govert Flinck? c.1640

Sketch of a Woman Surprised and of a Seated Old Man with a Woman

Dijon, Musée des Beaux-Arts

Ben 127A_I

0127A  Ferdinand Bol c.1640-45?

A Sleeping Soldier

Private Collection?

(Sold Sotheby's New York 2005)

Benesch 127A  Detail, enlarged (making the underdrawing in black chalk more visible)

Benesch 123 verso, Gerbrand van den Eeckhout?,  1638

Willem Ruyter in the Role of Bishop Gozewijn, facing front

D Dresden, Kupferstich-Kabinett

Ben 0124

Benesch 124  Govert Flinck?  c.1640

Study of a Prophet or Apostle (St Peter?)

Private collection (whereabouts unknown)

Ben 0125

Benesch 125  Ferdinand Bol?, c.1640-45

Jacob's Dream

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0126 Ben 0126 small colour Ben 0127 Recto BW

Benesch 121   Govert Flinck?  1638?

Willem Ruyter in the Role of Bishop Gozewijn, being robed

D Dresden, Kupferstich-Kabinett

Ben 0122

Benesch 122  Gerbrand van den Eeckhout? 1638

Willem Ruyter in the Role of Bishop Gozewijn

D Braunschweig, Herzog Anton Ulrich-Museum

 

Ben 0123 recto Ben 0123 verso

Benesch 123 recto, Gerbrandt van den Eeckhout?,  1638

An Actor in the Role of the Abbess Klaris van Velzen

D Dresden, Kupferstich-Kabinett

Ben 0120

Benesch 120, Rembrandt,    c.1638

Willem Ruyter as Bishop Gozewijn (?)

GB Chatsworth, Derbyshire (The Trustees of the Chatsworth Settlement)

Ben 0121_IV

Benesch 127B Ferdinand Bol??/Rembrandt???

Sketch for Christ on the Mount of Olives

Whereabouts unknown

Benesch 127A  Ferdinand Bol c.1640-45?

A Sleeping Soldier

Private Collection?

(Sold Sotheby's New York 2005)

COMPARATIVE photograph for Benesch 127A:

Ferdinand Bol: The Liberation of St Peter

Pen and brown ink with grey was ovcer black chalk; 438 x 410 mm

Whereabouts unknown

Benesch 130A  School of Rembrandt, perhaps after Rembrandt,   c.1640?

Jacob Blessing Joseph's Sons

Private Collection (unknown)

Ben 0130A Ben 0130A Comp RPK A2422

COMPARATIVE illustration to Benesch 130A

Anonymous copy perhaps after Rembrandt (or after Benesch 130A)

Amsterdam, Rijksmuseum (inv. A2422, Benesch C23)

Ben 0131

Benesch 130B  :   Gerbrand van den Eeckhout?? or Rembrandt???

A Woman Kneeling (Hagar?) c.1636-38?

D Dortmund Private Collection

Benesch 131   School of Rembrandt - Gerbrand van den Eeckhout???

Tobias Curing the Old Tobit  c.1638-42?

GB London, Courtauld Institute

Ben 0132

Benesch 132, Rembrandt

Zacharias (?) and the Angel  c.1634-35

USA Cambridge, Mass, Fogg Art Museum, Harvard University

(Maida and George Abrams Collection).

Ben 0130B_from BW photo

Benesch 133  Rembrandt

Ruth and Boaz  c.1634-35

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0134 Verso

Benesch 134 Recto  Ferdinand Bol?

Isaac blessing Jacob  c.1635-40?

NL Rotterdam, Museum Boijmans Van Beuningen

Benesch 134 Verso   Ferdinand Bol?

Isaac blessing Jacob  (traced from the recto) c.1635-40?

NL Rotterdam, Museum Boijman Van Beuningen

Ben 0135

Benesch 135

Rembrandt, Scene of Judgement (Christ or Barabbas?)   c.1635-38

D Dresden, Kupferstich-Kabinett

 

Ben 0135 Comp Ecce Homo grisaille Ben 0135 Comp Christ presented 1655 1st state

COMPARATIVE illustration to Benesch 0135

Christ before Pilate    1634

Grisaille on paper laid down on canvas, the outlines indented for transfer to a copper plate, 545 x 445mm

London, National Gallery

COMPARATIVE illustration to Benesch 0135

Christ presented to the People   1655

Drypoint, 1st state, 383 x 455

London, British Museum (1848,0911.38 )

Ben 0136

Benesch 136

Rembrandt?, King Solomon with his Wives and Concubines Adoring an Idol

F Paris, Musée du Louvre

Ben 0137

Benesch 137

Rembrandt, Study of a Woman with a Snake (Cleopatra)   c.1637

USA  Los Angeles, J. Paul Getty Museum

Drawings still considered to be by Rembrandt are aligned to the left

Drawings no longer considered to be by Rembrandt are aligned to the right 

Comparative illustrations are ranged

down the centre

      and some 'attributed' drawings

NB  The illustrations are almost all taken from readily available online resources. They must not be used for commercial purposes.

                                          For an explanation of the use of asterisks and question marks in the captions, please see under the 'About' tab.

 

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Ben 0138

Benesch 138

Gerbrand van den Eeckhout, St Paul Preaching in Athens, c.1635-40

GB London, British Museum

Ben 0139 Paris Lugt Pilate

Benesch 139

Rembrandt, Pilate and his Wife (Matthew, XXVII, 19), c.1633-34

F Paris, Fondation Custodia, Collection F. Lugt

Benesch 139A

Rembrandt? St John the Baptist Preaching   c.1652?

USA New York, Morgan Library, Thaw Collection

Ben 139A-142A Comparative Berlin Baptist grisaille

COMPARATIVE illustration to Benesch 139A, 140, 141, 142, 142A and 336

Rembrandt, St John the Baptist Preaching  c.1633-34

Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm

D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0140 Berlin listerners for St John

Benesch 140

Rembrandt*, Listeners for St John the Baptist Preaching  c.1633-34

D Berlin, Staatlich Museen Berlin, Kupferstichkabinett

Ben 140 Comp etching B.37ii. Joseph telling dreams BM 1868,0822.660 detail

COMPARATIVE illustration to Benesch 140

Rembrandt,  Joseph Telling his Dreams, c.1638 (Detail enlarged)

etching B.37ii.

London, British Museum (1868,0822.660)

Benesch 141 Berlin sketch of central figs in Baptist grisaille

Benesch 0141, Rembrandt*

Studies for the Standing Scribes and Other Figures for St John the Baptist Preaching, c.1633-34

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

 

Ben 140-142A Comparative Berlin Baptist grisaille detail

COMPARATIVE illustration to Benesch 141-142

Rembrandt, St John the Baptist Preaching  c.1633-34 (Detail)

Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm

D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 142 Comparative Berlin Baptist grisaille detail

COMPARATIVE illustration to Benesch 142

Rembrandt, St John the Baptist Preaching  c.1633-34 (Detail)

Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm

D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Benesch 142 verso

Rembrandt*, Sketches of Heads for the St. John the Baptist Preaching   c.1633-34

GB Chatsworth, Derbyshire (the Trustees of the Chatsworth Settlement)

Benesch 142 recto

Rembrandt*, Study for  the Scribes in the St. John the Baptist Preaching, and a half-length sketch of a woman  c.1633-34

GB Chatsworth, Derbyshire (the Trustees of the Chatsworth Settlement)

Ben 0142A London Ctld St John red chalk Ben 142A Comparative Berlin grisaille detail of Baptist

Benesch 142A recto

Rembrandt*, Two Studies for St John the Baptist  c.1633-34

GB London, Courtald Institute

COMPARATIVE illustration to Benesch 142A

Rembrandt, St John the Baptist Preaching  c.1633-34 (Detail)

Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm

D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0142a verso

Benesch 142A verso

Rembrandt*, Verso: Head of a Man (probably also St. John the Baptist), c.1633-34

GB London, Courtald Institute

Ben 0143 Cambridge Mass Standing Man

Benesch 143

Rembrandt,  Standing Old Man, full-length, wearing a flat hat, his right arm extended  c.1637-39

USA Cambridge (Mass.), Fogg Art Museum

Ben 0144 Stockholm Calling of Matthew

Benesch 144

School of Rembrandt, The Calling of St. Matthew

S Stockholm, Nationalmuseum

Ben 0144A

Benesch 144A

Gerbrand van den Eeckhout??  The Good Samaritan  1635-38??

GB Buscot Park, Oxfordshire, The Faringdon Collection

Lastman Gd Samaritan PC ex Dorotheum 2012 sent by Seifert 2012

COMPARATIVE illustration to Benesch 144A

Pieter Lastman,  The Good Samaritan  1612-15?

Oil on canvas 102 x 128 cm.

Private Collection

Benesch 0145

Benesch 145

Rembrandt,  A Russian Archer, Boyar and Two Disgraced Men  c.1637

USA New York, Morgan Library and Museum

Ben 0146

Beneach 146

Gerbrand van den Eeckhout,   Young Solomon Proclaimed King, Riding King David's Mule   c.1635-38?

F Paris, Musée du Louvre

Ben 0146 comparative copy art market

COMPARATIVE illustration to Benesch 146

After Gerbrand van den Eeckhout, Young Solomon Proclaimed King, Riding King David's Mule

GB London, art market, 2000.

Benesch 147

Gerbrand van den Eeckhout (retouched by Rembrandt??)  Rebecca Taking Leave of her Parents c.1637-40

D Stuttgart, Staatsgalerie

Benesch 0148 BM Mattathias

Benesch 148 recto

Rembrandt?  (Gerbrand van den Eeckhout??) Mattathias and the Officers of Antiochus at Modin  c.1633-35

GB London, British Museum

Benesch 148 verso

Rembrandt, A slight sketch with figures in a landscape c.1633-35

GB London, British Museum

Benesch 0148 verso Benesch 0149recto Benesch 1049verso

Benesch 149

Rembrandt?? Gerbrand van den Eeckhout?? Recto: The Daughters of Cecrops Opening the Chest Containing Erichthonius  c.1635-37?

Anonymous Verso: Kneeling Abraham (?) with a Slaughtered Ram

D Göttingen, Kunstsammlungen dey Universität.

Ben 0886 detail Hamburg St Jerome

COMPARATIVE Illustration to Benesch 139A

 

Rembrandt*, detail of Benesch 886 (St Jerome)

D, Hamburg, Kunsthalle

Ben 0150 PC Daughters of Cecrops

Benesch 150

Govert Flinck?,  The Daughters of Cecrops Opening the Chest Containing Erichthonius  1638-40?

USA Private Collection, New York

Ben 139A-142A Comparative Berlin Baptist grisaille

COMPARATIVE illustration to Benesch 139A

Rembrandt, St John the Baptist Preaching  c.1633-34

Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm

D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Benesch 0151 Rotterdam Horsemen

Benesch 151

Rembrandt, Horsemen near a Slope , c.1631-34

NL Rotterdam, Museum Boijmans van Beuningen

Ben 0151 comp. Tempesta Ben 0151 comp. Tempesta Alexander

COMPARATIVE illustration to Benesch 151

Antonio Tempesta, Two Hunters on Horseback Watching an Ostrich Hunt (Bartsch 1144)

GB London, British Museum (inv.1848,1125.76)

COMPARATIVE illustration to Benesch 151

Antonio Tempesta, Alexander Crossing the Mountains  (Bartsch 552)

USA Cambridge (Mass.), Fogg Art Museum, Harvard University Art Museums

(inv.S8.25.2)

Benesch 152

Rembrandt*, Studies of the Magdalene and the Virgin in Sorrow  c.1635-36

NL Amsterdam, Rijksmuseum

Rembrandt Entombment Munich Rembrandt Entombment Munich_Detail

COMPARATIVE illustration to Benesch 152

Rembrandt, The Entombment of Christ

Oil on canvas. 92.6 x 68.9 cm

D Munich, Alte Pinakothek

COMPARATIVE illustration to Benesch 152

Rembrandt, The Entombment of Christ (Detail)

Oil on canvas. 92.6 x 68.9 cm

D Munich, Alte Pinakothek

Benesch 0153 AHM Bust of Mourning Woman

Benesch 153

After Rembrandt? Rembrandt??

Bust of a Mourning Mary

NL Amsterdam, Amsterdam Museum

Benesch 0154 BM Lamentation Benesch 0154 Comp NG Lamentation

Benesch 154

Rembrandt*, The Lamentation at the Foot of the Cross  c.1634-35

GB London, British Museum

COMPARATIVE illustration to Benesch 154:

Rembrandt, The Lamentation at the Foot of the Cross c.1634-35

Oil on paper, stuck onto canvas and finally panel. 319 x 267mm.

GB London, National Gallery.

Benesch 0155

Benesch 155

Rembrandt?? Two Sketches of an Old Man in a Turban c.1645-47?

Formerly D Berlin, Private Collection (Paul von Schwabach, 1867-1938); with Christie’s, 1982.

NL The Hague Susannah 1637 DETAIL D Berlin Susannah and the Elders 1647 D Berlin Susannah and the Elders 1647 DETAIL

COMPARATIVE illustration to Benesch 155:

Rembrandt, Susannah and the Elders 1636

Oil on panel, 47.4 x 38.6 cm

NL The Hague, Mauritshuis

 

 

COMPARATIVE illustration for Benesch 155

Detail of the above

COMPARATIVE illustration to Benesch 155

Rembrandt, Susannah and the Elders, 1647

Oil on panel, 77 x 93 cm

D Berlin, Staatliche Museen Berlin, Gemäldegalerie

NL The Hague Susannah 1637

COMPARATIVE illustration to Benesch 155

Detail of the adjacent image

Benesch 0156

Benesch 156

Govert Flinck? Head of an Oriental in a Turban

Formerly F Paris, Private Collection (Otto Wertheimer)

 

D Berlin Susannah and the Elders 1647 DETAIL

COMPARATIVE illustration to Benesch 156

Detail of the adjacent image

Benesch 0157 D Berlin Susannah and the Elders 1647 Benesch 0157 COMP ptg Berlin Susanna DETAIL centre

COMPARATIVE illustrations to Benesch 157

Rembrandt, Susannah and the Elders, 1647

Oil on panel, 77 x 93 cm

D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Benesch 157

Rembrandt*, Study of an Elder (for Susannah and the Elders) c.1638

AUS Melbourne, National Gallery of Victoria

Benesch 0158 Louvre

Benesch 158

Rembrandt, Head of an Oriental in a Turban and a Dead Bird of Paradise, c.1638

F Paris, Musée du Louvre

Benesch 0159 Berlin

Benesch 159

Gerbrand van den Eeckhout? Susannah and the Elders  c.1638-40

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Benesch 160

Gerbrand van den Eeckhout? Retouched by Rembrandt?

The Adoration of the Magi  c.1638-40

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0161 recto Ruth and Naomi Ben 0161 verso

Benesch 161 recto

Rembrandt*, Ruth and Naomi   1638

NL Rotterdam, Museum Boijmans Van Beuningen

Benesch 0161 verso

Rembrandt*, Joseph Telling his Dreams  1638

NL Rotterdam, Museum Boijmans Van Beuningen

Ben 0161 comp grisaille Joseph telling Dreams Rijks Ben 0161v Comp etching Joseph telling dreams B37

Benesch 0161 verso COMPARATIVE illustration

Rembrandt, Joseph Telling His Dreams 1638

Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.

GB London, British Museum (F,4.67)

Benesch 161 verso COMPARATIVE illustration

Rembrandt, Joseph Tellling his Dreams c.1633

Grisaille in oils on paper, 558 x 387 mm.

NL Amsterdam, Rijksmuseum

Ben 0162 Berlin Boaz and Ruth

Benesch 162

Gerbrand van den Eeckhout? Boaz and Ruth  c.1638-40

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Benesch 163

Rembrandt?? (Gerbrand van den Eeckhout???), Adam and Eve  1638?

USA, Private Collection (?)

Benesch 0163 Benesch 0164 Benesch 0164 comp etching Adam and Eve

Benesch 164

Rembrandt*,  Adam and Eve  c.1638

NL Leiden, Prentenkabinet van de Universiteit Leiden

COMPARATIVE illustration to Benesch 164

Rembrandt, Adam and Eve, 1638

Etching, touched with black chalk. 162 x 116, Bartsch 28 (1st state)

London, British Museum (1852,1211.42)

Benesch 165

Ferdinand Bol, Vertumnus and Pomona, c.1640

NL Rotterdam, Museum Boijmans van Beuningen

Benesch 0165 pic

Benesch 166

Ferdinand Bol, Amnon and Tamar, c.1640

NL Rotterdam, Museum Boijmans van Beuningen

Benesch 0166

Benesch 167

Ferdinand Bol*, Elijah Sleeping Beneath a Tree c.1640-42

F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0167 Benesch 0167 comp Bol ptg sold 2007 smaller file used online

COMPARATIVE illustration to Benesch 167

Ferdinand Bol, Elijah Dreaming Beneath a Tree c.1642-43

Oil on canvas,  162 by 178 cm.

Sold London, Sotheby's, 5 Dec 2007, lot 27.

USA New York, The Leiden Collection.

Ben 0168

Benesch 168

Rembrandt*, Studies of a Woman Reading and an Oriental Man, c.1638

USA New York, Private Collection (Kramarsky)

Ben 0161v Comp etching Joseph telling dreams B37

COMPARATIVE illustration to Benesch 168

Rembrandt, Joseph Telling His Dreams 1638

Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.

GB London, British Museum (F,4.67)

Benesch 0169 pic

Benesch 169, Rembrandt??; (more probably Ferdinand Bol? after Rembrandt? )

Saskia (?) in Bed

USA Washington DC, National Gallery of Art

Ben 0169 Comp detail of etching Joseph telling dreams B37

COMPARATIVE illustration to Benesch 169

Rembrandt, Joseph Telling His Dreams (detail) 1638

Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.

GB London, British Museum (F,4.67)

For the whole image see under Benesch 168.

Benesch 0170 pic

Benesch 170

Gerbrand van den Eeckhout??, Govert Flinck??

The Liberation of St Peter  c.1639

GB London, British Museum.

Benesch 0171 pic

Benesch 171

Gerbrand van den Eeckhout? or Rembrandt??

Darab Sheltered by the Ruined Vault [?]   c.1639?

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Benesch 0171 COMP Freer miniature

Benesch 171 COMPARATIVE illustration

Folio from a Shahnama (Book of kings) by Firdawsi (d.1020):

Darab sleeping in the ruined vault c.1330-40

Tbriz, Iran. Il-Khanid period, Mongol period

Ink, opaque watercolor and gold on paper

252 x 204mm

USA  Washington D.C., Freer Gallery of Art (inv. F1930.78)

Benesch 0172

Benesch 172

School of Rembrandt (Govert Flinck??)

Two Priests with Two Kneeling Worshippers   c.1638-40

D Munich, Staatliche Graphische Sammlung

Benesch 0152 pic Ben 0173 Christ on Mt of Olives

Benesch 173

Govert Flinck? or Rembrandt???

The Agony in the Garden

USA New York,  Queen's College

Benesch 0174 pic

Benesch 174

Anonymous School of Rembrandt, Govert Flinck??

Lot and his Daughters c.1638-40?

D Dresden, Kupferstich-Kabinett (missing since 1945)

Benesch 175

Etched copy after Govert Flinck? or Rembrandt?? Boaz and Ruth,  c.1638-40

GB London, British Museum (also to be found in other collections)

 

NB: Here illustrated in reverse, thus in the same direction as the original drawing.

Benesch 0175 pic reversed

Benesch 176

School of Rembrandt (Gerbrand van den Eeckhout??)

The Beheading of Holofernes with Judith and her Servant

F Paris, Musée du Louvre

Benesch 0176_RMN Benesch 0177 large

Benesch 177

Rembrandt,  c.1635

A Man Haranguing a Woman seated at the left

USA Los Angeles, J Paul Getty Museum

Benesch 0178 pic Benesch 0178 comp Beatrizet after Michelangelo

Benesch 178

Rembrandt

The Conversion of Saint Paul, c.1635

D Berlin, Kupferstichkabinett SMPK

COMPARATIVE illustration to Benesch 178

Nicolas Beatrizet after Michelangelo

The Conversion of St Paul (detail) c.1550

Engraving

GB London, British Museum (inv.V,2.45)

Benesch 0179

Benesch 0179

Govert Flinck?

The Angel Departing from Manoah and his Wife  c.1639-40

F Paris, Musée du Louvre

Benesch 0180 Berlin Manoah Benesch 0180 verso Benesch 0180 offset from verso

Benesch 180 recto

Rembrandt?

Manoah's Offering c.1635-36?

D Berlin, Kupferstichkabinett SMPK

Benesch 180 verso

Rembrandt??

Bust of a man in a Cap and a half-length Study of a Standing, Corpulent Man; traces of an offset of a drawing of a Seated Man and a Standing Figure

D Berlin, Kupferstichkabinett SMPK

Offset on a separate piece of paper from Benesch 180 verso

D Berlin, Kupferstichkabinett SMPK

Benesch 0180 comp Flinck in Kingston Benesch 0180 Comp Rt Angel departing Louvre

Benesch 180 COMPARATIVE Illustration

Rembrandt: The Angel Leaving Tobit and his Family

Oil on panel 66 x 52cm

F Paris, Musée du Louvre

Benesch 180 COMPARATIVE Illustration

Govert Flinck (1615-60)

Manoah's Sacrifice 1640

Oil on canvas, 74.3 x 123.8 cm

Canada, Kingston, Ontario, Queen's University, Etherington Art Centre, Bader Collection.

Benesch 0181

Benesch 181

Rembrandt? (Gerbrand van den Eeckhout??)

Joseph Lifted from the Well by his Brothers  c.1636-38

NL Private Collection

Benesch 0182

Benesch 182

Rembrandt

Christ Washing the Feet of his Disciples,  c.1628-29

GB London, British Museum

Benesch 0183 Benesch 0183v

Benesch 0183

Rembrandt*

Studies for the Sick Woman in the “Hundred Guilder Print”, c.1645-48

NL Amsterdam, Rijksmuseum, Rijksprentenkabinet

 

Benesch 0183 verso

Rembrandt*

Slight sketch of the Head of the Sick Woman, c.1645-48

NL Amsterdam, Rijksmuseum, Rijksprentenkabinet

Benesch 0183 as etched by Le Blanc

COMPARATIVE Illustration to Benesch 183

Charles Le Blanc after Rembrandt

Etching

The image as known until the drawing reappeared at auction in 1964

Benesch 0183 COMP etching B359

COMPARATIVE Illustrations to Benesch 183

Rembrandt

The Sick Woman with a Large White Headdress (Saskia?), c.1645

Etching, Bartsch 359; NH 228, ii/ii. 61 x 51mm

GB London, British Museum (1842,0806.152)

Shown reversed on the right, to compare with the drawing and the 100 Guilder Print

Hundred_Guilder_Print RPK II Hundred_Guilder_Print RPK II DETAIL

COMPARATIVE Illustration to Benesch 183

Rembrandt, Christ Healing the Sick: The Hundred Guilder Print, c.1648

Etching, engraving and drypoint. 278 x 388mm. Bartsch 74; NH 239, ii/ii

NL Amsterdam, Rijksmuseum, Rijksprentenkabinet (RP-P-OB-602)

Detail of the above

Benesch 0183 COMP etching B359 FLIPPED Benesch 0184

Benesch 0184

Rembrandt*

Standing Man with a Cap in his Outstretched Hand: study for the “Hundred Guilder Print”, c.1640-42

GB London, Courtauuld Gallery (inv. D.1978.PG.188)

Ben 0152WM

Benesch 152: Watermark

FOR COMPARATIVE ILLUSTRATIONS: see

1. Benesch 183 for the "Hundred Guilder Print"

2. Benesch 188 , which shows the same figure.

Ben 0185 Louvre

Benesch 0185

Rembrandt*

A Blind Old Man Guided by a Woman: study for the “Hundred Guilder Print", c.1645-48

F Paris, Musée du Louvre (inv.22891)

COMPARATIVE ILLUSTRATION

Rembrandt: Detail of the "Hundred Guilder Print"

 

See also under Benesch 183 for the whole of the "Hundred Guilder Print"

Ben 0185 comp Detail Hundred Guilder Print with old man led by a woman Ben 0186 verso

Benesch 0186

School of Rembrandt                                                                             Verso (detail)

A Woman Standing with a Baby in her Arms, c.1637-45??

NL Rotterdam, Museum Boijmans Van Beuningen (inv. R 47)

Ben 0187 Fogg

Benesch 187

Rembrandt??

A Woman with a Child in her Arms, c.1637-39

Formerly USA, Cambridge (Mass.), Harvard University Art Museums, Fogg Art Museum

Benesch 188

Rembrandt*

Study for a Group of Figures in the “Hundred Guilder Print”, c.1645-48

D Berlin, Kupferstichkabinett (inv. KdZ 2695)

Hundred_Guilder_Print RPK II Hundred_Guilder_Print RPK II DETAIL

COMPARATIVE Illustration to Benesch 188

Rembrandt, Christ Healing the Sick: The Hundred Guilder Print, c.1648

Etching, engraving and drypoint. 278 x 388mm. Bartsch 74; NH 239, ii/ii

NL Amsterdam, Rijksmuseum, Rijksprentenkabinet (RP-P-OB-602)

COMPARATIVE Illustration to Benesch 188: Detail of the Hundred Guilder Print (see below) and the same detail reversed.

Benesch 189

Rembrandt

An Old Man led by a Boy (study for Jacob with Benjamin?)   c.1646-49

S Stockholm, Nationalmuseum

Benesch 190

Rembrandt

An Old Man Led by a Boy and another Figure, with a study of a head (Jacob with Benjamin and another son?)  c.1646-49

NL Rotterdam, Boijmans van Beuningen Museum

Ben 0189 Stockholm Old Man and Boy Ben 0191 Nude Boijmans poss. Backer

Benesch 0191

Govert Flinck??

Two Studies of a Nude Woman, Resting, c.1640?

NL Rotterdam, Museum Boijmans Van Beuningen

Ben 0192 verso from Rotterdam 1988

Benesch 192

Govert Flinck?

Study of a Seated Female Nude, seen from behind, 1635?

NL Rotterdam, Museum Boijmans van Beuningen

Benesch 192 verso

Govert Flinck?

Study of a Seated Female Nude, seen from behind, 1635?

NL Rotterdam, Museum Boijmans van Beuningen

Ben 0193 Ctld Nude

Benesch 193

Rembrandt

Study of a Seated Fenale Nude, seen from behind, c.1635?

GB London, Courtauld Institute

Ben 0192 from Rotterdam 1988 Ben 0193A Stockholm Reclining nude

Benesch 193A

Govert Flinck?

A Nude Woman reclining near a Tree, seen from behind, c.1637-40

S Stockholm, Nationalmuseum

Benesch 0194 Recto

Rembrandt

A Woman Standing Holding a Child and Two Studies of a Seated Woman, 1637-39

AUS Melbourne, National Gallery of Victoria

Benesch 0194 Verso

Rembrandt

Profile Bust of a Man in a Turban; Sketch of a Woman Sleeping (Saskia?)

1637-39

AUS Melbourne, National Gallery of Victoria

Ben 0195 R Albertina Ben 0195 Albertina Verso inv8852v

Benesch 195 recto

Rembrandt

Seated Woman with Clasped Hands, c.1628-29?

A Vienna, Albertina

 

 

Benesch 195 verso

Rembrandt

Studies of Heads and Busts, c.1628-29

A Vienna, Albertina

Ben 0194 verso Ben 0196 Dresden seated woman in profile blch

Benesch 0196

Rembrandt

A Seated Woman, in profile, full-length, c.1629

D Dresden, Kupferstich-Kabinett

Ben 0127 Verso BW Ben 127A_I Detail enlarged Benesch 0197 from pubhist

Benesch 0197

Rembrandt

Two Studies of a Seated Beggar-Woman with Two Children, c.1638-39

F Paris, Musée du Louvre

Benesch 0198 NGA Washington

Benesch 0198

Rembrandt

A Woman Seated on the Ground with Two Children, c.1638-39

USA Washington, National Gallery of Art

Benesch 0199 Louvre

Benesch 199 recto

Rembrandt

Studies of Two Men and Two Children, c.1638-39

F Paris, Musée du Louvre

Benesch 199 verso

Rembrandt

An Oriental Holding a Tilted Parasol, c.1638-39

F Paris, Musée du Louvre

Ben 0200

Benesch 200

Nicolaes Maes?

Studies of Two Men and a Woman Teaching a Child to Walk, c.1647-50

USA New York, Metropolitan Museum of Art (Bequest of Harry G. Sperling)

Ben 0201 Frankfurt Two Men in Conversation

Benesch 201

Rembrandt? (After Rembrandt?)

Two Peasant Men in Discussion, c.1638-39?

D Frankfurt, Städel Museum

Benesch 202

Rembrandt?

An Old Man and a Young Woman Walking, c.1638-40?

D Dresden, Kupferstichkabinett

Ben 0203 recto Ben 0203 verso

Benesch 203 Recto

Rembrandt

A Seated Woman, Reading, c.1638-39

D Berlin, Kupferstichkabinett

Benesch 203 Verso

Rembrandt

Head of a Man in a Turban, c.1638-39

D Berlin, Kupferstichkabinett

Ben 0204

Benesch 204

School of Rembrandt

A Seated Woman Reading, Wearing a Veil, profile to left, c.1638-40

D Ulm, Ulmer Museum (Strölin bequest)

Benesch 204a

Gerbrand van den Eeckhout? / Govert Flinck??

A Seated Scholar in a Barret at his Desk, c.1638-40?

GB London, Courtauld Institute

Ben 0205

Benesch 205

Rembrandt

Standing Man, to right, his arm outstretched, c.1639

NL Amsterdam, Rijksmuseum

Benesch 206

Rembrandt

A Beggar and Beggar-Woman, c.1629?

USA Washington, National Gallery of Art

Ben 0207 Ben 0207v

Benesch 207

Rembrandt

An Oriental Standing, full-length, c.1639

GB London, British Museum

Benesch 207 Verso

Rembrandt

Sketch of the Head of a Man, wearing a turban (crossed out)

GB London, British Museum

Ben 0208

Benesch 208

Rembrandt??

A Young Oriental Riding a Camel, c.1638-39

Formerly Dresden, Friedrich August Collection (present whereabouts unknown)

Ben 0209 pic

Ben 209

School of Rembrandt/Rembrandt??

Three Orientals Standing, c.1639?

D Berlin, Kupferstichkabinett

Ben 0210 Budapest

Benesch 210

School of Rembrandt/Rembrandt??

Four Orientals Standing, c.1639?

H Budapest, Szépművészeti Múzeum

Benesch 211

School of Rembrandt/Rembrandt??

Two Orientals in Cloaks, in conversation, c.1639?

NL Haarlem, Teyler Museum

Ben 0211a pic

Benesch 211a

School of Rembrandt

Two Orientals Standing

Whereabouts unknown (Formerly Private Collection, Paris, F. Flameng)

Ben 0212 pic_2

Benesch 212

School of Rembrandt (Carel Fabritius??)

Two Standing Orientals, c.1639?/1640s

F Paris, Musée du Louvre

Benesch 213

Rembrandt

Bust of a Man in a Turban, head turned to right, c.1638-39

F Paris, Musée du Louvre

Ben 0213

Benesch 0214

School of Rembrandt (Carel Fabritius??)

Two Busts of Oriental Men in Turbans, c.1638-42

B Brussels, Musée des Beaux Arts

 

Ben 0215 Middendorf photo

Benesch 0215

Rembrandt (probably with later additions by another hand)

Bust of an Oriental, full face

Private Collection, USA Rhode Island (Middendorf)

Benesch 216

Anonymous School of Rembrandt (Attributed to Rembrandt??)

A Bearded Old Man in a High Hat at a Door, c.1639

D Dresden, Kupferstich-Kabinett

Ben 0167 COMP Bol etching 001 (2)

COMPARATIVE illustration to Benesch 167

Ferdinand Bol

Beggar Couple with a Dog

Etching, 77 x 58 mm

NL Amsterdam, Rijksmuseum  

(inv.RP-P-OB-424)

Benesch 217

Rembrandt

A Woman Standing in Profile to Left, full-length  c.1638-39

D Bremen, Kunsthalle

 

Ben 0217 Bremen medium file as used Benesch 0214 Ben 0217A Courtauld Standing Woman Ben 0217A COMP Kassel Ptg of Saskia in profile

Benesch 0217A COMPARATIVE Illustration

Rembrandt

Half-Length Portrait of Saskia van Uylenburgh, c.1633-42

Oil on panel, 99.5 x 78.8 cm

D Kassel, Gemäldegalerie

Benesch 0217A

Rembrandt

A Study for a Portrait of Saskia van Uylenburgh, standing, full-length, her face in profile to left, c.1638-38

GB London, Courtauld Institute of Art

Ben 0218 to use smaller

Benesch 218

Rembrandt

Sheet of Seven Figure-Studies Including a Crying Child, c.1638-39

D Berlin, Kupferstichkabinett SMPK

Ben 0219 image

Benesch 0219

Rembrandt

Mosaic of Studies of Nine Figures, with Sketches for a Vertumnus and Pomona, c.1638-39

D Berlin, Kupferstichkabinett SMPK

 

The illustration, found online, appears to show the fragments of the drawing on a temporary backing-sheet, whiter than both the original and its permanent replacement, but in the traditional arrangement.

Benesch 0217A COMPARATIVE illustration

Detail of Benesch 0197, with similar technique, style and shading

Ben 0217A COMP Ben 0197 detail Ben 0204a Ctld Ben 0199 verso Louvre Ben 0194 recto better image Ben 0160 DETAIL

Benesch 0160 DETAIL, Enlarged

Ben 0160 new whole Ben 0206 NGA via Google Ben 0206 NGA via Google

Benesch 206, Enlarged

Ben 0124 better version TO USE

Benesch 124 COMPARATIVE Illustration

The original of Benesch 124, discussed under the 'Not in Benesch' tab.

Benesch 159 Watermark

Ben 0159 WM Ben 0142 VERSO Chatsworth ex Pubhist.com in colour Ben 0142 Recto ex pubhist Ben 0147 ex wga.hu Ben 0133 ex pubhist Ben 0188 ex Pubhist Ben 0167 pic DETAIL reversed ex theleidencollection

Fig.a Benesch 167 Detail, enlarged  and

reversed (which resembles Jacob's right

hand in Benesch 285a)

Ben 0154 cut rejoined 2019 smaller PDO13945 Ben 0154 in infra red 2019 smaller PDO13945 IR Ben 0154 in Transmitted light smaller PDO13945 Tra

Fig.a Rembrandt, The Lamentation, c.1634-35

Oil on paper, stuck down on canvas and also later adhered to a wooden panel. 319 x 267mm.

GB London, The National Gallery

Fig.b. Benesch 0154 potographed in transmitted light

Fig.c Benesch 154 with the two divided sections rejoined as they originally were.

Fig.d

An animated overlay of Benesch 154 and the National Gallery picture (fig.a), keeping the ladder nearest the centre in the same position - see the separate images of the two works on the right.

I am grateful to Katherine Snow for creating the file.

THIS IS AN .SWF FILE AND I AM INVESTIGATING HOW TO SLOW IT DOWN.

IF ANYONE KNOWS, PLEASE WRITE VIA THE CONTACTS TAB

Fig.e Benesch 154 photographed in infra red light

Benesch 0154 Comp NG Lamentation Benesch 0154 BM Lamentation

Benesch 219

Rembrandt

Mosaic of Studies of Nine Figures, with Sketches for a Vertumnus and Pomona

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0128 verso from Ketelesen of Weimar Museums

Benesch 128 Verso

School of Rembrandt

A Seated Woman with a Kneeling Figure by a Table, c.1636-38?

Ben 0202 ex Dresden site Ben 0216 ex Dresden site Ben 0139A ex Morgan site Ben 0190 ex Boijmans site Ben 0138 DETAIL pic

Ben 138 DETAIL, Enlarged

Ben 0211 pic ex Pinterest Ben 0186 ex Museum BvB Ben 0134 pic ex Museum BvB