THE DRAWINGS OF REMBRANDT:
a revision of Otto Benesch's catalogue raisonné
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Illustrations 2_1
Benesch 129 Verso Circle of Rembrandt : Govert Flinck?? Jan van Vliet?? or Jan Victors???
The Sacrifice of Isaac c.1635-45?? (depending on the attribution)
A Vienna, Albertina
COMPARATIVE illustration to Benesch 129
Circle of Rembrandt
The Good Samaritan. 160 x 185mm
Fogg Art Museum, Harvard University
Benesch 130 Govert Flinck?? c.1640?
Tobit Taking Leave of his Mother?
F Paris, Musée du Louvre
Benesch 128, Rembrandt, c.1636-38
Lot and his Daughters
D Weimar, Goethe-Nationalmuseum
Fig.a. Christoph Paudiss, Lot and His Daughters, 1649
Oil on canvas 155.5 x 198 cm.
H Budapest, Szepmüveszeti Muzeum
Benesch 129 Govert Flinck? or Jan Victors??? c.1640-45
Lot and his Family Leaving Sodom
A Vienna, Albertina
0127A Ferdinand Bol c.1640-45?
A Sleeping Soldier
Private Collection?
(Sold Sotheby's New York 2005)
COMPARATIVE photograph for Benesch 127A:
Ferdinand Bol: The Liberation of St Peter (signed)
Oil on panel; 736 x 590 mm
Schoten, P. Baaij
COMPARATIVE illustration to Benesch 127B Benesch 127B
Benesch 0104 and 0127B Ferdinand Bol??/Rembrandt??? c.1635-40
Christ Comforted by the Angel on the Mount of Olives
D Munich, Staatliche Graphische Sammlung
Benesch 126 Ferdinand Bol?? c.1640-45?
St Peter and the Angel
USA Sacramento, Crocker Art Gallery
Benesch 126: small colour image from Crocker Art
Gallery website
downloaded 26 January 2013
http://www.crockerartmuseum.org/
digital-crocker/item/
liberation-of-saint-peter-17th-century
Benesch 127 Recto Govert Flinck? c.1640
Delilah Cutting Samson's Hair
Dijon, Musée des Beaux-Arts
Benesch 127 Verso Govert Flinck? c.1640
Sketch of a Woman Surprised and of a Seated Old Man with a Woman
Dijon, Musée des Beaux-Arts
0127A Ferdinand Bol c.1640-45?
A Sleeping Soldier
Private Collection?
(Sold Sotheby's New York 2005)
Benesch 127A Detail, enlarged (making the underdrawing in black chalk more visible)
Benesch 123 verso, Gerbrand van den Eeckhout?, 1638
Willem Ruyter in the Role of Bishop Gozewijn, facing front
D Dresden, Kupferstich-Kabinett
Benesch 124 Govert Flinck? c.1640
Study of a Prophet or Apostle (St Peter?)
Private collection (whereabouts unknown)
Benesch 125 Ferdinand Bol?, c.1640-45
Jacob's Dream
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 121 Govert Flinck? 1638?
Willem Ruyter in the Role of Bishop Gozewijn, being robed
D Dresden, Kupferstich-Kabinett
Benesch 122 Gerbrand van den Eeckhout? 1638
Willem Ruyter in the Role of Bishop Gozewijn
D Braunschweig, Herzog Anton Ulrich-Museum
Benesch 123 recto, Gerbrandt van den Eeckhout?, 1638
An Actor in the Role of the Abbess Klaris van Velzen
D Dresden, Kupferstich-Kabinett
Benesch 120, Rembrandt, c.1638
Willem Ruyter as Bishop Gozewijn (?)
GB Chatsworth, Derbyshire (The Trustees of the Chatsworth Settlement)
Benesch 127B Ferdinand Bol??/Rembrandt???
Sketch for Christ on the Mount of Olives
Whereabouts unknown
Benesch 127A Ferdinand Bol c.1640-45?
A Sleeping Soldier
Private Collection?
(Sold Sotheby's New York 2005)
COMPARATIVE photograph for Benesch 127A:
Ferdinand Bol: The Liberation of St Peter
Pen and brown ink with grey was ovcer black chalk; 438 x 410 mm
Whereabouts unknown
Benesch 130A School of Rembrandt, perhaps after Rembrandt, c.1640?
Jacob Blessing Joseph's Sons
Private Collection (unknown)
COMPARATIVE illustration to Benesch 130A
Anonymous copy perhaps after Rembrandt (or after Benesch 130A)
Amsterdam, Rijksmuseum (inv. A2422, Benesch C23)
Benesch 130B : Gerbrand van den Eeckhout?? or Rembrandt???
A Woman Kneeling (Hagar?) c.1636-38?
D Dortmund Private Collection
Benesch 131 School of Rembrandt - Gerbrand van den Eeckhout???
Tobias Curing the Old Tobit c.1638-42?
GB London, Courtauld Institute
Benesch 132, Rembrandt
Zacharias (?) and the Angel c.1634-35
USA Cambridge, Mass, Fogg Art Museum, Harvard University
(Maida and George Abrams Collection).
Benesch 133 Rembrandt
Ruth and Boaz c.1634-35
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 134 Recto Ferdinand Bol?
Isaac blessing Jacob c.1635-40?
NL Rotterdam, Museum Boijmans Van Beuningen
Benesch 134 Verso Ferdinand Bol?
Isaac blessing Jacob (traced from the recto) c.1635-40?
NL Rotterdam, Museum Boijman Van Beuningen
Benesch 135
Rembrandt, Scene of Judgement (Christ or Barabbas?) c.1635-38
D Dresden, Kupferstich-Kabinett
COMPARATIVE illustration to Benesch 0135
Christ before Pilate 1634
Grisaille on paper laid down on canvas, the outlines indented for transfer to a copper plate, 545 x 445mm
London, National Gallery
COMPARATIVE illustration to Benesch 0135
Christ presented to the People 1655
Drypoint, 1st state, 383 x 455
London, British Museum (1848,0911.38 )
Benesch 136
Rembrandt?, King Solomon with his Wives and Concubines Adoring an Idol
F Paris, Musée du Louvre
Benesch 137
Rembrandt, Study of a Woman with a Snake (Cleopatra) c.1637
USA Los Angeles, J. Paul Getty Museum
Drawings still considered to be by Rembrandt are aligned to the left
Drawings no longer considered to be by Rembrandt are aligned to the right
Comparative illustrations are ranged
down the centre
and some 'attributed' drawings
NB The illustrations are almost all taken from readily available online resources. They must not be used for commercial purposes.
For an explanation of the use of asterisks and question marks in the captions, please see under the 'About' tab.
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Benesch 138
Gerbrand van den Eeckhout, St Paul Preaching in Athens, c.1635-40
GB London, British Museum
Benesch 139
Rembrandt, Pilate and his Wife (Matthew, XXVII, 19), c.1633-34
F Paris, Fondation Custodia, Collection F. Lugt
Benesch 139A
Rembrandt? St John the Baptist Preaching c.1652?
USA New York, Morgan Library, Thaw Collection
COMPARATIVE illustration to Benesch 139A, 140, 141, 142, 142A and 336
Rembrandt, St John the Baptist Preaching c.1633-34
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 140
Rembrandt*, Listeners for St John the Baptist Preaching c.1633-34
D Berlin, Staatlich Museen Berlin, Kupferstichkabinett
COMPARATIVE illustration to Benesch 140
Rembrandt, Joseph Telling his Dreams, c.1638 (Detail enlarged)
etching B.37ii.
London, British Museum (1868,0822.660)
Benesch 0141, Rembrandt*
Studies for the Standing Scribes and Other Figures for St John the Baptist Preaching, c.1633-34
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
COMPARATIVE illustration to Benesch 141-142
Rembrandt, St John the Baptist Preaching c.1633-34 (Detail)
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
COMPARATIVE illustration to Benesch 142
Rembrandt, St John the Baptist Preaching c.1633-34 (Detail)
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 142 verso
Rembrandt*, Sketches of Heads for the St. John the Baptist Preaching c.1633-34
GB Chatsworth, Derbyshire (the Trustees of the Chatsworth Settlement)
Benesch 142 recto
Rembrandt*, Study for the Scribes in the St. John the Baptist Preaching, and a half-length sketch of a woman c.1633-34
GB Chatsworth, Derbyshire (the Trustees of the Chatsworth Settlement)
Benesch 142A recto
Rembrandt*, Two Studies for St John the Baptist c.1633-34
GB London, Courtald Institute
COMPARATIVE illustration to Benesch 142A
Rembrandt, St John the Baptist Preaching c.1633-34 (Detail)
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 142A verso
Rembrandt*, Verso: Head of a Man (probably also St. John the Baptist), c.1633-34
GB London, Courtald Institute
Benesch 143
Rembrandt, Standing Old Man, full-length, wearing a flat hat, his right arm extended c.1637-39
USA Cambridge (Mass.), Fogg Art Museum
Benesch 144
School of Rembrandt, The Calling of St. Matthew
S Stockholm, Nationalmuseum
Benesch 144A
Gerbrand van den Eeckhout?? The Good Samaritan 1635-38??
GB Buscot Park, Oxfordshire, The Faringdon Collection
COMPARATIVE illustration to Benesch 144A
Pieter Lastman, The Good Samaritan 1612-15?
Oil on canvas 102 x 128 cm.
Private Collection
Benesch 145
Rembrandt, A Russian Archer, Boyar and Two Disgraced Men c.1637
USA New York, Morgan Library and Museum
Beneach 146
Gerbrand van den Eeckhout, Young Solomon Proclaimed King, Riding King David's Mule c.1635-38?
F Paris, Musée du Louvre
COMPARATIVE illustration to Benesch 146
After Gerbrand van den Eeckhout, Young Solomon Proclaimed King, Riding King David's Mule
GB London, art market, 2000.
Benesch 147
Gerbrand van den Eeckhout (retouched by Rembrandt??) Rebecca Taking Leave of her Parents c.1637-40
D Stuttgart, Staatsgalerie
Benesch 148 recto
Rembrandt? (Gerbrand van den Eeckhout??) Mattathias and the Officers of Antiochus at Modin c.1633-35
GB London, British Museum
Benesch 148 verso
Rembrandt, A slight sketch with figures in a landscape c.1633-35
GB London, British Museum
Benesch 149
Rembrandt?? Gerbrand van den Eeckhout?? Recto: The Daughters of Cecrops Opening the Chest Containing Erichthonius c.1635-37?
Anonymous Verso: Kneeling Abraham (?) with a Slaughtered Ram
D Göttingen, Kunstsammlungen dey Universität.
COMPARATIVE Illustration to Benesch 139A
Rembrandt*, detail of Benesch 886 (St Jerome)
D, Hamburg, Kunsthalle
Benesch 150
Govert Flinck?, The Daughters of Cecrops Opening the Chest Containing Erichthonius 1638-40?
USA Private Collection, New York
COMPARATIVE illustration to Benesch 139A
Rembrandt, St John the Baptist Preaching c.1633-34
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 151
Rembrandt, Horsemen near a Slope , c.1631-34
NL Rotterdam, Museum Boijmans van Beuningen
COMPARATIVE illustration to Benesch 151
Antonio Tempesta, Two Hunters on Horseback Watching an Ostrich Hunt (Bartsch 1144)
GB London, British Museum (inv.1848,1125.76)
COMPARATIVE illustration to Benesch 151
Antonio Tempesta, Alexander Crossing the Mountains (Bartsch 552)
USA Cambridge (Mass.), Fogg Art Museum, Harvard University Art Museums
(inv.S8.25.2)
Benesch 152
Rembrandt*, Studies of the Magdalene and the Virgin in Sorrow c.1635-36
NL Amsterdam, Rijksmuseum
COMPARATIVE illustration to Benesch 152
Rembrandt, The Entombment of Christ
Oil on canvas. 92.6 x 68.9 cm
D Munich, Alte Pinakothek
COMPARATIVE illustration to Benesch 152
Rembrandt, The Entombment of Christ (Detail)
Oil on canvas. 92.6 x 68.9 cm
D Munich, Alte Pinakothek
Benesch 153
After Rembrandt? Rembrandt??
Bust of a Mourning Mary
NL Amsterdam, Amsterdam Museum
Benesch 154
Rembrandt*, The Lamentation at the Foot of the Cross c.1634-35
GB London, British Museum
COMPARATIVE illustration to Benesch 154:
Rembrandt, The Lamentation at the Foot of the Cross c.1634-35
Oil on paper, stuck onto canvas and finally panel. 319 x 267mm.
GB London, National Gallery.
Benesch 155
Rembrandt?? Two Sketches of an Old Man in a Turban c.1645-47?
Formerly D Berlin, Private Collection (Paul von Schwabach, 1867-1938); with Christie’s, 1982.
COMPARATIVE illustration to Benesch 155:
Rembrandt, Susannah and the Elders 1636
Oil on panel, 47.4 x 38.6 cm
NL The Hague, Mauritshuis
COMPARATIVE illustration for Benesch 155
Detail of the above
COMPARATIVE illustration to Benesch 155
Rembrandt, Susannah and the Elders, 1647
Oil on panel, 77 x 93 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
COMPARATIVE illustration to Benesch 155
Detail of the adjacent image
Benesch 156
Govert Flinck? Head of an Oriental in a Turban
Formerly F Paris, Private Collection (Otto Wertheimer)
COMPARATIVE illustration to Benesch 156
Detail of the adjacent image
COMPARATIVE illustrations to Benesch 157
Rembrandt, Susannah and the Elders, 1647
Oil on panel, 77 x 93 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie
Benesch 157
Rembrandt*, Study of an Elder (for Susannah and the Elders) c.1638
AUS Melbourne, National Gallery of Victoria
Benesch 158
Rembrandt, Head of an Oriental in a Turban and a Dead Bird of Paradise, c.1638
F Paris, Musée du Louvre
Benesch 159
Gerbrand van den Eeckhout? Susannah and the Elders c.1638-40
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 160
Gerbrand van den Eeckhout? Retouched by Rembrandt?
The Adoration of the Magi c.1638-40
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 161 recto
Rembrandt*, Ruth and Naomi 1638
NL Rotterdam, Museum Boijmans Van Beuningen
Benesch 0161 verso
Rembrandt*, Joseph Telling his Dreams 1638
NL Rotterdam, Museum Boijmans Van Beuningen
Benesch 0161 verso COMPARATIVE illustration
Rembrandt, Joseph Telling His Dreams 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)
Benesch 161 verso COMPARATIVE illustration
Rembrandt, Joseph Tellling his Dreams c.1633
Grisaille in oils on paper, 558 x 387 mm.
NL Amsterdam, Rijksmuseum
Benesch 162
Gerbrand van den Eeckhout? Boaz and Ruth c.1638-40
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 163
Rembrandt?? (Gerbrand van den Eeckhout???), Adam and Eve 1638?
USA, Private Collection (?)
Benesch 164
Rembrandt*, Adam and Eve c.1638
NL Leiden, Prentenkabinet van de Universiteit Leiden
COMPARATIVE illustration to Benesch 164
Rembrandt, Adam and Eve, 1638
Etching, touched with black chalk. 162 x 116, Bartsch 28 (1st state)
London, British Museum (1852,1211.42)
Benesch 165
Ferdinand Bol, Vertumnus and Pomona, c.1640
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 166
Ferdinand Bol, Amnon and Tamar, c.1640
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 167
Ferdinand Bol*, Elijah Sleeping Beneath a Tree c.1640-42
F Paris, Fondation Custodia, Frits Lugt Collection
COMPARATIVE illustration to Benesch 167
Ferdinand Bol, Elijah Dreaming Beneath a Tree c.1642-43
Oil on canvas, 162 by 178 cm.
Sold London, Sotheby's, 5 Dec 2007, lot 27.
USA New York, The Leiden Collection.
Benesch 168
Rembrandt*, Studies of a Woman Reading and an Oriental Man, c.1638
USA New York, Private Collection (Kramarsky)
COMPARATIVE illustration to Benesch 168
Rembrandt, Joseph Telling His Dreams 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)
Benesch 169, Rembrandt??; (more probably Ferdinand Bol? after Rembrandt? )
Saskia (?) in Bed
USA Washington DC, National Gallery of Art
COMPARATIVE illustration to Benesch 169
Rembrandt, Joseph Telling His Dreams (detail) 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)
For the whole image see under Benesch 168.
Benesch 170
Gerbrand van den Eeckhout??, Govert Flinck??
The Liberation of St Peter c.1639
GB London, British Museum.
Benesch 171
Gerbrand van den Eeckhout? or Rembrandt??
Darab Sheltered by the Ruined Vault [?] c.1639?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 171 COMPARATIVE illustration
Folio from a Shahnama (Book of kings) by Firdawsi (d.1020):
Darab sleeping in the ruined vault c.1330-40
Tbriz, Iran. Il-Khanid period, Mongol period
Ink, opaque watercolor and gold on paper
252 x 204mm
USA Washington D.C., Freer Gallery of Art (inv. F1930.78)
Benesch 172
School of Rembrandt (Govert Flinck??)
Two Priests with Two Kneeling Worshippers c.1638-40
D Munich, Staatliche Graphische Sammlung
Benesch 173
Govert Flinck? or Rembrandt???
The Agony in the Garden
USA New York, Queen's College
Benesch 174
Anonymous School of Rembrandt, Govert Flinck??
Lot and his Daughters c.1638-40?
D Dresden, Kupferstich-Kabinett (missing since 1945)
Benesch 175
Etched copy after Govert Flinck? or Rembrandt?? Boaz and Ruth, c.1638-40
GB London, British Museum (also to be found in other collections)
NB: Here illustrated in reverse, thus in the same direction as the original drawing.
Benesch 176
School of Rembrandt (Gerbrand van den Eeckhout??)
The Beheading of Holofernes with Judith and her Servant
F Paris, Musée du Louvre
Benesch 177
Rembrandt, c.1635
A Man Haranguing a Woman seated at the left
USA Los Angeles, J Paul Getty Museum
Benesch 178
Rembrandt
The Conversion of Saint Paul, c.1635
D Berlin, Kupferstichkabinett SMPK
COMPARATIVE illustration to Benesch 178
Nicolas Beatrizet after Michelangelo
The Conversion of St Paul (detail) c.1550
Engraving
GB London, British Museum (inv.V,2.45)
Benesch 0179
Govert Flinck?
The Angel Departing from Manoah and his Wife c.1639-40
F Paris, Musée du Louvre
Benesch 180 recto
Rembrandt?
Manoah's Offering c.1635-36?
D Berlin, Kupferstichkabinett SMPK
Benesch 180 verso
Rembrandt??
Bust of a man in a Cap and a half-length Study of a Standing, Corpulent Man; traces of an offset of a drawing of a Seated Man and a Standing Figure
D Berlin, Kupferstichkabinett SMPK
Offset on a separate piece of paper from Benesch 180 verso
D Berlin, Kupferstichkabinett SMPK
Benesch 180 COMPARATIVE Illustration
Rembrandt: The Angel Leaving Tobit and his Family
Oil on panel 66 x 52cm
F Paris, Musée du Louvre
Benesch 180 COMPARATIVE Illustration
Govert Flinck (1615-60)
Manoah's Sacrifice 1640
Oil on canvas, 74.3 x 123.8 cm
Canada, Kingston, Ontario, Queen's University, Etherington Art Centre, Bader Collection.
Benesch 181
Rembrandt? (Gerbrand van den Eeckhout??)
Joseph Lifted from the Well by his Brothers c.1636-38
NL Private Collection
Benesch 182
Rembrandt
Christ Washing the Feet of his Disciples, c.1628-29
GB London, British Museum
Benesch 0183
Rembrandt*
Studies for the Sick Woman in the “Hundred Guilder Print”, c.1645-48
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet
Benesch 0183 verso
Rembrandt*
Slight sketch of the Head of the Sick Woman, c.1645-48
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet
COMPARATIVE Illustration to Benesch 183
Charles Le Blanc after Rembrandt
Etching
The image as known until the drawing reappeared at auction in 1964
COMPARATIVE Illustrations to Benesch 183
Rembrandt
The Sick Woman with a Large White Headdress (Saskia?), c.1645
Etching, Bartsch 359; NH 228, ii/ii. 61 x 51mm
GB London, British Museum (1842,0806.152)
Shown reversed on the right, to compare with the drawing and the 100 Guilder Print
COMPARATIVE Illustration to Benesch 183
Rembrandt, Christ Healing the Sick: The Hundred Guilder Print, c.1648
Etching, engraving and drypoint. 278 x 388mm. Bartsch 74; NH 239, ii/ii
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet (RP-P-OB-602)
Detail of the above
Benesch 0184
Rembrandt*
Standing Man with a Cap in his Outstretched Hand: study for the “Hundred Guilder Print”, c.1640-42
GB London, Courtauuld Gallery (inv. D.1978.PG.188)
Benesch 152: Watermark
FOR COMPARATIVE ILLUSTRATIONS: see
1. Benesch 183 for the "Hundred Guilder Print"
2. Benesch 188 , which shows the same figure.
Benesch 0185
Rembrandt*
A Blind Old Man Guided by a Woman: study for the “Hundred Guilder Print", c.1645-48
F Paris, Musée du Louvre (inv.22891)
COMPARATIVE ILLUSTRATION
Rembrandt: Detail of the "Hundred Guilder Print"
See also under Benesch 183 for the whole of the "Hundred Guilder Print"
Benesch 0186
School of Rembrandt Verso (detail)
A Woman Standing with a Baby in her Arms, c.1637-45??
NL Rotterdam, Museum Boijmans Van Beuningen (inv. R 47)
Benesch 187
Rembrandt??
A Woman with a Child in her Arms, c.1637-39
Formerly USA, Cambridge (Mass.), Harvard University Art Museums, Fogg Art Museum
Benesch 188
Rembrandt*
Study for a Group of Figures in the “Hundred Guilder Print”, c.1645-48
D Berlin, Kupferstichkabinett (inv. KdZ 2695)
COMPARATIVE Illustration to Benesch 188
Rembrandt, Christ Healing the Sick: The Hundred Guilder Print, c.1648
Etching, engraving and drypoint. 278 x 388mm. Bartsch 74; NH 239, ii/ii
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet (RP-P-OB-602)
COMPARATIVE Illustration to Benesch 188: Detail of the Hundred Guilder Print (see below) and the same detail reversed.
Benesch 189
Rembrandt
An Old Man led by a Boy (study for Jacob with Benjamin?) c.1646-49
S Stockholm, Nationalmuseum
Benesch 190
Rembrandt
An Old Man Led by a Boy and another Figure, with a study of a head (Jacob with Benjamin and another son?) c.1646-49
NL Rotterdam, Boijmans van Beuningen Museum
Benesch 0191
Govert Flinck??
Two Studies of a Nude Woman, Resting, c.1640?
NL Rotterdam, Museum Boijmans Van Beuningen
Benesch 192
Govert Flinck?
Study of a Seated Female Nude, seen from behind, 1635?
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 192 verso
Govert Flinck?
Study of a Seated Female Nude, seen from behind, 1635?
NL Rotterdam, Museum Boijmans van Beuningen
Benesch 193
Rembrandt
Study of a Seated Fenale Nude, seen from behind, c.1635?
GB London, Courtauld Institute
Benesch 193A
Govert Flinck?
A Nude Woman reclining near a Tree, seen from behind, c.1637-40
S Stockholm, Nationalmuseum
Benesch 0194 Recto
Rembrandt
A Woman Standing Holding a Child and Two Studies of a Seated Woman, 1637-39
AUS Melbourne, National Gallery of Victoria
Benesch 0194 Verso
Rembrandt
Profile Bust of a Man in a Turban; Sketch of a Woman Sleeping (Saskia?)
1637-39
AUS Melbourne, National Gallery of Victoria
Benesch 195 recto
Rembrandt
Seated Woman with Clasped Hands, c.1628-29?
A Vienna, Albertina
Benesch 195 verso
Rembrandt
Studies of Heads and Busts, c.1628-29
A Vienna, Albertina
Benesch 0196
Rembrandt
A Seated Woman, in profile, full-length, c.1629
D Dresden, Kupferstich-Kabinett
Benesch 0197
Rembrandt
Two Studies of a Seated Beggar-Woman with Two Children, c.1638-39
F Paris, Musée du Louvre
Benesch 0198
Rembrandt
A Woman Seated on the Ground with Two Children, c.1638-39
USA Washington, National Gallery of Art
Benesch 199 recto
Rembrandt
Studies of Two Men and Two Children, c.1638-39
F Paris, Musée du Louvre
Benesch 199 verso
Rembrandt
An Oriental Holding a Tilted Parasol, c.1638-39
F Paris, Musée du Louvre
Benesch 200
Nicolaes Maes?
Studies of Two Men and a Woman Teaching a Child to Walk, c.1647-50
USA New York, Metropolitan Museum of Art (Bequest of Harry G. Sperling)
Benesch 201
Rembrandt? (After Rembrandt?)
Two Peasant Men in Discussion, c.1638-39?
D Frankfurt, Städel Museum
Benesch 202
Rembrandt?
An Old Man and a Young Woman Walking, c.1638-40?
D Dresden, Kupferstichkabinett
Benesch 203 Recto
Rembrandt
A Seated Woman, Reading, c.1638-39
D Berlin, Kupferstichkabinett
Benesch 203 Verso
Rembrandt
Head of a Man in a Turban, c.1638-39
D Berlin, Kupferstichkabinett
Benesch 204
School of Rembrandt
A Seated Woman Reading, Wearing a Veil, profile to left, c.1638-40
D Ulm, Ulmer Museum (Strölin bequest)
Benesch 204a
Gerbrand van den Eeckhout? / Govert Flinck??
A Seated Scholar in a Barret at his Desk, c.1638-40?
GB London, Courtauld Institute
Benesch 205
Rembrandt
Standing Man, to right, his arm outstretched, c.1639
NL Amsterdam, Rijksmuseum
Benesch 206
Rembrandt
A Beggar and Beggar-Woman, c.1629?
USA Washington, National Gallery of Art
Benesch 207
Rembrandt
An Oriental Standing, full-length, c.1639
GB London, British Museum
Benesch 207 Verso
Rembrandt
Sketch of the Head of a Man, wearing a turban (crossed out)
GB London, British Museum
Benesch 208
Rembrandt??
A Young Oriental Riding a Camel, c.1638-39
Formerly Dresden, Friedrich August Collection (present whereabouts unknown)
Ben 209
School of Rembrandt/Rembrandt??
Three Orientals Standing, c.1639?
D Berlin, Kupferstichkabinett
Benesch 210
School of Rembrandt/Rembrandt??
Four Orientals Standing, c.1639?
H Budapest, Szépművészeti Múzeum
Benesch 211
School of Rembrandt/Rembrandt??
Two Orientals in Cloaks, in conversation, c.1639?
NL Haarlem, Teyler Museum
Benesch 211a
School of Rembrandt
Two Orientals Standing
Whereabouts unknown (Formerly Private Collection, Paris, F. Flameng)
Benesch 212
School of Rembrandt (Carel Fabritius??)
Two Standing Orientals, c.1639?/1640s
F Paris, Musée du Louvre
Benesch 213
Rembrandt
Bust of a Man in a Turban, head turned to right, c.1638-39
F Paris, Musée du Louvre
Benesch 0214
School of Rembrandt (Carel Fabritius??)
Two Busts of Oriental Men in Turbans, c.1638-42
B Brussels, Musée des Beaux Arts
Benesch 0215
Rembrandt (probably with later additions by another hand)
Bust of an Oriental, full face
Private Collection, USA Rhode Island (Middendorf)
Benesch 216
Anonymous School of Rembrandt (Attributed to Rembrandt??)
A Bearded Old Man in a High Hat at a Door, c.1639
D Dresden, Kupferstich-Kabinett
COMPARATIVE illustration to Benesch 167
Ferdinand Bol
Beggar Couple with a Dog
Etching, 77 x 58 mm
NL Amsterdam, Rijksmuseum
(inv.RP-P-OB-424)
Benesch 217
Rembrandt
A Woman Standing in Profile to Left, full-length c.1638-39
D Bremen, Kunsthalle
Benesch 0217A COMPARATIVE Illustration
Rembrandt
Half-Length Portrait of Saskia van Uylenburgh, c.1633-42
Oil on panel, 99.5 x 78.8 cm
D Kassel, Gemäldegalerie
Benesch 0217A
Rembrandt
A Study for a Portrait of Saskia van Uylenburgh, standing, full-length, her face in profile to left, c.1638-38
GB London, Courtauld Institute of Art
Benesch 218
Rembrandt
Sheet of Seven Figure-Studies Including a Crying Child, c.1638-39
D Berlin, Kupferstichkabinett SMPK
Benesch 0219
Rembrandt
Mosaic of Studies of Nine Figures, with Sketches for a Vertumnus and Pomona, c.1638-39
D Berlin, Kupferstichkabinett SMPK
The illustration, found online, appears to show the fragments of the drawing on a temporary backing-sheet, whiter than both the original and its permanent replacement, but in the traditional arrangement.
Benesch 0217A COMPARATIVE illustration
Detail of Benesch 0197, with similar technique, style and shading
Benesch 0160 DETAIL, Enlarged
Benesch 206, Enlarged
Benesch 124 COMPARATIVE Illustration
The original of Benesch 124, discussed under the 'Not in Benesch' tab.
Benesch 159 Watermark
Fig.a Benesch 167 Detail, enlarged and
reversed (which resembles Jacob's right
hand in Benesch 285a)
Fig.a Rembrandt, The Lamentation, c.1634-35
Oil on paper, stuck down on canvas and also later adhered to a wooden panel. 319 x 267mm.
GB London, The National Gallery
Fig.b. Benesch 0154 potographed in transmitted light
Fig.c Benesch 154 with the two divided sections rejoined as they originally were.
Fig.d
An animated overlay of Benesch 154 and the National Gallery picture (fig.a), keeping the ladder nearest the centre in the same position - see the separate images of the two works on the right.
I am grateful to Katherine Snow for creating the file.
THIS IS AN .SWF FILE AND I AM INVESTIGATING HOW TO SLOW IT DOWN.
IF ANYONE KNOWS, PLEASE WRITE VIA THE CONTACTS TAB
Fig.e Benesch 154 photographed in infra red light
Benesch 219
Rembrandt
Mosaic of Studies of Nine Figures, with Sketches for a Vertumnus and Pomona
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Benesch 128 Verso
School of Rembrandt
A Seated Woman with a Kneeling Figure by a Table, c.1636-38?
Ben 138 DETAIL, Enlarged
