Drawings no longer considered to be by Rembrandt are aligned to the right

 

Drawings still considered to be by Rembrandt are aligned to the left

Ben 0001A Louvre

00001A (Add.1) 1625-35
Roman Women Before Coriolanus
Paris, Musée du Louvre

Ben 0003

0003 1627?
Study of an Oriental Archer
Dresden, Kupferstich-Kabinett

Ben 0002A RPK

00001B (Add.2) 1625-35
The Meeting of David and Abigail
Amsterdam, Rijksmuseum

Ben 0004

0004 1627?
Study of an Archer
Munich, Staatliche Graphische Sammlung

Ben 0001 Bremen formerly

0001 Gerbrand van den Eeckhout, 1664?
The Triumph of Mordechai
formerly Bremen, Kunsthalle

Ben 0002 PC

0002 Govert Flinck? 1640??
Oriental Ruler on Horseback (The Triumph of Mordechai?)
Private Collection

Ben 0005

0005 1627?
Man Pulling a Net (?) behind him
Munich, Staatliche Graphische Sammlung

Ben 0006 recto

0006 recto 1628-29
The Raising of the Cross
Rotterdam, Museum Boijmans van Beuningen

Ben 0083 comparative painting

Comparative illustration for Benesch 6 recto
Rembrandt: The Raising of the Cross c.1633
D Munich, Alte Pinakothek

Ben 0006 verso

0006 verso 1628-29
Verso: Two Figures seated
Rotterdam, Museum Boijmans van Beuningen

Ben 0007

0007 1628?
Old Man with a Book, seated (study for St Peter)
Berlin, Kupferstichkabinett

Ben 0007 comp Melbourne ptg

Comparative illustration to Benesch 7
Rembrandt: Two Old Men Disputing, c.1628
Oil on panel, 72.3 x 59.5 cm
National Gallery of Victoria, Melbourne

Ben 0008r

0008 recto c.1628-29
Judas Returning the Thirty Pieces of Silver
Private Collection

Ben 0008 comp Judas ptg

Comparative illustration to Benesch 8
Judas Returning the Thirty Pieces of Silver, 1629
Oil on panel, 79 x 102.3 cm.
Private collection

Ben 0008v

0008 verso c.1628-29
Verso: Kneeling Man and Standing Figure (Judas and the High Priest)
Private Collection

Ben 0009 recto

0009 recto [was called verso by Benesch] c.1632 (NB verso below c.1628-29)
Study of the Draped Legs of a Seated Woman
Amsterdam, Rijksmuseum

Ben 0010
Ben 0011

0011 c.1636 School of Rembrandt [by or after Govert Flinck?]
The Supper at Emmaus
Cambridge (Mass.), Fogg Art Museum

0010 c.1628-29
Oriental Leaning on a Stick, turned to left
Berlin, Kupferstichkabinett

Ben 0012

0012 c.1629
Standing Man with Arms Extended
Dresden, Kupferstich-Kabinett

Ben 0012 comp etching Peter and John

Comparative illustration to Benesch 12
Rembrandt: Sts Peter and John at the Gate of the Temple
Etching, 223 x 169
London, British Museum (inv.1848,0911.50)

Ben 0013

0013 c.1641
The Baptism of the Eunuch by St Philip
Munich, Staatliche Graphische Sammlung

Ben 0014

0014 c.1629
Man in a High Cap (walking to left)
Paris, Musée du Louvre

Ben 0015

0015 c.1628
St Paul
Paris, Musée du Louvre

Ben 0016

0016 Jan Lievens c.1630
Bust of an Old Man
Darmstadt, Hessisches Landesmuseum

Ben 83a comparative of LA Lazarus painting

Comparative illustration to Ben 17
Rembrandt, The Raising of Lazarus c.1630-31
Oil on panel, 962 x 815mm
Los Angeles County Museum of Art

Ben 0017 comparative Lievens Lazarus etching

Comparative illustration to Benesch 17
Jan Lievens, The Raising of Lazarus, etching 360 x 312 (Hollstein 7,i)
London, British Museum (inv. D,8.69)

Ben 0017   c.1635

0017 c.1635
The Entombment of Christ (over the Raising of Lazarus)
London British Museum

Ben 0017 comparative Louijs print

Comparative illustration to Benesch 17
Jacob Louijs after Jan Lievens, The Raising of Lazarus,
etching, 410 x 315 (Hollstein 1,i) c.1631-34
London, British Museum (inv. S.28)

Ben 0018

0018 c.1630
Drapery Study for St Jerome in prayer
Paris, Musée du Louvre

Ben 0018 comparative Vliet etching

COMPARATIVE illustration to Benesch 18
Jan van Vliet after Rembrandt, St Jerome in prayer, etching, 1631
(Hollstiein, 13, i)
GB London, British Museum (inv. F,6.149)

Ben 0019

0019 c.1631-33
St Jerome Resting his Hands on a Skull
Formerly Bremen, Kunsthalle

Ben 0020

Ben 0020 1631
Bearded Old Man Seated in an Armchair, full-length, to left (study for Jacob)
New York, Private Collection

Ben 0021 recto

0021 recto c.1630-31
Diana at the Bath
London, British Museum

Ben 0021 comp etching

COMPARATIVE illustration for Benesch 21
Rembrandt, Diana at the Bath, etching, c.1631 (Bartsch 201)
GB London, British Museum (inv. 1829,0415.17

Ben 0021 verso

0021 verso c.1630-31
London, British Museum

Ben 21a Lievens

0021a Jan Lievens c.1633
Soldier on Horseback Blowing a Trumpet
Amsterdam, Rijksmuseum

Ben 0022

0022 c.1629
Beggar Couple with a Dog
Private Collection

Ben 0022vero

0022 verso

Ben 0023

0023 Not Rembrandt?? c.1630
Blind Man Leaning on a Stick, with a dog
Private Collection

Ben 0023a

Ben 0023a
Beggar Standing and Leaning on a Stick, facing left,
New York, Private Collection (Clement C. Moore)

Ben 0024

Ben 0024 c.1631-32
Beggar Woman Leaning on a Stick
Washington, National Gallery of Art

Ben 0025

0025 c.1631-32
Oriental Standing, in profile to left
Paris, École nationale supérieure des beaux-arts

Ben 0026

0026 Govert Flinck?? c.1633
Bust of a Man in a Cap, turned to right
Dresden, Kupferstichkabinett

Ben 0027

0027 c.1631
Young Man Leaning on a Stick, full-length and turned to left,
Amsterdam, Private Collection

Ben 0028

0028 c.1628-29
Sketch of a Man in a Turban, half-length, turned to left
London, British Museum

Ben 0029 pic ex BvB Mus site

Benesch 0029 c.1635-40
Rembrandt
Seated Man in a High Cap
Rotterdam, Museum Boijmans van Beuningen

Ben 0030 recto

0030 recto c.1629
Standing Beggar Leaning on a Stick, turned to right
Amsterdam, Rijksmuseum

Ben 0030 verso

0030 verso c.1629
Half-length Sketch of a Man Seen from Behind
Amsterdam, Rijksmuseum

Ben 0031

0031 c.1629
Standing Beggar with a Leather Pouch
Amsterdam, Rijksmuseum

Ben 0032

0032 c.1629
Old Beggar in a Long Cloak and High Cap, turned to left
Amsterdam, Rijksmuseum

Ben 0033

0033 c.1629
Standing Woman in a Long Veil Holding a Censer, full-length,
Munich, Staatliche Graphische Sammlung

Ben 0033 COMP Lastman ptg DETAIL

Fig.a
Pieter Lastman
Detail from St Paul and Barnabus at Lystra, 1614
Destroyed in World War 2.

Ben 0034

0034 c.1629-30
Standing Oriental in a Long Robe and Mantle
Düsseldorf, Kunstmuseum

Ben 0035

0035 c.1628-29
Sketch of a Man Leaning over a Table
London, British Museum

Ben 0036 Rotterdam

0036 c.1635
Standing Man in a Fur Cap, full-length, in profil perdu to left
Rotterdam, Museum Boijmans van Beuningen

Ben 0036v

0036 verso (detail)
Head of a Man in a Fur Cap

Ben 0036a

0036A c.1629
Bust of a Bearded Old Man, turned to left
Private Collection

Ben 0037

0037 1630
Seated Old Man, three-quarter length, turned to right
Washington, National Gallery of Art

Ben 0038

0038 c.1630
Seated Old Man, his hands together
Stockholm, Nationalmuseum

Be 0039

0039 c.1630
Bust of a Bearded Old Man
Paris, Musée du Louvre

Ben 0040

0040 1631
Seated Old Man
Haarlem, Teyler Museum

Ben 0042

0042 recto c.1629-30
Bearded Old Man, in profile to left
Washington, National Gallery of Art

Lievens BM_detail

Comparative illustration for Benesch 0042: Lievens - detail of the above
London, British Museum

Ben 0042_detail

0042 detail
Washington, National Gallery of Art

Ben 0042 verso

0042 verso c.1629-30
Drapery study: a sleeve?
Washington, National Gallery of Art

Ben 0043

0043 c.1629-30
Beggar in a High Cap, full-length, walking to left
Berlin, SMPK Kupferstichkabinett

Ben 0044

0044 c.1629-30
An Elderly Polish Man, standing
Private Collection

Ben 0045

0045 c.1629-30
A Polish Officer, full-length
St Petersburg, Hermitage Museum

Ben 0046

0046 c.1628-29
Scholar at his Writing Table
Paris, Musée du Louvre

Ben 0047_1

0047 Gerbrand van den Eeckhout? c.1650?
Sheet of Studies with Different Figures
Budapest, Szépművészeti Múzeum

Ben 0049

0049 c.1629
Seated Old Man in a High Cap, full-length, profile to right
Private Collection

Ben 0048

0048 Govert Flinck?? c.1635-40
An Old Man with a Book, and the Head of a Man Wearing a Turban
Private Collection

Ben 0051_1

Ben 0051 Jan Lievens?
A Foot Operation (the Sense of Touch)
Florence, Uffizi

Ben 0050

0050 c.1629
Old Man with Flat Cap and Long Beard, bust, turned to left
Paris, Musée du Louvre (Edmond de Rothschild Collection)

Ben 0052 BW

0052 c.1629
The Reading
Bayonne, Musée Bonnat

Ben 0052 comp

Comparative illustration to Benesch 0052: detail of Christ before Pilate, etching, retouched by Rembrandt
London, British Museum

Ben 0052

0052 (detail) c.1639
The Reading
Bayonne, Musée Bonnat

Ben 0052 comp

Comparative illustration to Benesch 0052:
detail of Christ before Pilate, etching, retouched
by Rembrandt
London, British Museum

Ben 0053

0053 c.1628-29
Self-Portrait, with mourth open
London, British Museum

Ben 0054

0054 c.1628-29
Self-Portrait
Amsterdam, Rijksmuseum

Ben 0055

0055 c.1628-29
An Old Woman, bust, full face ('Rembrandt's Mother')
Ulm, Ulmer Museum

Ben 0056

0056 c.1628
Rembrandt's Father, Harmen Gerritsz. van Rijn
Oxford, Ashmolean Museum

Benesch 0056v

0056 verso (detail) c.1628
Sketch of a Seated Man, full-length, leaning forward

Ben 0057

0057 1633-34 [the etched head 1631]
Self-Portrait in a Soft Hat (the head etched)
London, British Museum

Bartsch 7.iv

Comparative illustration for Benesch 57:
An impression of the etching, Bartsch 7, 4th state, without any additions in chalk.

London, British Museum

Self-P Oval 1632 Glasgow

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait, 1632
Glasgow Museums, The Burrell Collection

Not Ben Self-P touched proof Paris BN

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, etching, Bartsch 7, touched in blaack chalk
Paris, Bibliothèque Nationale (Not in Benesch)

Self-P 1632 painting priv coll

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait, 1632. Private Collection

Ben 0057 reversed

Comparative illustration for Benesch 57:
0057 in reverse

Bartsch 7.vii

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, 1631
Etching, 7th state (according to White and Boon)

Bartsch 7.iv.touched

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat, 1631
Etching, 4th state (according to White and Boon),
cut down and retouched in black chalk
London, British Museum (inv.1848,0911.9)

Ben 0057a

0057a c.1628-29
Entrance to a Town with two figures under an arched gateway
Cambridge (UK), Fitzwilliam Museum

Ben 0058 001

0058 c.1635-38
Kneeling Man
George and Maida Abrams Collection, Boston

0059

0059 School of Rembrandt - Govert Flinck or Gerbrand van den Eeckhout?? 1635-40??
St Jerome Kneeling in Prayer
For a better image, see the Rijksmuseum website:
https://www.rijksmuseum.nl/en/search/objecten?f=1&p=1&ps=12&objectnumber=RP-T-1897-A-3475#/RP-T-1897-A-3475,0

Ben 0060

0060 Govert Flinck?? c.1638-40
Christ Carried to the Tomb
Berlin, SMPK Kupferstichkabinett

Ben 0060 WM

Benesch 60 Watermark

Ben 0061

0061 Govert Flinck? c.1638-40
The Raising of the Daughter of Jairus
Formerly Rotterdam, Museum Boijmans van Beuningen (Koenigs collection)

Ben 0062

0062 Govert Flinck? c.1638-40
The Raising of the Daughter of Jairus
Private collection

Ben 0063

0063 Govert Flinck? c.1638-40
The Lamentation at the Foot of the Cross
Dresden, Kupferstich-Kabinett

Ben 0063a

0063a Govert Flinck?? 1638-40
Christ being Nailed to the Cross
Private Collection? (Formerly C. R. Rudolf)

Ben 0064

0064 Gerbrand van den Eeckhout? c.1640-45
The Entombment
Private Collection

Ben 0065 recto

0065 recto Govert Flinck? 1638-40?
The Temptation of Christ
Frankfurt, Städelsches Kunstinstitut

Ben 0065 verso

0065 verso Govert Flinck? 1638-40?
St Jerome in Prayer
Frankfurt, Städelsches Kunstinstitut

Ben 0066

0066 Govert Flinck ? c.1638-40
The Temptation of Christ
Washington, National Gallery of Art

Ben 0067

0067 Govert Flinck? c.1638-40
St Jerome Kneeling
Wroclaw, Ossolineum

Ben 0068

0068 Govert Flinck? c.1638-40
Christ Conversing with Mary
Private Collection?

Ben 0068a

0068A c.1639
Christ and his Disciples on the Road to Emmaus
Edinburgh, National Gallery of Scotland

Ben 0069

0069 Govert Flinck? after Rembrandt? c.1639
Study of Christ, near full-length, gesturing
Stuttgart, Staatsgalerie

Ben 0070

0070 Govert Flinck? c.1638
Christ Walking on the Waves
London, British Museum

Ben 0071

0071 Gerbrand van den Eeckhout 1638-40?
Sts Peter and John Healing the Lame Man at the Temple Gate
D Ulm, Ulmer Museum

Ben 0072

0072 Rembrandt?? c.1642-46
The Circumcision
D Dresden, Kupferstichkabinett

Ben 0073

0073 Gerbrand van den Eeckhout ? c.1640
Joseph Sold by his Brethren
USA New York, Morgan Library

Ben 0074

0074 Gerbrand van den Eeckhout? c.1640
Daniel Interpreting the Dreams of Nebuchadnezzar (?)
USA New York, Private Collection (Clement C. Moore)

Ben 0074a

0074a Gerbrand van den Eeckhout? c.1638-40?
David Taking Leave of Jonathan
GB Birmingham, Barber Institute of Fine Arts

Ben 0074a_1

Smaller than the above but a colour illustration of
0074a Gerbrand van den Eeckhout? c.1638-40?
David Taking Leave of Jonathan
GB Birmingham, Barber Institute of Fine Arts

Ben 0075

0075 Gerbrand van den Eeckhout?? 1638-40?
Eli and Elkanah?
USA Glens Falls, New York: The Hyde Collection

Ben 0076

0076 Gerbrand van den Eeckhout? c.1640?
The Centurion of Capernaum Kneeling before Christ
NL Rotterdam Museum Boijmans van Beuningen

Ben 0077

0077 Gerbrand van den Eeckhout? c.1635-40?
The Centurion of Capernaum Kneeling before Christ
F Paris, Instituit Néerlandais, Collection F. Lugt

Ben 0078

0078 Govert Flinck? c.1638-40
The Angel Appearing to Manoah and his Wife
NL Rotterdam, Museum Boijmans van Beuningen

Ben 0079

0079 Govert Flinck? c.1638-40
Christ Conversing with Mary and Martha
NL Haarlem, Teyler Museum

Ben 0080

0080 Govert Flinck? c.1638-40
Joseph Interpreting the Prisoners' Dreams
USA Chicago, Chicago Art Institute

Ben 0081

0081 Govert Flinck? c.1640-45?
The Departure of the Prodigal Son
D Dresden, Kupferstich-Kabinett

Ben 0082

0082 c.1630-31 (but signed in 1633)
A Study for Lot Drunk
D Frankfurt, Staedelsches Kunstinstitut

Ben 0081 comparative Vliet Lot

Comparative illustration for Benesch 0082
Johannes van Vliet after Rembrandt
Lot and his Daughters, 1631 (Hollstein 1, 1st state, illustrated in reverse)

London, British Museum (inv. S.157)

Ben 0083

0083 Govert Flinck? c.1635-40
The Raising of the Cross
A Vienna, Albertina

Ben 0083 comparative painting

Comparative illustration for Benesch 83
Rembrandt: The Raising of the Cross c.1633
D Munich, Alte Pinakothek

Ben 83a_I
Ben 83a verso

0083a recto (above) c.1630-31
The Raising of Lazarus, the larger plate: touched proof with a Sketch of a Woman Shrinking Back.
with detail (below left) showing Rembrandt's partly erased sketch for an adjustment to the figure at the lower right.

As Rembrandt drew, his lines were picked up (in reverse) on the verso of the sheet (below centre left, illustrated in reverse, and next to this as seen today); the subsequently altered figure in the etching is shown below right.

GB London, British Museum

0083a verso (above)

Ben 83a recto detail
Ben 83a verso detail
Ben 0083a verso flipped detail
Ben 0083 comp 3rd state detail

Ben 0083a Detail of recto showing Detail of verso illustrated in reverse Detail of verso, published by Benesch Detail of the 3rd state, with retouches by Rembrandt in graphite, and thus in same drirection as the as Benesch 83a, but in fact an offset. the adjusted figure
later partly erased, recto

Ben 83a comparative of LA Lazarus painting

Comparative illustration to Ben 83a

Rembrandt: The Raising of Lazarus c.1630-31
Oil on panel, 962 x 815mm
Los Angeles County Museum of Art

Ben 0084

0084 Govert Flinck? c.1640?
Two Figures, one kneeling
D Frankfurt, Städel Museum

Ben 0085_I

0085 c.1638-39
Ahasuerus on his Throne
NL Amsterdam Rijkmuseum, Rijksprentenkabinet

Ben 0085_II

Comparative illustration for Benesch 85

This older illustration from Benesch, 1954, reveals that the drawing continues to suffer from the destructive effects of iron-gall ink. The details here are significantly clearer, though may have been enhanced in the photograph.

Ben 0086

0086 Gerbrand van den Eeckhout c.1640?
Manius Curius Dentatus Refusing the Gifts of the Samnites
P Warsaw, University Library

Ben 0087

0087 1638-39?
Three Studies of the Bust of an Old Man
F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0088

0088 Gerbrand van den Eeckhout? 1638-40?
Group of Three Figures Conferring
USA Private Collection

Ben 0089

0089 1631 (and 1634)?
Christ Among his Disciples
NL Haarlem, Teyler Museum

Ben 0090

0090 1634-35
The Sacrifice of Isaac
GB London, British Museum

Ben 0090 comp Hermitage

Comparative illustration for Benesch 0090
Rembrandt, The Sacrifice of Isaac, 1635
R St Petersburg, Hermitage Museum

Ben 0090 com Munich ptg

Comparative illustration for Benesch 0090
Rembrandt ans studio, The Sacrifice of Isaac, 1636
D Munich, Alte Pinakothek

Ben 0090 comp etching 1655 B35

Comparative illustration for Benesch 0090
Rembrandt, The Sacrifice of Isaac, 1655
Etching (Bartsch 35)
GB London, British Museum

Ben 0090 verso

0090 Verso
A Rough Composition Study
GB London, British Museum

Ben 0091

0091 Anonymous ("Munich forger"?)1640s or later, perhaps 18th cent.
Two Figures Seated at a Table
D Munich, Staatliche Graphische Sammlung

Ben 92 comp Ganymede ptg

Comparative illustration to Benesch 0092
Rembrandt, The Rape of Ganymede, 1770 x 1290mm
D Dresden, Gemäldegalerie alte Meister

0092 c.1634-35
The Rape of Ganymede
D Dresden, Kupferstich-Kabinett

Ben 0093

0093 c.1636-38
The Taking of Samson
D Dresden, Kupferstich-Kabinett

Ben 0093 comp Dulwich Van Dyck

Comparative illustration to Benesch 0093
Anthonie Van Dyck: Samson and Delilah, c.1618-20.
1514 x 2305mm
GB London, Dulwich Picture Gallery

Ben 0094

0094 Anonymous Rembrandt school c.1640-45?
Milo of Croton
Private Collection (Harris?)

Ben 0095

0095 c.1637-39
Jacob Lamenting at the Sight of Joseph's Blood-Stained Cloak
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0094a

0094a School of Rembrandt c.1635-40
St Peter, half-length
USA, New York, Morgan Library (Thaw Collection)

Ben 0095a schmidt etching

0095a etching by Joseph Schmidt (1750-1816) after a now lost drawing
The Raising of Jairus' Daughter (?)
Gerbrand van den Eeckhout?? c.1638-40??

GB London, British Museum (1895,0915.1431)

Ben 0096

0096 c.1640
A Woman's Execution
F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0096 verso 001

0096 VERSO c.1640
Sketch of the Head of a Woman, for a woman's execution
F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0097

0097 c.1635-36
Christ Falling under the Cross on the Way to Calvary
D Berlin, Kupferstichkabinett

Ben 0097 comp Schongauer

Comparative illustration to Benesch 97:
Martin Schongauer, The Road to Calvary
Engraving 291 x 432

Ben 0098

0098 By or after Govert Flinck? c.1635-40??
Soldier and Rearing Horse
R Moscow, Pushkin Museum of Fine Arts

Ben 0099

0099 c.1635
The Annunciation
Besançon, Musée des Beaux-Arts

Ben 100 recto

0100 recto c.1635
The Lamentation of Christ at the Foot of the Cross
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 100verso

0100 verso c.1635
Verso: Soldiers and Women (the Prodigal Son?)
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 100 verso comp Dresden

Comparative illustration to Benesch 100 verso

Rembrandt, The Prodigal Son Squandering his Inheritance
(Self-Portrait with Saskia) 1636. Oil on canvas 161 x 131cm
Dresden, Gemäldegalerie

Ben 0101 comp etching by Vliet reversed

Comparative illustration to Benesch 0101
Jan van Vliet after Rembrandt, The Beheading of St John the Baptist
etching, 1st state, c.1631-33
Reproduced in reverse
158 x 124
GB London, British Museum (F,7.6)

Ben 0101

0101 c.1630
The Beheading of St John the Baptist
F Paris, Musée du Louvre

Ben 0102 ex pubhist

0102 Ferdinand Bol? c.1640-45
A High Priest
P Wroclaw, Ossolineum

Ben 0103

0103 Ferdinand Bol c.1640-45
Study of a High Priest
D Munich, Staatliche Graphische Sammlung

Ben 0103 comp detail Christ before Pilate

Comparative illustration to Benesch 0103
Jan van Vliet after Rembrandt: Detail of
Christ before Pilate, Bartsch 77,iv
British Museum, London (inv.F,4.183).

Ben 0104 with 127B

0104 and 0127B Ferdinand Bol??/Rembrandt??? c.1635-40 Benesch 127B
Christ Comforted by the Angel on the Mount of Olives
D Munich, Staatliche Graphische Sammlung

Ben 104 verso

Benesch 0104 verso Ferdinand Bol??/Rembrandt??? 1635-40
Verso: Christ Kneeling in Prayer on the Mount of Olives?
D Munich, Staatliche Graphische Sammlung

Ben 0105

0105 Ferdinand Bol?? c.1635-40
Sketch for Christ on the Mount of Olives
D Munich, Staatliche Graphische Sammlung

Ben 0106

0106 Ferdinand Bol??/Rembrandt??? 1635-40?
Man in Fetters
D Munich, Staatliche Graphische Sammlung

Ben 0107

0107 Ferdinand Bol?? c.1635-40
Head of a Bearded Man
D Munich, Staatliche Graphische Sammlung

Ben 0108

0108 Gerbrand van den Eeckhout? c.1640
The Crucifixion (Calvary)
D Berlin, Staaliche Museen Berlin, Kupferstichkabinett

Ben 0109 pubhist

0109 Ferdinand Bol?? c.1640?
Joseph Interpreting the Prisoners' Dreams
USA Private Collection

Ben 0110 NEW

0110 Rembrandt?? c.1635
Joseph Interpreting the Prisoners' Dreams
Private Collection

Ben 0111

0111 Govert Flinck? c.1638-40
Sts Peter and John Healing the Lame Man
D Darmstadt, Hessisches Landesmuseum

Ben 0112

0112 Govert Flinck? c.1638-40?
The Prophet Elijah and the Widow of Zerephath
Paris, Musée du Louvre (inv. RF 4670)

Ben 0113recto

0113 Recto Gerbrand van den Eeckhout? c.1638
The Virgin and Child Seated by a Window
London, British Museum

Ben 0113 comp Beham

COMPARATIVE illustration for Benesch 0113
Barthel Beham (1504-40): Virgin and Child
Engraving
GB London, British Museum

Ben 0113 verso

0113 Verso Gerbrand van den Eeckhout? c.1638
An Interior Winding Staircase
London, British Museum

Ben 0114

0114 Ferdinand Bol?? Perhaps partly retouched by Rembrandt??? c.1635-38?
The Holy Family Seated by a Window
USA New York, Art Market (?)

Ben 0115_1

0115 c.1638-42
Study for an Adoration of the Magi
NL Amsterdam, Rijksmuseum

Ben 0115 comp Hunterian

COMPARATIVE illustration to Benesch 115:
Lucas Vorsterman after Rubens
The Adoration of the Magi, engraving, Hollstein 9, 1621
(Detail; illustrated in reverse)
Glasgow, Hunterian Art Gallery

Ben 0116

0116 Govert Flinck? after Rembrandt?
Diana with two Greyhounds
CH Geneva, Private Collection (Krugier)

Ben 0117_New

0117 Govert Flinck? c.1638-40
The Death of Lucretia
D Private Collection

Ben 0118 BW

0118 Nicolaes Maes? c.1647-50
Pyramus and Thisbe
D Dresden, Kupferstich-Kabinett (formerly)

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