Drawings no longer considered to be by Rembrandt are aligned to the right

 

Ben 0121_IV

Benesch 121 Govert Flinck? 1638?
Willem Ruyter in the Role of Bishop Gozewijn, being robed
D Dresden, Kupferstich-Kabinett

Ben 0122

Benesch 122 Gerbrand van den Eeckhout? 1638
Willem Ruyter in the Role of Bishop Gozewijn
D Braunschweig, Herzog Anton Ulrich-Museum

Ben 0123 recto

Benesch 123 recto, Gerbrandt van den Eeckhout?, 1638
An Actor in the Role of the Abbess Klaris van Velzen
D Dresden, Kupferstich-Kabinett

Ben 0123 verso

Benesch 123 verso, Gerbrand van den Eeckhout?, 1638
Willem Ruyter in the Role of Bishop Gozewijn, facing front
D Dresden, Kupferstich-Kabinett

Ben 0124

Benesch 124 Govert Flinck? c.1640
Study of a Prophet or Apostle
Private collection (whereabouts unknown)

Ben 0125

Benesch 125 Ferdinand Bol?, c.1640-45
Jacob's Dream
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0126
Ben 0126 small colour

Benesch 126: small colour image from Crocker Art
Gallery website
downloaded 26 January 2013
http://www.crockerartmuseum.org/
digital-crocker/item/
liberation-of-saint-peter-17th-century

Benesch 126 Ferdinand Bol?? c.1640-45?
St Peter and the Angel
USA Sacramento, Crocker Art Gallery

Ben 0127 Recto BW

Benesch 127 Recto Govert Flinck? c.1640
Delilah Cutting Samson's Hair
Dijon, Musée des Beaux-Arts

Ben 0127 Verso BW

Benesch 127 Verso Govert Flinck? c.1640
Sketch of a Woman Surprised and of a Seated Old Man with a Woman
Dijon, Musée des Beaux-Arts

Ben 127A_I Detail enlarged

Benesch 127A Detail, enlarged (making the underdrawing in black chalk more visible)

Ben 127A_I

Benesch 127A Ferdinand Bol c.1640-45?
A Sleeping Soldier
Private Collection?
(Sold Sotheby's New York 2005)

Ben 0127 Comp dg 001

COMPARATIVE photograph for Benesch 127A:
Ferdinand Bol: The Liberation of St Peter
Pen and brown ink with grey was ovcer black chalk; 438 x 410 mm
Whereabouts unknown

Ben 0127A comp Bol ptg

COMPARATIVE photograph for Benesch 127A:
Ferdinand Bol: The Liberation of St Peter (signed)
Oil on panel; 736 x 590 mm
Schoten, P. Baaij

Ben 0127B

Benesch 127B Ferdinand Bol??/Rembrandt???
Sketch for Christ on the Mount of Olives
Whereabouts unknown

Ben 0104 with 127B

COMPARATIVE illustration to Benesch 127B Benesch 127B
Benesch 0104 and 0127B Ferdinand Bol??/Rembrandt??? c.1635-40
Christ Comforted by the Angel on the Mount of Olives
D Munich, Staatliche Graphische Sammlung

Ben 0128

0127A Detail, enlarged (making the underdrawing in black chalk more visible)

Benesch 128, Rembrandt, c.1636-38
Lot and his Daughters
D Weimar, Goethe-Nationalmuseum

Ben 0128 comp  Paudiss

COMPARATIVE photograph for Benesch 127A:
Ferdinand Bol: The Liberation of St Peter
Pen and brown ink with grey was ovcer black chalk; 438 x 410 mm
Whereabouts unknown

COMPARATIVE illustration to Benesch 128
Christoph Paudiss, Lot and His Daughters, 1649
Oil on canvas 155.5 x 198 cm.
H Budapest, Szepmüveszeti Muzeum

Ben 0129 recto colour

Benesch 129 Govert Flinck? or Jan Victors??? c.1640-45
Lot and his Family Leaving Sodom
A Vienna, Albertina

Ben 0129 verso

Benesch 129 Verso Circle of Rembrandt : Govert Flinck?? Jan van Vliet?? or Jan Victors???
The Sacrifice of Isaac c.1635-45?? (depending on the attribution)
A Vienna, Albertina

Ben 0129 verso comp Fogg Samaritan

COMPARATIVE illustration to Benesch 129
Circle of Rembrandt
The Good Samaritan. 160 x 185mm
Fogg Art Museum, Harvard University

Ben 0130

Benesch 130 Govert Flinck?? c.1640?
Tobit Taking Leave of his Mother?
F Paris, Musée du Louvre

Ben 0130A

Benesch 130A School of Rembrandt, perhaps after Rembrandt, c.1640?
Jacob Blessing Joseph's Sons
Private Collection (unknown)

Ben 0130A Comp RPK A2422

COMPARATIVE illustration to Benesch 130A
Anonymous copy perhaps after Rembrandt (or after Benesch 130A)
Amsterdam, Rijksmuseum (inv. A2422, Benesch C23)

Ben 0130B_from BW photo

Benesch 130B : Gerbrand van den Eeckhout?? or Rembrandt???
A Woman Kneeling (Hagar?) c.1636-38?
D Dortmund Private Collection

Ben 0131

Benesch 131 School of Rembrandt - Gerbrand van den Eeckhout???
Tobias Curing the Old Tobit c.1638-42?
GB London, Courtauld Institute

Ben 0132

Benesch 132, Rembrandt
Zacharias (?) and the Angel c.1634-35
USA Cambridge, Mass, Fogg Art Museum, Harvard University
(Maida and George Abrams Collection).

Ben 0133

Benesch 133 Rembrandt
Ruth and Boaz c.1634-35
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0134

Benesch 134 Recto Ferdinand Bol?
Isaac blessing Jacob c.1635-40?
NL Rotterdam, Museum Boijman Van Beuningen

Ben 0134 Verso

Benesch 134 Verso Ferdinand Bol?
Isaac blessing Jacob (traced from the recto) c.1635-40?
NL Rotterdam, Museum Boijman Van Beuningen

Ben 0135

Benesch 135
Rembrandt, Scene of Judgement (Christ or Barabbas?) c.1635-38
D Dresden, Kupferstich-Kabinett

Ben 0135 Comp Ecce Homo grisaille

COMPARATIVE illustration to Benesch 0135
Christ before Pilate 1634
Grisaille on paper laid down on canvas, the outlines indented for transfer to a copper plate, 545 x 445mm
London, National Gallery

Ben 0135 Comp Christ presented 1655 1st state

COMPARATIVE illustration to Benesch 0135
Christ presented to the People 1655
Drypoint, 1st state, 383 x 455
London, British Museum (1848,0911.38 )

Ben 0136

Benesch 136
Rembrandt?, King Solomon with his Wives and Concubines Adoring an Idol
F Paris, Musée du Louvre

Ben 0137

Benesch 137
Rembrandt, Study of a Woman with a Snake (Cleopatra) c.1637
USA Los Angeles, J. Paul Getty Museum

Ben 0138

Benesch 138
Gerbrand van den Eeckhout, St Paul Preaching in Athens c.1635-40
GB London, British Museum

Ben 0139 Paris Lugt Pilate

Benesch 139
Rembrandt, Pilate and his Wife (Matthew, XXVII, 19)
F Paris, Fondation Custodia, Collection F. Lugt

Ben 0139A New York Thaw Baptist preaching

Benesch 139A
Rembrandt? St John the Baptist Preaching c.1652?
USA New York, Morgan Library, Thaw Collection

Ben 139A-142A Comparative Berlin Baptist grisaille

COMPARATIVE illustration to Benesch 139A
Rembrandt, St John the Baptist Preaching c.1634-35
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0886 detail Hamburg St Jerome

COMPARATIVE Illustration to Benesch 139A

Rembrandt*, detail of Benesch 886 (St Jerome)
D, Hamburg, Kunsthalle

Ben 139A-142A Comparative Berlin Baptist grisaille

COMPARATIVE illustration to Benesch 139A, 140, 141, 142, 142A and 336
Rembrandt, St John the Baptist Preaching c.1634-35
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0140 Berlin listerners for St John

Benesch 140
Rembrandt*, Listeners for St John the Baptist Preaching c.1634-35
D Berlin, Staatlich Museen Berlin, Kupferstichkabinett

Ben 140 Comp etching B.37ii. Joseph telling dreams BM 1868,0822.660 detail

COMPARATIVE illustration to Benesch 140
Rembrandt, Joseph Telling his Dreams, c.1638 (Detail enlarged)
etching B.37ii.
London, British Museum (1868,0822.660)

Benesch 141 Berlin sketch of central figs in Baptist grisaille

Benesch 0141, Rembrandt*
Studies for the Standing Scribes and Other Figures for St John the Baptist Preaching, c.1634-35
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 140-142A Comparative Berlin Baptist grisaille detail

COMPARATIVE illustration to Benesch 141-142
Rembrandt, St John the Baptist Preaching c.1634-35 (Detail)
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0142r Chatsworth

Benesch 142 recto
Rembrandt*, Study for the Scribes in the St. John the Baptist Preaching, and a half-length sketch of a woman c.1634-35
GB Chatsworth, Derbyshire (the Trustees of the Chatsworth Settlement)

Ben 142 Comparative Berlin Baptist grisaille detail

COMPARATIVE illustration to Benesch 142
Rembrandt, St John the Baptist Preaching c.1634-35 (Detail)
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0142v

Benesch 142 verso
Rembrandt*, Sketches of Heads for the St. John the Baptist Preaching c.1634-35
GB Chatsworth, Derbyshire (the Trustees of the Chatsworth Settlement)

Ben 0142A London Ctld St John red chalk

Benesch 142A recto
Rembrandt*, Two Studies for St John the Baptist c.1634-35
GB London, Courtald Institute

Ben 142A Comparative Berlin grisaille detail of Baptist

COMPARATIVE illustration to Benesch 142A
Rembrandt, St John the Baptist Preaching c.1634-35 (Detail)
Oil on canvas en grisaille, laid on panel. 62.7 x 81 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Ben 0142a verso

Benesch 142A verso
Rembrandt*, Verso: Head of a Man (probably also St. John the Baptist)
c.1634-35
GB London, Courtald Institute

Ben 0143 Cambridge Mass Standing Man

Benesch 143
Rembrandt, Standing Old Man, full-length, wearing a flat hat, his right arm extended c.1637-39
USA Cambridge (Mass.), Fogg Art Museum

Ben 0144 Stockholm Calling of Matthew

Benesch 144
School of Rembrandt, The Calling of St. Matthew
S Stockholm, Nationalmuseum

Ben 0144A

Benesch 144A
Gerbrand van den Eeckhout?? The Good Samaritan 1635-38??
GB Buscot Park, Oxfordshire, The Faringdon Collection

Lastman Gd Samaritan PC ex Dorotheum 2012 sent by Seifert 2012

COMPARATIVE illustration to Benesch 144A
Pieter Lastman, The Good Samaritan 1612-15?
Oil on canvas 102 x 128 cm.
Private Collection

Benesch 0145

Benesch 145
Rembrandt, A Russian Archer, Boyar and Two Disgraced Men c.1637
USA New York, Morgan Library and Museum

Ben 0146

Beneach 146
Gerbrand van den Eeckhout, Young Solomon Proclaimed King, Riding King David's Mule c.1635-38?
F Paris, Musée du Louvre

Ben 0146 comparative copy art market

COMPARATIVE illustration to Benesch 146
After Gerbrand van den Eeckhout, Young Solomon Proclaimed King, Riding King David's Mule
GB London, art market, 2000.

Benesch 147 stuttgart

Benesch 147
Gerbrand van den Eeckhout (retouched by Rembrandt??) Rebecca Taking Leave of her Parents c.1637-40
D Stuttgart, Staatsgalerie

Benesch 0148 BM Mattathias

Benesch 148 recto
Rembrandt? (Gerbrand van den Eeckhout??) Mattathias and the Officers of Antiochus at Modin c.1633-35
GB London, British Museum

Benesch 0148 verso

Benesch 148 verso
Rembrandt, A slight sketch with figures in a landscape c.1633-35
GB London, British Museum

Benesch 0149recto
Benesch 1049verso

Benesch 149
Rembrandt?? Gerbrand van den Eeckhout?? Recto: The Daughters of Cecrops Opening the Chest Containing Erichthonius c.1635-37?
Anonymous Verso: Kneeling Abraham (?) with a Slaughtered Ram
D Göttingen, Kunstsammlungen dey Universität.

Ben 0150 PC Daughters of Cecrops

Benesch 150
Govert Flinck?, The Daughters of Cecrops Opening the Chest Containing Erichthonius 1638-40?
USA Private Collection, New York

Benesch 0151 Rotterdam Horsemen

Benesch 151
Rembrandt, Horsemen near a Slope , c.1631-34
NL Rotterdam, Museum Boijmans van Beuningen

Ben 0151 comp. Tempesta

COMPARATIVE illustration to Benesch 151
Antonio Tempesta, Two Hunters on Horseback Watching an Ostrich Hunt (Bartsch 1144)
GB London, British Museum (inv.1848,1125.76)

Ben 0151 comp. Tempesta Alexander

COMPARATIVE illustration to Benesch 151
Antonio Tempesta, Alexander Crossing the Mountains (Bartsch 552)
USA Cambridge (Mass.), Fogg Art Museum, Harvard University Art Museums
(inv.S8.25.2)

Benesch 0152 pic

Benesch 152
Rembrandt*, Studies of the Magdalene and the Virgin in Sorrow c.1635-36
NL Amsterdam, Rijksmuseum

Rembrandt Entombment Munich

COMPARATIVE illustration to Benesch 152
Rembrandt, The Entombment of Christ
Oil on canvas. 92.6 x 68.9 cm
D Munich, Alte Pinakothek

Rembrandt Entombment Munich_Detail

COMPARATIVE illustration to Benesch 152
Rembrandt, The Entombment of Christ (Detail)
Oil on canvas. 92.6 x 68.9 cm
D Munich, Alte Pinakothek

Ben 0152WM

Benesch 152: Watermark

Benesch 0153 AHM Bust of Mourning Woman

Benesch 153
After Rembrandt? Rembrandt??
Bust of a Mourning Mary
NL Amsterdam, Amsterdam Museum

Benesch 0154 BM Lamentation

Benesch 154
Rembrandt*, The Lamentation at the Foot of the Cross c.1634-35
GB London, British Museum

Benesch 0154 Comp NG Lamentation

COMPARATIVE illustration to Benesch 154:
Rembrandt, The Lamentation at the Foot of the Cross c.1634-35
Oil on paper, stuck onto canvas and finally panel. 319 x 267mm.
GB London, National Gallery.

NL The Hague Susannah 1637

COMPARATIVE illustration to Benesch 155:
Rembrandt, Susannah and the Elders 1636
Oil on panel, 47.4 x 38.6 cm
NL The Hague, Mauritshuis

Benesch 0155

Benesch 155
Rembrandt?? Two Sketches of an Old Man in a Turban c.1645-47?
Formerly D Berlin, Private Collection (Paul von Schwabach, 1867-1938); with Christie’s, 1982.

NL The Hague Susannah 1637 DETAIL

COMPARATIVE illustration for Benesch 155
Detail of the above

D Berlin Susannah and the Elders 1647
D Berlin Susannah and the Elders 1647 DETAIL

COMPARATIVE illustration to Benesch 155
Detail of the adjacent image

COMPARATIVE illustration to Benesch 155
Rembrandt, Susannah and the Elders, 1647
Oil on panel, 77 x 93 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Benesch 0156

Benesch 156
Govert Flinck? Head of an Oriental in a Turban
Formerly F Paris, Private Collection (Otto Wertheimer)

D Berlin Susannah and the Elders 1647 DETAIL

COMPARATIVE illustration to Benesch 156
Detail of the adjacent image

Benesch 0157

Benesch 157
Rembrandt*, Study of an Elder (for Susannah and the Elders) c.1638
AUS Melbourne, National Gallery of Victoria

D Berlin Susannah and the Elders 1647
Benesch 0157 COMP ptg Berlin Susanna DETAIL centre

COMPARATIVE illustrations to Benesch 157
Rembrandt, Susannah and the Elders, 1647
Oil on panel, 77 x 93 cm
D Berlin, Staatliche Museen Berlin, Gemäldegalerie

Benesch 0158 Louvre

Benesch 158
Rembrandt, Head of an Oriental in a Turban and a Dead Bird of Paradise, c.1638
F Paris, Musée du Louvre

Benesch 0159 Berlin

Benesch 159
Gerbrand van den Eeckhout? Susannah and the Elders c.1638-40
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Benesch 0160 Adoration Eeckhout Berlin

Benesch 160
Gerbrand van den Eeckhout? Retouched by Rembrandt?
The Adoration of the Magi c.1638-40
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0161 recto Ruth and Naomi

Benesch 161 recto
Rembrandt*, Ruth and Naomi 1638
NL Rotterdam, Museum Boijmans Van Beuningen

Ben 0161 verso

Benesch 0161 verso
Rembrandt*, Joseph Telling his Dreams 1638
NL Rotterdam, Museum Boijmans Van Beuningen

Ben 0161v Comp etching Joseph telling dreams B37

Benesch 0161 verso COMPARATIVE illustration
Rembrandt, Joseph Telling His Dreams 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)

Ben 0161 comp grisaille Joseph telling Dreams Rijks

Benesch 161 verso COMPARATIVE illustration
Rembrandt, Joseph Tellling his Dreams c.1633
Grisaille in oils on paper, 558 x 387 mm.
NL Amsterdam, Rijksmuseum

Ben 0162 Berlin Boaz and Ruth

Benesch 162
Gerbrand van den Eeckhout? Boaz and Ruth c.1640
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Benesch 0163

Benesch 163
Rembrandt?? (Gerbrand van den Eeckhout???), Adam and Eve 1638?
USA, Private Collection (?)

COMPARATIVE illustration to Benesch 164
Rembrandt, Adam and Eve, 1638
Etching, touched with black chalk. 162 x 116, Bartsch 28 (1st state)
London, British Museum (1852,1211.42)

Benesch 0165 pic

Benesch 165
Ferdinand Bol, Vertumnus and Pomona, c.1640
NL Rotterdam, Museum Boijmans van Beuningen

Benesch 0166

Benesch 166
Ferdinand Bol, Amnon and Tamar, c.1640
NL Rotterdam, Museum Boijmans van Beuningen

Ben 0167

Benesch 167
Ferdinand Bol*, Elijah Sleeping Beneath a Tree c.1640-42
F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0161v Comp etching Joseph telling dreams B37

COMPARATIVE illustration to Benesch 168
Rembrandt, Joseph Telling His Dreams 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)

Ben 0168

Benesch 168
Rembrandt*, Studies of a Woman Reading and an Oriental Man, c.1638
USA New York, Private Collection (Kramarsky)

Benesch 0169 pic

Benesch 169, Rembrandt??; (more probably Ferdinand Bol? after Rembrandt? )
Saskia (?) in Bed
USA Washington DC, National Gallery of Art

Ben 0169 Comp detail of etching Joseph telling dreams B37

COMPARATIVE illustration to Benesch 169
Rembrandt, Joseph Telling His Dreams (detail) 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)
For the whole image see under Benesch 168.

Benesch 0170 pic

Benesch 170
Gerbrand van den Eeckhout??, Govert Flinck??
The Liberation of St Peter c.1639
GB London, British Museum.

Benesch 0171 pic

Benesch 171
Gerbrand van den Eeckhout? or Rembrandt??
Darab Sheltered by the Ruined Vault [?] c.1639?
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Benesch 171 COMPARATIVE illustration
Folio from a Shahnama (Book of kings) by Firdawsi (d.1020):
Darab sleeping in the ruined vault c.1330-40
Tbriz, Iran. Il-Khanid period, Mongol period
Ink, opaque watercolor and gold on paper
252 x 204mm
USA Washington D.C., Freer Gallery of Art (inv. F1930.78)

Benesch 0171 COMP Freer miniature
Benesch 0172

Benesch 172
School of Rembrandt (Govert Flinck??)
Two Priests with Two Kneeling Worshippers c.1638-40
D Munich, Staatliche Graphische Sammlung

Ben 0173 Christ on Mt of Olives

Benesch 173
Govert Flinck? or Rembrandt???
The Agony in the Garden
USA New York, Queen's College

Benesch 0174 pic

Benesch 174
Anonymous School of Rembrandt, Govert Flinck??
Lot and his Daughters c.1638-40?
D Dresden, Kupferstich-Kabinett (missing since 1945)

Benesch 0175 pic reversed

Benesch 175
Etched copy after Govert Flinck? or Rembrandt?? Boaz and Ruth, c.1638-40
GB London, British Museum (also to be found in other collections)

NB: Here illustrated in reverse, thus in the same direction as the original drawing.

Benesch 0176_RMN

Benesch 176
School of Rembrandt (Gerbrand van den Eeckhout??)
The Beheading of Holofernes with Judith and her Servant
F Paris, Musée du Louvre

Benesch 0177 large

Benesch 177
Rembrandt, c.1635
A Man Haranguing a Woman seated at the left
USA Los Angeles, J Paul Getty Museum

Benesch 0178 comp Beatrizet after Michelangelo

COMPARATIVE illustration to Benesch 178
Nicolas Beatrizet after Michelangelo
The Conversion of St Paul (detail) c.1550
Engraving
GB London, British Museum (inv.V,2.45)

Benesch 0178 pic

Benesch 178
Rembrandt
The Conversion of Saint Paul, c.1635
D Berlin, Kupferstichkabinett SMPK

Benesch 0179

Benesch 0179
Govert Flinck?
The Angel Departing from Manoah and his Wife c.1639-40
F Paris, Musée du Louvre

Benesch 0180 Berlin Manoah

Benesch 180 recto
Rembrandt?
Manoah's Offering c.1635-36?
D Berlin, Kupferstichkabinett SMPK

Benesch 0180 verso

Benesch 180 verso
Rembrandt??
Bust of a man in a Cap and a half-length Study of a Standing, Corpulent Man; traces of an offset of a drawing of a Seated Man and a Standing Figure
D Berlin, Kupferstichkabinett SMPK

Benesch 0180 offset from verso

Offset on a separate piece of paper from Benesch 180 verso
D Berlin, Kupferstichkabinett SMPK

Benesch 0180 Comp Rt Angel departing Louvre

Benesch 180 COMPARATIVE Illustration
Rembrandt: The Angel Leaving Tobit and his Family
Oil on panel 66 x 52cm
F Paris, Musée du Louvre

Benesch 0180 comp Flinck in Kingston

Benesch 180 COMPARATIVE Illustration
Govert Flinck (1615-60)
Manoah's Sacrifice 1640
Oil on canvas, 74.3 x 123.8 cm
Canada, Kingston, Ontario, Queen's University, Etherington Art Centre, Bader Collection.

Benesch 0181

Benesch 181
Rembrandt?/? (Gerbrand van den Eeckhout??)
Joseph Lifted from the Well by his Brothers c.1636-38
NL Private Collection

Benesch 0182

Benesch 182
Rembrandt
Christ Washing the Feet of his Disciples, c.1628-29
GB London, British Museum

Benesch 0183 as etched by Le Blanc

COMPARATIVE Illustration to Benesch 183
Charles Le Blanc after Rembrandt
Etching
The image as known until the drawing reappeared at auction in 1964

Benesch 0183

Benesch 0183
Rembrandt*
Studies for the Sick Woman in the “Hundred Guilder Print”, c.1645-48
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet

Benesch 0183v

Benesch 0183 verso
Rembrandt*
Slight sketch of the Head of the Sick Woman, c.1645-48
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet

Benesch 0183 COMP etching B359 FLIPPED
Benesch 0183 COMP etching B359

COMPARATIVE Illustrations to Benesch 183
Rembrandt
The Sick Woman with a Large White Headdress (Saskia?), c.1645
Etching, Bartsch 359; NH 228, ii/ii. 61 x 51mm
GB London, British Museum (1842,0806.152)
Shown reversed on the right, to compare with the drawing and the 100 Guilder Print

Ben 0185 Louvre
Ben 0185 comp Detail Hundred Guilder Print with old man led by a woman

COMPARATIVE ILLUSTRATION
Rembrandt: Detail of the "Hundred Guilder Print"

See also under Benesch 183 for the whole of the "Hundred Guilder Print"

Benesch 0185
Rembrandt*
A Blind Old Man Guided by a Woman: study for the “Hundred Guilder Print", c.1645-48
F Paris, Musée du Louvre (inv.22891)

Ben 0186 ex Pubhist
Ben 0186 verso

Benesch 0186
School of Rembrandt Verso (detail)
A Woman Standing with a Baby in her Arms, c.1637-45??
NL Rotterdam, Museum Boijmans Van Beuningen (inv. R 47)

Ben 0187 Fogg

Benesch 187
Rembrandt??
A Woman with a Child in her Arms, c.1637-39
Formerly USA, Cambridge (Mass.), Harvard University Art Museums, Fogg Art Museum

Benesch 0188 in bandw

Benesch 188
Rembrandt*
Study for a Group of Figures in the “Hundred Guilder Print”, c.1645-48
D Berlin, Kupferstichkabinett (inv. KdZ 2695)

Hundred_Guilder_Print RPK II DETAIL
Hundred_Guilder_Print RPK II DETAIL FLIPPED

COMPARATIVE Illustration to Benesch 188: Detail of the Hundred Guilder Print (see below) and the same detail reversed.

Hundred_Guilder_Print RPK II

COMPARATIVE Illustration to Benesch 188
Rembrandt, Christ Healing the Sick: The Hundred Guilder Print, c.1648
Etching, engraving and drypoint. 278 x 388mm. Bartsch 74; NH 239, ii/ii
NL Amsterdam, Rijksmuseum, Rijksprentenkabinet (RP-P-OB-602)

Ben 0189 Stockholm Old Man and Boy

Benesch 189
Rembrandt
An Old Man led by a Boy (study for Jacob with Benjamin?) c.1646-49
S Stockholm, Nationalmuseum

Ben 0190 Rotterdam

Benesch 190
Rembrandt
An Old Man Led by a Boy and another Figure, with a study of a head (Jacob with Benjamin and another son?) c.1646-49
NL Rotterdam, Boijmans van Beuningen Museum

Ben 0191 Nude Boijmans poss. Backer

Benesch 0191
Govert Flinck??
Two Studies of a Nude Woman, Resting, c.1640?
D Mettingen, Draiflessen Collection (Liberna Collection)

Ben 0192 from Rotterdam 1988

Benesch 192
Govert Flinck?
Study of a Seated Female Nude, seen from behind, 1635?
NL Rotterdam, Museum Boijmans van Beuningen

Ben 0192 verso from Rotterdam 1988

Benesch 192 verso
Govert Flinck?
Study of a Seated Female Nude, seen from behind, 1635?
NL Rotterdam, Museum Boijmans van Beuningen

Ben 0193 Ctld Nude

Benesch 193
Rembrandt
Study of a Seated Fenale Nude, seen from behind, c.1635?
GB London, Courtauld Institute

Ben 0193A Stockholm Reclining nude

Benesch 193A
Govert Flinck?
A Nude Woman reclining near a Tree, seen from behind, c.1637-40
S Stockholm, Nationalmuseum

Ben 0194 verso

Benesch 0194 Verso
Rembrandt
Profile Bust of a Man in a Turban; Sketch of a Woman Sleeping (Saskia?)
1637-39
AUS Melbourne, National Gallery of Victoria

Benesch 0194 Recto
Rembrandt
A Woman Standing Holding a Child and Two Studies of a Seated Woman, 1637-39
AUS Melbourne, National Gallery of Victoria

Ben 0195 R Albertina

Benesch 195 recto
Rembrandt
Seated Woman with Clasped Hands, c.1628-29?
A Vienna, Albertina

Ben 0195 Albertina Verso inv8852v

Benesch 195 verso
Rembrandt
Studies of Heads and Busts, c.1628-29
A Vienna, Albertina

Ben 0196 Dresden seated woman in profile blch

Benesch 0196
Rembrandt
A Seated Woman, in profile, full-length, c.1629
D Dresden, Kupferstich-Kabinett

Benesch 0197 from pubhist

Benesch 0197
Rembrandt
Two Studies of a Seated Beggar-Woman with Two Children, c.1638-39
F Paris, Musée du Louvre

Benesch 0198 NGA Washington

Benesch 0198
Rembrandt
A Woman Seated on the Ground with Two Children, c.1638-39
USA Washington, National Gallery of Art

Benesch 0199 Louvre

Benesch 199 recto
Rembrandt
Studies of Two Men and Two Children, c.1638-39
F Paris, Musée du Louvre

Benesch 0199 verso Man with Parasol

Benesch 199 verso
Rembrandt
An Oriental Holding a Tilted Parasol, c.1638-39
F Paris, Musée du Louvre

Ben 0200

Benesch 200
Nicolaes Maes?
Studies of Two Men and a Woman Teaching a Child to Walk, c.1647-50
USA New York, Metropolitan Museum of Art (Bequest of Harry G. Sperling)

Ben 0201 Frankfurt Two Men in Conversation

Benesch 201
Rembrandt? (After Rembrandt?)
Two Peasant Men in Discussion, c.1638-39?
D Frankfurt, Städel Museum

Ben 0202 Dresden Man and Woman

Benesch 202
Rembrandt?
An Old Man and a Young Woman Walking, c.1638-40?
D Dresden, Kupferstichkabinett

Ben 0203 recto

Benesch 203 Recto
Rembrandt
A Seated Woman, Reading, c.1638-39
D Berlin, Kupferstichkabinett

Ben 0203 verso

Benesch 203 Verso
Rembrandt
Head of a Man in a Turban, c.1638-39
D Berlin, Kupferstichkabinett

Ben 0204

Benesch 204
School of Rembrandt
A Seated Woman Reading, Wearing a Veil, profile to left, c.1638-40
D Ulm, Ulmer Museum (Strölin bequest)

Ben 0204a Ctld

Benesch 204a
Gerbrand van den Eeckhout? / Govert Flinck??
A Seated Scholar in a Barret at his Desk, c.1638-40?
GB London, Courtauld Institute

Ben 0205

Benesch 205
Rembrandt
Standing Man, to right, his arm outstretched, c.1639
NL Amsterdam, Rijksmuseum

Ben 0206

Benesch 206
Rembrandt?
A Beggar and Beggar-Woman, c.1629?
Whereabouts unknown.

Ben 0207

Benesch 207
Rembrandt
An Oriental Standing, full-length, c.1639
GB London, British Museum

Ben 0207v

Benesch 207 Verso
Rembrandt
Sketch of the Head of a Man, wearing a turban (crossed out)
GB London, British Museum

Ben 0208

Benesch 208
Rembrandt??
A Young Oriental Riding a Camel, c.1638-39
Formerly Dresden, Friedrich August Collection (present whereabouts unknown)

Ben 0209 pic

Ben 209
School of Rembrandt/Rembrandt??
Three Orientals Standing, c.1639?
D Berlin, Kupferstichkabinett

Ben 0210 Budapest

Benesch 210
School of Rembrandt/Rembrandt??
Four Orientals Standing, c.1639?
H Budapest, Szépművészeti Múzeum

Ben 0211 pic_1

Benesch 211
School of Rembrandt/Rembrandt??
Two Orientals in Cloaks, in conversation, c.1639?
NL Haarlem, Teyler Museum

Ben 0211a pic

Benesch 211a
School of Rembrandt
Two Orientals Standing
Whereabouts unknown (Formerly Private Collection, Paris, F. Flameng)

Ben 0212 pic_2

Benesch 212
School of Rembrandt (Carel Fabritius??)
Two Standing Orientals, c.1639?/1640s
F Paris, Musée du Louvre

Ben 0213

Benesch 213
Rembrandt
Bust of a Man in a Turban, head turned to right, c.1638-39
F Paris, Musée du Louvre

Benesch 0214

Benesch 0214
School of Rembrandt (Carel Fabritius??)
Two Busts of Oriental Men in Turbans, c.1638-42
B Brussels, Musée des Beaux Arts

Ben 0215 Middendorf photo

Benesch 0215
Rembrandt (probably with later additions by another hand)
Bust of an Oriental, full face
Private Collection, USA Rhode Island (Middendorf)

Ben 0216 my scan at 600dpi 001

Benesch 216
Anonymous School of Rembrandt (Attributed to Rembrandt??)
A Bearded Old Man in a High Hat at a Door, c.1639
D Dresden, Kupferstich-Kabinett

Ben 0217 Bremen medium file as used

Benesch 217
Rembrandt
A Woman Standing in Profile to Left, full-length c.1638-39
D Bremen, Kunsthalle

Ben 0217A Courtauld Standing Woman

Benesch 0217A
Rembrandt
A Study for a Portrait of Saskia van Uylenburgh, standing, full-length, her face in profile to left, c.1638-38
GB London, Courtauld Institute of Art

Ben 0217A COMP Kassel Ptg of Saskia in profile

Benesch 0217A COMPARATIVE Illustration
Rembrandt
Half-Length Portrait of Saskia van Uylenburgh, c.1633-42
Oil on panel, 99.5 x 78.8 cm
D Kassel, Gemäldegalerie

Ben 0217A COMP Ben 0197 detail

Benesch 0217A COMPARATIVE illustration
Detail of Benesch 0197, with similar technique, style and shading

Ben 0218 to use smaller

Benesch 218
Rembrandt
Sheet of Seven Figure-Studies Including a Crying Child, c.1638-39
D Berlin, Kupferstichkabinett SMPK

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