Drawings no longer considered to be by Rembrandt are aligned to the right

 

Drawings still considered to be by Rembrandt are aligned to the left

Ben 0001A Louvre

Benesch 00001A (Add.1)
Anonymous
Roman Women Before Coriolanus, 1625-35
Paris, Musée du Louvre

Ben 0003

Benesch 0003
Rembrandt
Study of an Oriental Archer, c.1627
Dresden, Kupferstich-Kabinett

Ben 0002A RPK

Benesch 00001B (Add.2)
Anonymous
The Meeting of David and Abigail, 1625-35
Amsterdam, Rijksmuseum

Ben 0004

Benesch 0004
Rembrandt
Study of an Archer, 1627
Munich, Staatliche Graphische Sammlung

Ben 0001 Bremen formerly

0001 Gerbrand van den Eeckhout, 1664?
The Triumph of Mordechai
formerly Bremen, Kunsthalle

Ben 0002 PC

Benesch 0002
Govert Flinck?
Oriental Ruler on Horseback (The Triumph of Mordechai?), c.1640?
Private Collection

Ben 0005

Benesch 0005
Rembrandt
Man Pulling a Net (?) behind him, c.1627
Munich, Staatliche Graphische Sammlung

Ben 0006 recto

Benesch 0006 recto
Rembrandt*
The Raising of the Cross, c.1628-29
Rotterdam, Museum Boijmans van Beuningen

Ben 0083 comparative painting

Comparative illustration for Benesch 6 recto
Rembrandt: The Raising of the Cross c.1633
D Munich, Alte Pinakothek

Ben 0006 verso

Benesch 0006 verso
Rembrandt*
Two Figures Seated, c.1628-29
Rotterdam, Museum Boijmans van Beuningen

Ben 0007

Benesch 0007
Rembrandt*
Old Man with a Book, seated (study for St Peter), c.1628
Berlin, Kupferstichkabinett

Ben 0007 comp Melbourne ptg

Comparative illustration to Benesch 7
Rembrandt: Two Old Men Disputing, c.1628
Oil on panel, 72.3 x 59.5 cm
National Gallery of Victoria, Melbourne

Ben 0008r

Benesch 0008 recto
Rembrandt*
Judas Returning the Thirty Pieces of Silver, c.1628-29
Private Collection

Ben 0008 comp Judas ptg

Comparative illustration to Benesch 8
Judas Returning the Thirty Pieces of Silver, 1629
Oil on panel, 79 x 102.3 cm.
Private collection

Ben 0008v

Benesch 0008 verso
Rembrandt*
Verso: Kneeling Man and Standing Figure (Judas and the High Priest), c.1628-29
Private Collection

Ben 0008 comp Judas ptg

Comparative illustration to Benesch 9 verso
Judas Returning the Thirty Pieces of Silver, 1629
Oil on panel, 79 x 102.3 cm.
Private collection

Benesch 0010 COMPARATIVE Illustration
Rembrandt
The Tribute Money (Detail)
Oil on panel, 41.8 x 32.8 cm.
Signed and dated 1629.
Ottawa, National Gallery of Canada

Ben 0012

Benesch 0012
Rembrandt*
Standing Man with Arms Extended, c.1629
Dresden, Kupferstich-Kabinett

Ben 0012 comp etching Peter and John

Comparative illustration to Benesch 12
Rembrandt: Sts Peter and John at the Gate of the Temple
Etching, 223 x 169
London, British Museum (inv.1848,0911.50)

Ben 0013

Benesch 0013
Rembrandt*
The Baptism of the Eunuch by St Philip, c.1641
Munich, Staatliche Graphische Sammlung

COMPARATIVE Illustration to Benesch 0013
Rembrandt
The Baptism of the Eunuch, 1641
Etching (Bartsch 98; NH 186, ii/iv)
New York, Metropolitan Museum of Art (inv. 22.52.3)

Benesch 0013 COMP etch Baptism of Eunuch Metmus
Ben 0014

Benesch 0014
Rembrandt
Man in a High Cap (walking to left), c.1629
Paris, Musée du Louvre

Ben 0015

Benesch 0015
Rembrandt*
St Paul, c.1628
Paris, Musée du Louvre

Ben 0016

Benesch 0016
Jan Lievens
Bust of an Old Man, c.1630
Darmstadt, Hessisches Landesmuseum

Ben 83a comparative of LA Lazarus painting

Comparative illustration to Ben 17
Rembrandt, The Raising of Lazarus c.1630-31
Oil on panel, 962 x 815mm
Los Angeles County Museum of Art

Ben 0017   c.1635

Benesch 0017
Rembrandt
The Entombment of Christ (over the Raising of Lazarus), c.1635
London British Museum

Ben 0017 comparative Lievens Lazarus etching

Comparative illustration to Benesch 17
Jan Lievens, The Raising of Lazarus, etching 360 x 312 (Hollstein 7,i)
London, British Museum (inv. D,8.69)

Ben 0017 comparative Louijs print

Comparative illustration to Benesch 17
Jacob Louijs after Jan Lievens, The Raising of Lazarus,
etching, 410 x 315 (Hollstein 1,i) c.1635
London, British Museum (inv. S.28)

Ben 0018

Benesch 0018
Rembrandt*
Drapery Study for St Jerome in prayer, c.1630
Paris, Musée du Louvre

Ben 0018 comparative Vliet etching

COMPARATIVE illustration to Benesch 18
Jan van Vliet after Rembrandt, St Jerome in prayer, etching, 1631
(Hollstiein, 13, i)
GB London, British Museum (inv. F,6.149)

Ben 0019

Benesch 0019
Rembrandt
St Jerome Resting his Hands on a Skull, c.1631-33
Formerly Bremen, Kunsthalle

Ben 0161 comp grisaille Joseph telling Dreams Rijks

Benesch 20 COMPARATIVE illustration
Rembrandt, Joseph Tellling his Dreams c.1633
Grisaille in oils on paper, 558 x 387 mm.
NL Amsterdam, Rijksmuseum

Ben 0020

Benesch 0020
Rembrandt*
Bearded Old Man Seated in an Armchair, full-length, to left (study for Jacob), 1631
New York, Private Collection

Ben 0161v Comp etching Joseph telling dreams B37

Benesch 20 COMPARATIVE illustration
Rembrandt, Joseph Telling His Dreams 1638
Etching. Counterproof (i.e. in reverse to usual printings), 110 x 83 mm.
GB London, British Museum (F,4.67)

Ben 0021 recto

Benesch 0021 recto
Rembrandt*
Diana at the Bath, c.1630-31
London, British Museum

Ben 0021 comp etching

COMPARATIVE illustration for Benesch 21
Rembrandt, Diana at the Bath, etching, c.1631 (Bartsch 201)
GB London, British Museum (inv. 1829,0415.17

Ben 0021 verso

Benesch 0021 verso
Rembrandt*, c.1630-31
London, British Museum

Ben 21a Lievens

Benesch 0021a
Jan Lievens
Soldier on Horseback Blowing a Trumpet, c.1633
Amsterdam, Rijksmuseum

Ben 0022

Benesch 0022
Rembrandt
Beggar Couple with a Dog, c.1629
Private Collection

Ben 0022vero

0022 verso

Ben 0023

Benesch 0023
Rembrandt???
Blind Man Leaning on a Stick, with a dog, c.1630
Private Collection

Ben 0023a

Benesch 0023a
Rembrandt
Beggar Standing and Leaning on a Stick, facing left, c.1629
New York, Private Collection (Clement C. Moore)

Ben 0024

Benesch 0024
Rembrandt
Beggar Woman Leaning on a Stick, c.1631-32
Washington, National Gallery of Art

Ben 0025

Benesch 0025
Rembrandt
Oriental Standing, in profile to left, c.1631-32
Paris, École nationale supérieure des beaux-arts

Ben 0026

Benesch 0026
Govert Flinck??
Bust of a Man in a Cap, turned to right, c.1633
Dresden, Kupferstichkabinett

Ben 0027

Benesch 0027
Rembrandt
Young Man Leaning on a Stick, full-length and turned to left, c.1629
Amsterdam, Private Collection

Ben 0028

Benesch 0028
Rembrandt
Sketch of a Man in a Turban, half-length, turned to left, c.1628-29
London, British Museum

Benesch 0029

Benesch 0029
Rembrandt
Seated Man in a High Cap, c.1627
Rotterdam, Museum Boijmans van Beuningen

Ben 0030 recto

Benesch 0030 recto
Rembrandt
Standing Beggar Leaning on a Stick, turned to right, c.1629
Amsterdam, Rijksmuseum

Ben 0030 verso

Benesch 0030 verso
Rembrandt
Half-length Sketch of a Man Seen from Behind, c.1629
Amsterdam, Rijksmuseum

Ben 0031

Benesch 0031
Rembrandt
Standing Beggar with a Leather Pouch, c.1629
Amsterdam, Rijksmuseum

Ben 0032
Ben 0032 verso

Benesch 0032 verso
Rembrandt
Sketch of a Cap and Hair, c.1629
Amsterdam, Rijksmuseum

Benesch 0032
Rembrandt
Old Beggar in a Long Cloak and High Cap, turned to left, c.1629
Amsterdam, Rijksmuseum

Ben 0033

Benesch 0033
Rembrandt
Standing Woman in a Long Veil Holding a Censer, full-length, c.1629
Munich, Staatliche Graphische Sammlung

Ben 0034

Benesch 0034
Rembrandt
Standing Oriental in a Long Robe and Mantle, c.1629-30
Düsseldorf, Kunstmuseum

Ben 0035

Benesch 0035
Rembrandt
Sketch of a Man Leaning over a Table, c.1628-29
London, British Museum

Ben 0036 v

Benesch 0036 verso
Head of a Man in a Fur Cap

Ben 0036 recto

Benesch 0036
Rembrandt
Standing Man in a Fur Cap, full-length, in profil perdu to left, c.1635
Rotterdam, Museum Boijmans van Beuningen

Ben 0036a

Benesch 0036A
Rembrandt
Bust of a Bearded Old Man, turned to left, c.1629
Private Collection

Ben 0037

Benesch 0037
Rembrandt*
Seated Old Man, three-quarter length, turned to right, 1630
Washington, National Gallery of Art

Ben 0038

Benesch 0038
Rembrandt
Seated Old Man, his hands together, c.1630
Stockholm, Nationalmuseum

Be 0039

Benesch 0039
Rembrandt
Bust of a Bearded Old Man, c.1630
Paris, Musée du Louvre

Ben 0040

Benesch 0040
Rembrandt*
Seated Old Man, 1631
Haarlem, Teyler Museum

Ben 0041

Benesch 0041
Rembrandt* c.1630-31
Seated Old Man with Clasped Hands, full-length, turned to left, c.1630-31
Berlin, SMPK Kupferstichkabinett

Lievens BM

Comparative illustration for Benesch 42:
Jan Lievens, Head of a Young Man
London, British Museum

Ben 0042

Benesch 0042 recto
Rembrandt
Bearded Old Man, in profile to left, c.1629-30
Washington, National Gallery of Art

Lievens BM_detail

Comparative illustration for Benesch 0042: Lievens - detail of the above
London, British Museum

Ben 0042_detail

Benesch 0042 detail
Washington, National Gallery of Art

Ben 0042 verso

Benesch 0042 verso
Rembrandt
Drapery study: a sleeve? c.1629-30
Washington, National Gallery of Art

Ben 0043

Benesch 0043
Rembrandt
Beggar in a High Cap, full-length, walking to left, c.1629-30
Berlin, SMPK Kupferstichkabinett

Ben 0044

Benesch 0044
Rembrandt
An Elderly Polish Man, standing, c.1629-30
Private Collection

Ben 0045

Benesch 0045
A Polish Officer, full-length, c.1629-30
St Petersburg, Hermitage Museum

Ben 0046

Benesch 0046 Rembrandt
Scholar at his Writing Table, c.1628-29
Paris, Musée du Louvre

Ben 0047_1

Benesch 0047 Gerbrand van den Eeckhout?
Sheet of Studies with Different Figures, c.1650?
Budapest, Szépművészeti Múzeum

Ben 0049
Ben 0048

Benesch 0048 Govert Flinck??
An Old Man with a Book, and the Head of a Man Wearing a Turban, c.1635-40
Private Collection, CH Geneva (Krugier)

Ben 0051_1

Benesch 0051 Jan Lievens?
A Foot Operation (the Sense of Touch), c.1632
Florence, Uffizi

Benesch 0049 Rembrandt
Seated Old Man in a High Cap, full-length, profile to right, c.1629
Private Collection

Ben 0050

Benesch 0050 Rembrandt
Old Man with Flat Cap and Long Beard, bust, turned to left, c.1629
Paris, Musée du Louvre (Edmond de Rothschild Collection)

Ben 0051 WM

Benesch 51 COMPARATIVE Illustration
Watermark (reduced)

Ben 0052 BW

Benesch 0052 Rembrandt
The Reading, c.1639
Bayonne, Musée Bonnat

Ben 0052 comp

Comparative illustration to Benesch 0052: detail of Christ before Pilate, etching, retouched by Rembrandt
London, British Museum

Ben 0052

Benesch 0052 (detail)
The Reading, c.1639
Bayonne, Musée Bonnat

Ben 0052 comp

Comparative illustration to Benesch 0052:
detail of Christ before Pilate, etching, retouched
by Rembrandt
London, British Museum

Rembrandt Copy Self Portrait ex Wilnitsky full size

Benesch 0053
Rembrandt
Self-Portrait, with mouth open,
c.1628-29
London, British Museum

Benesch 0053 COMPARATIVE Illustration
Follower of Rembrandt
Self-Portrait - Variant of Benesch 0053, c.1650-60?
Private Collection

Ben 0053
Ben 0054

Benesch 0054
Rembrandt
Self-Portrait, c.1628-29
Amsterdam, Rijksmuseum

Ben 0055

Benesch 0055
Rembrandt
An Old Woman, bust, full face ('Rembrandt's Mother'), c.1628-29
Ulm, Ulmer Museum

Ben 0056

Benesch 0056
Rembrandt
Rembrandt's Father, Harmen Gerritsz. van Rijn, c.1628
Oxford, Ashmolean Museum

Benesch 0056v

Benesch 0056 verso (detail)
Rembrandt
Sketch of a Seated Man, full-length, leaning forward, c.1628

Ben 0057

Benesch 0057
Rembrandt
Self-Portrait in a Soft Hat (the head etched), 1633-34 [the etched head 1631]
London, British Museum

Bartsch 7.iv

Comparative illustration for Benesch 57:
An impression of the etching, Bartsch 7, 4th state, without any additions in chalk.

London, British Museum

Self-P Oval 1632 Glasgow

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait, 1632
Glasgow Museums, The Burrell Collection

Not Ben Self-P touched proof Paris BN

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, etching, Bartsch 7, touched in blaack chalk
Paris, Bibliothèque Nationale (Not in Benesch)

Self-P 1632 painting priv coll

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait, 1632. Private Collection

Ben 0057 reversed

Comparative illustration for Benesch 57:
Benesch 0057 in reverse

Bartsch 7.vii

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, 1631
Etching, 7th state (according to White and Boon)

Bartsch 7.iv.touched

Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat, 1631
Etching, 4th state (according to White and Boon),
cut down and retouched in black chalk
London, British Museum (inv.1848,0911.9)

Ben 0057a

Benesch 0057a
Rembrandt
Entrance to a Town with two figures under an arched gateway, c.1628-29
Cambridge (UK), Fitzwilliam Museum

Ben 0058 001

Benesch 0058
Rembrandt
Kneeling Man, c.1635-38
George and Maida Abrams Collection, Boston

0059

Benesch 0059
After Rembrandt? By Govert Flinck or Gerbrand van den Eeckhout??
St Jerome Kneeling in Prayer, c.1635-30?
Amsterdam, Rijksmuseum
For a better image, see the Rijksmuseum website:
https://www.rijksmuseum.nl/en/search/objecten?f=1&p=1&ps=12&objectnumber=RP-T-1897-A-3475#/RP-T-1897-A-3475,0

Ben 0060

Benesch 0060 Govert Flinck??
Christ Carried to the Tomb, c.1638-40
Berlin, SMPK Kupferstichkabinett

Ben 0061

Benesch 0061 Govert Flinck?
The Raising of the Daughter of Jairus, c.1638-40
Formerly Rotterdam, Museum Boijmans van Beuningen (Koenigs collection)

Ben 0062

Benesch 0062 Govert Flinck?
The Raising of the Daughter of Jairus, c.1638-40
Private collection

Ben 0063

Benesch 0063 Govert Flinck? c.1638-40
The Lamentation at the Foot of the Cross
Dresden, Kupferstich-Kabinett

Ben 0063a

Benesch 0063a Govert Flinck?? 1638-40
Christ being Nailed to the Cross
Private Collection? (Formerly C. R. Rudolf)

Ben 0064

Benesch 0064 Gerbrand van den Eeckhout? c.1640-45
The Entombment
Private Collection

Ben 0065 recto

Benesch 0065 recto Govert Flinck? 1638-40?
The Temptation of Christ
Frankfurt, Städelsches Kunstinstitut

Ben 0065 verso

Benesch 0065 verso Govert Flinck? 1638-40?
St Jerome in Prayer
Frankfurt, Städelsches Kunstinstitut

Ben 0066

Benesch 0066 Govert Flinck ? c.1638-40
The Temptation of Christ
Washington, National Gallery of Art

Ben 0067

Benesch 0067 Govert Flinck? c.1638-40
St Jerome Kneeling
Wroclaw, Ossolineum

Ben 0068

Benesch 0068 Govert Flinck? c.1638-40
Christ Conversing with Mary
Private Collection?

Ben 0068a

Benesch 0068A Rembrandt? c.1639
Christ and his Disciples on the Road to Emmaus
Edinburgh, National Gallery of Scotland

Ben 0069

Benesch 0069 Govert Flinck? after Rembrandt? c.1639
Study of Christ, near full-length, gesturing
Stuttgart, Staatsgalerie

Ben 0070

Benesch 0070 Govert Flinck? c.1638
Christ Walking on the Waves
London, British Museum

Ben 0071

Benesch 0071 Gerbrand van den Eeckhout? 1638-40?
Sts Peter and John Healing the Lame Man at the Temple Gate
D Ulm, Ulmer Museum

Ben 0072

Benesch 0072 Rembrandt? c.1642-46
The Circumcision
D Dresden, Kupferstichkabinett

Ben 0073

Benesch 0073 Gerbrand van den Eeckhout ? c.1640
Joseph Sold by his Brethren
USA New York, Morgan Library

Ben 0074

Benesch 0074 Gerbrand van den Eeckhout? c.1640
Daniel Interpreting the Dreams of Nebuchadnezzar (?)
USA New York, Private Collection (Clement C. Moore)

Ben 0074a

Benesch 0074a Gerbrand van den Eeckhout? c.1638-40?
David Taking Leave of Jonathan
GB Birmingham, Barber Institute of Fine Arts

Ben 0074a_1

Smaller than the above but a colour illustration of Benesch 0074a
Gerbrand van den Eeckhout? c.1638-40?
David Taking Leave of Jonathan
GB Birmingham, Barber Institute of Fine Arts

Ben 0075

Benesch 0075 Gerbrand van den Eeckhout? 1638-40?
Eli and Elkanah?
USA Glens Falls, New York: The Hyde Collection

Ben 0076

Benesch 0076 Gerbrand van den Eeckhout?? c.1638-40?
The Centurion of Capernaum Kneeling before Christ
NL Rotterdam Museum Boijmans van Beuningen

Ben 0077

Benesch 0077 Gerbrand van den Eeckhout? c.1635-40?
The Centurion of Capernaum Kneeling before Christ
F Paris, Fondation Custodia, Collection F. Lugt

Ben 0078

Benesch 0078 Govert Flinck? c.1638-40
The Angel Appearing to Manoah and his Wife
NL Rotterdam, Museum Boijmans van Beuningen

Ben 0079

Benesch 0079 Govert Flinck? c.1638-40
Christ Conversing with Mary and Martha
NL Haarlem, Teyler Museum

Ben 0080

Benesch 0080 Govert Flinck? c.1638-40
Joseph Interpreting the Prisoners' Dreams
USA Chicago, Chicago Art Institute

Ben 0081

Benesch 0081 Govert Flinck?? or Ferdinand Bol?? c.1640-45?
The Departure of the Prodigal Son
D Dresden, Kupferstich-Kabinett

Ben 0082

Benesch 0082 Rembrandt, c.1630-31 (but signed in 1633)
A Study for Lot Drunk
D Frankfurt, Staedelsches Kunstinstitut

Ben 0081 comparative Vliet Lot

Comparative illustration for Benesch 0082
Johannes van Vliet after Rembrandt
Lot and his Daughters, 1631 (Hollstein 1, 1st state, illustrated in reverse)

London, British Museum (inv. S.157)

Ben 0083

Benesch 0083 Govert Flinck? c.1635-40
The Raising of the Cross
A Vienna, Albertina

Ben 0083 comparative painting

Comparative illustration for Benesch 83
Rembrandt: The Raising of the Cross c.1633
D Munich, Alte Pinakothek

Ben 83a_I
Ben 83a verso

Benesch 0083a verso (above), Rembrandt*

Benesch 0083a recto (above), Rembrandt* c.1630-31

The Raising of Lazarus, the larger plate: touched proof with a Sketch of a Woman Shrinking Back.
with detail (below left) showing Rembrandt's partly erased sketch for an adjustment to the figure at the lower right.

As Rembrandt drew, his lines were picked up (in reverse) on the verso of the sheet (see above, and the detail below centre left, illustrated in reverse, and next to this the same detail as seen today); the subsequently altered figure in the etching is shown below right.
GB London, British Museum

Ben 83a recto detail
Ben 83a verso detail
Ben 0083a verso flipped detail
Ben 0083 comp 3rd state detail

Benesch 0083a Detail of recto showing Detail of verso illustrated in reverse Detail of verso, published by Benesch Detail of the 3rd state, with retouches by Rembrandt in graphite, and thus in same drirection as the as Benesch 83a, but in fact an offset. the adjusted figure
later partly erased, recto

Ben 83a comparative of LA Lazarus painting

Comparative illustration to Ben 83a

Rembrandt: The Raising of Lazarus c.1630-31
Oil on panel, 962 x 815mm
Los Angeles County Museum of Art

Ben 0084

Benesch 0084 Govert Flinck? c.1640?
Two Figures, one kneeling
D Frankfurt, Städel Museum

Ben 0085_I

Benesch 0085 Rembrandt, c.1638-39
Ahasuerus on his Throne
NL Amsterdam Rijkmuseum, Rijksprentenkabinet

Ben 0085_II

Comparative illustration for Benesch 85

This older illustration from Benesch, 1954, reveals that the drawing continues to suffer from the destructive effects of iron-gall ink. The details here are significantly clearer, though may have been enhanced in the photograph.

Ben 0086

Benesch 0086 Gerbrand van den Eeckhout?, c.1640?
Manius Curius Dentatus Refusing the Gifts of the Samnites
P Warsaw, University Library

Ben 0087

Benesch 0087 Rembrandt, 1638-39?
Three Studies of the Bust of an Old Man
F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0088

Benesch 0088 Gerbrand van den Eeckhout? 1638-40?
Group of Three Figures Conferring
USA Private Collection

Ben 0089

Benesch 0089 Rembrandt* 1631 (and 1634)?
Christ Among his Disciples
NL Haarlem, Teyler Museum

Ben 0090

Benesch 0090 Rembrandt*, 1634-35
The Sacrifice of Isaac
GB London, British Museum

Ben 0090 comp Hermitage

Comparative illustration for Benesch 0090
Rembrandt, The Sacrifice of Isaac, 1635
R St Petersburg, Hermitage Museum

Ben 0090 com Munich ptg

Comparative illustration for Benesch 0090
Rembrandt ans studio, The Sacrifice of Isaac, 1636
D Munich, Alte Pinakothek

Ben 0090 comp etching 1655 B35

Comparative illustration for Benesch 0090
Rembrandt, The Sacrifice of Isaac, 1655
Etching (Bartsch 35)
GB London, British Museum

Ben 0090 verso

Benesch 0090 Verso, Rembrandt*
A Rough Composition Study
GB London, British Museum

Ben 0091

Benesch 0091 Anonymous ("Munich forger"?)1640s or later, perhaps 18th cent.
Two Figures Seated at a Table
D Munich, Staatliche Graphische Sammlung

Ben 92 comp Ganymede ptg

Comparative illustration to Benesch 0092
Rembrandt, The Rape of Ganymede, 1770 x 1290mm
D Dresden, Gemäldegalerie alte Meister

Ben 0092

Benesch 0092, Rembrandt*, c.1634-35
The Rape of Ganymede
D Dresden, Kupferstich-Kabinett

Ben 0093

Benesch 0093, Rembrandt, c.1636-38
The Taking of Samson
D Dresden, Kupferstich-Kabinett

Ben 0093 comp Dulwich Van Dyck

Comparative illustration to Benesch 0093
Anthonie Van Dyck: Samson and Delilah, c.1618-20.
1514 x 2305mm
GB London, Dulwich Picture Gallery

Ben 0094

Benesch 0094 Anonymous Rembrandt school c.1640-45?
Milo of Croton
Private Collection (Harris?)

Ben 0095

Benesch 0095, Rembrandt, c.1637-39
Jacob Lamenting at the Sight of Joseph's Blood-Stained Cloak
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0094a

Benesch 0094a School of Rembrandt c.1635-40
St Peter, half-length
USA, New York, Morgan Library (Thaw Collection)

Ben 0095a schmidt etching

Benesch 0095a etching by Joseph Schmidt (1750-1816) after a now lost drawing
The Raising of Jairus' Daughter (?)
Gerbrand van den Eeckhout?? c.1638-40??

GB London, British Museum (1895,0915.1431)

Ben 0096

Benesch 0096, Rembrandt, c.1640
A Woman's Execution
F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0096 verso 001

Benesch 0096 Verso (detail), Rembrandt, c.1640
Sketch of the Head of a Woman, for a woman's execution
F Paris, Fondation Custodia, Frits Lugt Collection

Ben 0097

Benesch 0097, Rembrandt, c.1635-36
Christ Falling under the Cross on the Way to Calvary
D Berlin, Kupferstichkabinett

Ben 0097 comp Schongauer

Comparative illustration to Benesch 97:
Martin Schongauer, The Road to Calvary
Engraving 291 x 432

Ben 0098

Benesch 0098 By or after Govert Flinck? c.1635-40??
Soldier and Rearing Horse
R Moscow, Pushkin Museum of Fine Arts

Ben 0099

Benesch 0099, Rembrandt, c.1635
The Annunciation
Besançon, Musée des Beaux-Arts

Ben 100 recto

Benesch 0100 recto, Rembrandt, c.1635
The Lamentation of Christ at the Foot of the Cross
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 100 verso comp Dresden

Comparative illustration to Benesch 100 verso

Rembrandt, The Prodigal Son Squandering his Inheritance
(Self-Portrait with Saskia) 1636. Oil on canvas 161 x 131cm
Dresden, Gemäldegalerie

Ben 100verso

Benesch 0100 verso, Rembrandt, c.1635
Verso: Soldiers and Women (the Prodigal Son?)
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0101 comp etching by Vliet reversed

Comparative illustration to Benesch 0101
Jan van Vliet after Rembrandt, The Beheading of St John the Baptist
etching, 1st state, c.1631-33
Reproduced in reverse
158 x 124
GB London, British Museum (F,7.6)

Ben 0101

Benesch 0101, Rembrandt?, c.1630
The Beheading of St John the Baptist
F Paris, Musée du Louvre

Ben 0102 ex pubhist

Benesch 0102 Ferdinand Bol? c.1640-45
A High Priest
P Wroclaw, Ossolineum

Ben 0103

Benesch 0103 Ferdinand Bol c.1640-45
Study of a High Priest
D Munich, Staatliche Graphische Sammlung

Ben 0103 comp detail Christ before Pilate

Comparative illustration to Benesch 0103
Jan van Vliet after Rembrandt: Detail of
Christ before Pilate, Bartsch 77,iv
British Museum, London (inv.F,4.183).

Ben 0104 with 127B

Benesch 0104 and 0127B Ferdinand Bol??/Rembrandt??? c.1635-40 Benesch 127B
Christ Comforted by the Angel on the Mount of Olives
D Munich, Staatliche Graphische Sammlung

Ben 104 verso

Benesch 0104 verso Ferdinand Bol??/Rembrandt??? 1635-40
Verso: Christ Kneeling in Prayer on the Mount of Olives?
D Munich, Staatliche Graphische Sammlung

Ben 0105

Benesch 0105 Ferdinand Bol?? c.1635-40
Sketch for Christ on the Mount of Olives
D Munich, Staatliche Graphische Sammlung

Ben 0106

Benesch 0106 Ferdinand Bol??/Rembrandt??? 1635-40?
Man in Fetters
D Munich, Staatliche Graphische Sammlung

Ben 0107

Benesch 0107 Ferdinand Bol?? c.1635-40
Head of a Bearded Man
D Munich, Staatliche Graphische Sammlung

Ben 0108

Benesch 0108 Gerbrand van den Eeckhout? c.1640
The Crucifixion (Calvary)
D Berlin, Staaliche Museen Berlin, Kupferstichkabinett

Ben 0109 pubhist

Benesch 0109 Ferdinand Bol?? c.1640?
Joseph Interpreting the Prisoners' Dreams
USA Private Collection

Ben 0110 NEW

Benesch 0110 Rembrandt? c.1635
Joseph Interpreting the Prisoners' Dreams
Private Collection

Ben 0111

Benesch 0111 Govert Flinck? c.1638-40
Sts Peter and John Healing the Lame Man
D Darmstadt, Hessisches Landesmuseum

Ben 0112

Benesch 0112 Govert Flinck? c.1638-40?
The Prophet Elijah and the Widow of Zerephath
Paris, Musée du Louvre (inv. RF 4670)

Ben 0113recto

Benesch 0113 Recto Gerbrand van den Eeckhout? c.1638
The Virgin and Child Seated by a Window
London, British Museum

Ben 0113 comp Beham

COMPARATIVE illustration for Benesch 0113
Barthel Beham (1504-40): Virgin and Child
Engraving, 105 x 83mm
GB London, British Museum (1850,0810.254)

Ben 0113 verso

Benesch 0113 Verso Gerbrand van den Eeckhout? c.1638
An Interior Winding Staircase
London, British Museum

Ben 0114

Benesch 114 Ferdinand Bol?? Perhaps partly retouched by Rembrandt??? c.1635-38?
The Holy Family Seated by a Window
USA New York, Art Market (?)

Ben 0115_1

Benesch 115 Rembrandt, c.1638-42
Study for an Adoration of the Magi
NL Amsterdam, Rijksmuseum

Ben 0115 comp Hunterian

COMPARATIVE illustration to Benesch 115:
Lucas Vorsterman after Rubens
The Adoration of the Magi, engraving, Hollstein 9, 1621
(Detail; illustrated in reverse)
Glasgow, Hunterian Art Gallery

Ben 0116

Benesch 116 Govert Flinck? after Rembrandt?
Diana with two Greyhounds
CH Geneva, Private Collection (Krugier)

Ben 0117_New

Benesch 117 Govert Flinck? c.1638-40
The Death of Lucretia
D Private Collection

Ben 0118 BW

Benesch 118 Nicolaes Maes? c.1647-50
Pyramus and Thisbe
D Dresden, Kupferstich-Kabinett (formerly)

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