THE DRAWINGS OF REMBRANDT:  

  a revision of Otto Benesch's catalogue raisonné

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0004 1627?

Study of an Archer

Munich, Staatliche Graphische Sammlung

00001A   (Add.1)   1625-35

Roman Women Before Coriolanus

Paris, Musée du Louvre

00001B  (Add.2)   1625-35

The Meeting of David and Abigail

Amsterdam, Rijksmuseum

0001  Gerbrand van den Eeckhout, 1664?

The Triumph of Mordechai

formerly Bremen, Kunsthalle

0002  Govert Flinck? 1640??

Oriental Ruler on Horseback (The Triumph of Mordechai?)

USA Chapel Hill, Ackland Art Museum, The University of North Carolina at Chapel Hill (The Peck Collection)

2017.1.64

 

0006 recto  1628-29  

The Raising of the Cross

Rotterdam, Museum Boijmans van Beuningen    

0007   1628?

Old Man with a Book, seated (study for St Peter)

Berlin, Kupferstichkabinett

Drawings still considered to be by Rembrandt are aligned to the left

Drawings no longer considered to be by Rembrandt are aligned to the right 

Ben 0008r

0008 recto  c.1628-29

Judas Returning the Thirty Pieces of Silver

Private Collection

Ben 0008v

0008 verso  c.1628-29

Verso:   Kneeling Man and Standing Figure (Judas and the High Priest)

Private Collection

0006 verso 1628-29

Verso:      Two Figures seated

Rotterdam, Museum Boijmans van Beuningen

Ben 0001A Louvre Ben 0002A RPK Ben 0003 Ben 0001 Bremen formerly Ben 0004 Ben 0009 recto

0009 recto [was called verso by Benesch]  c.1632 (NB verso below c.1628-29)

Study of the Draped Legs of a Seated Woman

Amsterdam, Rijksmuseum

Ben 0009 verso

0009 verso [was called recto by Benesch]  c.1628-29 (NB recto above c.1632)

Three Priests or Doctors at a Table below a Curtain

Amsterdam, Rijksmuseum

Ben 0010

0010   c.1628-29

Oriental Leaning on a Stick, turned to left

Berlin, Kupferstichkabinett

Ben 0011

0012  c.1629

Standing Man with Arms Extended

Dresden, Kupferstich-Kabinett

0011  c.1636  School of Rembrandt [by or after Govert Flinck?]

The Supper at Emmaus

Cambridge (Mass.), Fogg Art Museum

Ben 0012 Ben 0013

0013   c.1641

The Baptism of the Eunuch by St Philip

Munich, Staatliche Graphische Sammlung

Ben 0014

0014  c.1629

Man in a High Cap (walking to left)

Paris, Musée du Louvre

Ben 0015

0015  c.1628

St Paul

Paris, Musée du Louvre

Ben 0016

0016  Jan Lievens  c.1630

Bust of an Old Man

Darmstadt, Hessisches Landesmuseum

Ben 0017   c.1635

0017   c.1635

The Entombment of Christ (over the Raising of Lazarus)

London British Museum

Ben 0018

0018  c.1630

Drapery Study for St Jerome in prayer

Paris, Musée du Louvre

Ben 0019

0019  c.1631-33

St Jerome Resting his Hands on a Skull

Formerly Bremen, Kunsthalle

Ben 0020

Ben 0020  1631

Bearded Old Man Seated in an Armchair, full-length, to left (study for Jacob)

New York, Private Collection

Ben 0021 recto Ben 0021 verso

0021 recto  c.1630-31

Diana at the Bath

London, British Museum

0021 verso  c.1630-31

London, British Museum

Ben 21a Lievens

0021a  Jan Lievens  c.1633

Soldier on Horseback Blowing a Trumpet

Amsterdam, Rijksmuseum

Ben 0022

0022   c.1629

Beggar Couple with a Dog

Private Collection

Ben 0023

0023  Not Rembrandt??  c.1630

Blind Man Leaning on a Stick, with a dog

Private Collection

Ben 0023a

Ben 0023a

Beggar Standing and Leaning on a Stick, facing left,

New York, Private Collection (Clement C. Moore)

Ben 0005 Ben 0024

Ben 0024  c.1631-32

Beggar Woman Leaning on a Stick

Washington, National Gallery of Art

Ben 0025

0025   c.1631-32

Oriental Standing, in profile to left

Paris, École nationale supérieure des beaux-arts

Ben 0026

0026  Govert Flinck??  c.1633

Bust of a Man in a Cap, turned to right

Dresden, Kupferstichkabinett

Benesch 27

Young Man Leaning on a Stick, full-length and turned to left, c.1631

USA Los Angeles, J. Paul Getty Museum

Ben 0028

0028   c.1628-29

Sketch of a Man in a Turban, half-length, turned to left

London, British Museum

0029    c.1635-40

Seated Man in a High Cap

Rotterdam, Museum Boijmans van Beuningen

Ben 0030 recto

0030  recto   c.1629

Standing Beggar Leaning on a Stick, turned to right

Amsterdam, Rijksmuseum

0030 verso   c.1629

Half-length Sketch of a Man Seen from Behind

Amsterdam, Rijksmuseum

0031   c.1629

Standing Beggar with a Leather Pouch

Amsterdam, Rijksmuseum

0032   c.1629

Old Beggar in a Long Cloak and High Cap, turned to left

Amsterdam, Rijksmuseum

Ben 0030 verso Ben 0031 Ben 0032 Ben 0033

0033   c.1629

Standing Woman in a Long Veil Holding a Censer, full-length,

Munich, Staatliche Graphische Sammlung

Ben 0034

0034   c.1629-30

Standing Oriental in a Long Robe and Mantle

Düsseldorf, Kunstmuseum

Ben 0035

0035   c.1628-29

Sketch of a Man Leaning over a Table

London, British Museum

0036   c.1635

Standing Man in a Fur Cap, full-length, in profil perdu to left

Rotterdam, Museum Boijmans van Beuningen

Ben 0036a

0036A    c.1629

Bust of a Bearded Old Man, turned to left

Private Collection

Ben 0037

0037    1630

Seated Old Man, three-quarter length, turned to right

Washington, National Gallery of Art

Ben 0038

0038    c.1630

Seated Old Man, his hands together

Stockholm, Nationalmuseum

Be 0039

0039    c.1630

Bust of a Bearded Old Man

Paris, Musée du Louvre

Benesch 40  

Seated Old Man, 1631

Haarlem, Teyler Museum

Ben 0041

0041    c.1630-31

Seated Old Man with Clasped Hands, full-length, turned to left

Berlin, SMPK Kupferstichkabinett

Ben 0042 verso

0042 recto   c.1629-30

Bearded Old Man, in profile to left

Washington, National Gallery of Art

0042 verso     c.1629-30

Drapery study: a sleeve?

Washington, National Gallery of Art

0043  c.1629-30

Beggar in a High Cap, full-length, walking to left

Berlin, SMPK Kupferstichkabinett

Ben 0044

Benesch 44

An Elderly Polish Man, Standing, c.1629-30

D  Mettingen, Draiflessen Collection (formerly Hilversum, Liberna Collection)

0045   c.1629-30

A Polish Officer, full-length

St Petersburg, Hermitage Museum

Benesch 36 Verso, detail, enlarged

Ben 0046

0046   c.1628-29

Scholar at his Writing Table

Paris, Musée du Louvre

0047   Gerbrand van den Eeckhout?  c.1650?

Sheet of Studies with Different Figures

Budapest, Szépművészeti Múzeum

Ben 0047_1 Lievens BM

Comparative illustration for Benesch 42:

Jan Lievens, Head of a Young Man

London, British Museum

Lievens BM_detail Ben 0042_detail

0042 Detail, enlarged

USA Washington, National Gallery of Art

Comparative illustration for Benesch 0042: Lievens - detail of the above

London, British Museum

Ben 0045 Ben 0048

0048   Govert Flinck?? c.1635-40

An Old Man with a Book, and the Head of a Man Wearing a Turban

Private Collection

Ben 0049

0049   c.1629

Seated Old Man in a High Cap, full-length, profile to right

Private Collection

Ben 0050

0050   c.1629

Old Man with Flat Cap and Long Beard, bust, turned to left

Paris, Musée du Louvre (Edmond de Rothschild Collection)

Ben 0051_1

Ben 0051  Jan Lievens?

A Foot Operation (the Sense of Touch)

Florence, Uffizi

0052   c.1629

The Reading

Bayonne, Musée Bonnat

Ben 0053

0053   c.1628-29

Self-Portrait, with mourth open

London, British Museum

Ben 0054

0054   c.1628-29

Self-Portrait

Amsterdam, Rijksmuseum

Ben 0055

0055   c.1628-29

An Old Woman, bust, full face ('Rembrandt's Mother')

Ulm, Ulmer Museum

Benesch 0056  Recto

Rembrandt's Father, Harmen Gerritsz. van Rijn, c.1628

Oxford, Ashmolean Museum

0056 verso (detail)  c.1628

Sketch of a Seated Man, full-length, leaning forward

 

Ben 0057

0057  1633-34 [the etched head 1631]

Self-Portrait in a Soft Hat (the head etched)

London, British Museum

Ben 0057a

0057a   c.1628-29

Entrance to a Town with two figures under an arched gateway

Cambridge (UK), Fitzwilliam Museum

Not Ben Self-P touched proof Paris BN Self-P 1632 painting priv coll Self-P Oval 1632 Glasgow

Comparative illustration for Benesch 57:

Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, etching, Bartsch 7, touched in blaack chalk

Paris, Bibliothèque Nationale (Not in Benesch)

Ben 0057 reversed

Comparative illustration for Benesch 57:

0057 in reverse

Comparative illustration for Benesch 57:

Rembrandt, Self-Portrait, 1632. Private Collection

Comparative illustration for Benesch 57:

Rembrandt, Self-Portrait, 1632

Glasgow Museums, The Burrell Collection

Bartsch 7.vii

Comparative illustration for Benesch 57:

Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, 1631

Etching, 7th state (according to White and Boon)

Bartsch 7.iv

Comparative illustration for Benesch 57:

An impression of the etching, Bartsch 7, 4th state, without any additions in chalk.

 

London, British Museum

Bartsch 7.iv.touched

Comparative illustration for Benesch 57:

Rembrandt, Self-Portrait in a Soft Hat, 1631

Etching, 4th state (according to White and Boon),

cut down and retouched in black chalk

London, British Museum (inv.1848,0911.9)

0058   c.1635-38

Kneeling Man

George and Maida Abrams Collection, Boston

0059    School of Rembrandt - Govert Flinck or Gerbrand van den Eeckhout??  1635-40??

St Jerome Kneeling in Prayer

For a better image, see the Rijksmuseum website:

https://www.rijksmuseum.nl/en/search/objecten?f=1&p=1&ps=12&objectnumber=RP-T-1897-A-3475#/RP-T-1897-A-3475,0

0059 Ben 0060

0060  Govert Flinck??  c.1638-40

Christ Carried to the Tomb

Berlin, SMPK Kupferstichkabinett

Ben 0061

0061  Govert Flinck?  c.1638-40

The Raising of the Daughter of Jairus

Formerly Rotterdam, Museum Boijmans van Beuningen (Koenigs collection)

Ben 0062

0062  Govert Flinck?  c.1638-40

The Raising of the Daughter of Jairus

Private collection

Ben 0063

0063  Govert Flinck?  c.1638-40

The Lamentation at the Foot of the Cross

Dresden, Kupferstich-Kabinett

Ben 0063a

0063a  Govert Flinck?? 1638-40

Christ being Nailed to the Cross

Private Collection? (Formerly C. R. Rudolf)

Ben 0064

0064  Gerbrand van den Eeckhout?  c.1640-45

The Entombment

Private Collection

Ben 0065 verso Ben 0065 recto

0065 recto  Govert Flinck? 1638-40?

The Temptation of Christ

Frankfurt, Städelsches Kunstinstitut

0065 verso  Govert Flinck? 1638-40?

St Jerome in Prayer

Frankfurt, Städelsches Kunstinstitut

0066  Govert Flinck ? c.1638-40

The Temptation of Christ

Washington, National Gallery of Art

Ben 0066 Ben 0067

0067  Govert Flinck?  c.1638-40

St Jerome Kneeling

Wroclaw, Ossolineum

Ben 0068

0068   Govert Flinck?   c.1638-40

Christ Conversing with Mary

Private Collection?

0068A   c.1639

Christ and his Disciples on the Road to Emmaus

Edinburgh, National Gallery of Scotland

Ben 0068a Ben 0069

0069 Govert Flinck? after Rembrandt? c.1639

Study of Christ, near full-length, gesturing

Stuttgart, Staatsgalerie

Ben 0070

0070   Govert Flinck?   c.1638

Christ Walking on the Waves

London, British Museum

Ben 0071

0071  Gerbrand van den Eeckhout  1638-40?

Sts Peter and John Healing the Lame Man at the Temple Gate

D Ulm, Ulmer Museum

0072  Rembrandt?? c.1642-46

The Circumcision

D Dresden, Kupferstichkabinett

Ben 0073

0073  Gerbrand van den Eeckhout ? c.1640

Joseph Sold by his Brethren

USA New York, Morgan Library

Ben 0074

0074  Gerbrand van den Eeckhout?  c.1640

Daniel Interpreting the Dreams of Nebuchadnezzar (?)

USA New York, Private Collection (Clement C. Moore)

Ben 0074a_1 Ben 0074a

0074a  Carel Fabritius?

David Taking Leave of Jonathan, c.1645-50?

GB Birmingham, Barber Institute of Fine Arts

Smaller than the above but a colour illustration of Benesch 0074a  

Ben 0075

0075 Gerbrand van den Eeckhout?? 1638-40?

Eli and Elkanah?

USA Glens Falls, New York: The Hyde Collection

Ben 0076

0076   Gerbrand van den Eeckhout?   c.1640?

The Centurion of Capernaum Kneeling before Christ

NL Rotterdam Museum Boijmans van Beuningen

Ben 0077

0077   Gerbrand van den Eeckhout?  c.1635-40?

The Centurion of Capernaum Kneeling before Christ

F Paris, Instituit Néerlandais, Collection F. Lugt

Ben 0078

0078   Govert Flinck?   c.1638-40

The Angel Appearing to Manoah and his Wife

NL Rotterdam, Museum Boijmans van Beuningen

0079   Govert Flinck? c.1638-40

Christ Conversing with Mary and Martha

NL Haarlem, Teyler Museum

Ben 0079 Ben 0080

0080   Govert Flinck?  c.1638-40

Joseph Interpreting the Prisoners' Dreams

USA Chicago, Chicago Art Institute

Ben 0081

0081   Govert Flinck?  c.1640-45?

The Departure of the Prodigal Son

D Dresden, Kupferstich-Kabinett

Ben 0082

0082   c.1630-31 (but signed in 1633)

A Study for Lot Drunk

D Frankfurt, Staedelsches Kunstinstitut

Comparative illustration for Benesch 0082

Johannes van Vliet after Rembrandt

Lot and his Daughters,  1631 (Hollstein 1, 1st state, illustrated in reverse)

 

London, British Museum (inv. S.157)

Ben 0081 comparative Vliet Lot Ben 0083

0083  Govert Flinck?  c.1635-40

The Raising of the Cross

A Vienna, Albertina

Comparative illustrations are ranged

down the centre

NB  The illustrations are almost all taken from readily available online resources. They must not be used for commercial purposes.

                                                                                                  Please see the disclaimer on the 'Home' page

Ben 0083 comparative painting

Comparative illustration for Benesch 83

Rembrandt: The Raising of the Cross c.1633

D Munich, Alte Pinakothek

Ben 83a_I Ben 83a recto detail Ben 83a verso detail Ben 83a verso

0083a recto (above) c.1630-31

The Raising of Lazarus, the larger plate: touched proof with a Sketch of a Woman Shrinking Back.

with detail (below left) showing Rembrandt's partly erased sketch for an adjustment to the figure at the lower right.

 

As Rembrandt drew, his lines were picked up (in reverse) on the verso of the sheet (below centre left, illustrated in reverse, and next to this as seen today); the subsequently altered figure in the etching is shown below right.

 

GB London, British Museum

0083a verso (above)

 

Ben 83a comparative of LA Lazarus painting

Comparative illustration to Ben 83a

 

Rembrandt: The Raising of Lazarus c.1630-31

Oil on panel, 962 x 815mm

Los Angeles County Museum of Art

Ben 83a comparative of LA Lazarus painting

Comparative illustration to Ben 17

Rembrandt, The Raising of Lazarus c.1630-31

Oil on panel, 962 x 815mm

Los Angeles County Museum of Art

Ben 0017 comparative Lievens Lazarus etching

Comparative illustration to Benesch 17

Jan Lievens, The Raising of Lazarus, etching 360 x 312 (Hollstein 7,i)

London, British Museum (inv. D,8.69)

Ben 0017 comparative Louijs print

Comparative illustration to Benesch 17

Jacob Louijs after Jan Lievens, The Raising of Lazarus,

etching, 410 x 315  (Hollstein 1,i) c.1631-34

London, British Museum (inv. S.28)

Ben 0083a verso flipped detail

Ben 0083a   Detail of recto showing                  Detail of verso illustrated in reverse            Detail of verso, published by Benesch           Detail of the 3rd state, with                                                                                       retouches by Rembrandt in graphite,                and thus in same drirection as the              as Benesch 83a, but in fact an offset.             the adjusted figure

later partly erased,                                                 recto

Ben 0083 comp 3rd state detail Ben 0084

0084 Govert Flinck?  c.1640?

Two Figures, one kneeling

D Frankfurt, Städel Museum

Ben 0085_I

0085   c.1638-39

Ahasuerus on his Throne

NL Amsterdam Rijkmuseum, Rijksprentenkabinet

Ben 0085_II

Comparative illustration for Benesch 85

 

This older illustration from Benesch, 1954, reveals that the drawing continues to suffer from the destructive effects of iron-gall ink. The details here are significantly clearer, though may have been enhanced in the photograph.

Ben 0086

0086   Gerbrand van den Eeckhout  c.1640?

Manius Curius Dentatus Refusing the Gifts of the Samnites

P Warsaw, University Library

Ben 0087

0087    1638-39?

Three Studies of the Bust of an Old Man

F Paris, Fondation Custodia, Frits Lugt Collection

0003   1627?

Study of an Oriental Archer

Dresden, Kupferstich-Kabinett

Ben 0088

0088   Gerbrand van den Eeckhout? 1638-40?

Group of Three Figures Conferring

USA Private Collection

0005  1627?

Man Pulling a Net (?) behind him

Munich, Staatliche Graphische Sammlung

0089   1631 (and 1634)?

Christ Among his Disciples

NL Haarlem, Teyler Museum

Ben 0089 Ben 0090

0090  1634-35

The Sacrifice of Isaac

GB London, British Museum

Ben 0090 com Munich ptg Ben 0090 comp Hermitage

Comparative illustration for Benesch 0090

Rembrandt, The Sacrifice of Isaac, 1635

R St Petersburg, Hermitage Museum

Comparative illustration for Benesch 0090

Rembrandt ans studio, The Sacrifice of Isaac, 1636

D Munich, Alte Pinakothek

Ben 0090 comp etching 1655 B35

Comparative illustration for Benesch 0090

Rembrandt, The Sacrifice of Isaac, 1655

Etching (Bartsch 35)

GB London, British Museum

Ben 0090 verso

0090 Verso

A Rough Composition Study

GB London, British Museum

Ben 0091

0091  Anonymous ("Munich forger"?)1640s or later, perhaps 18th cent.

Two Figures Seated at a Table

D Munich, Staatliche Graphische Sammlung

Ben 92 comp Ganymede ptg

0092   c.1634-35

The Rape of Ganymede

D Dresden, Kupferstich-Kabinett

Comparative illustration to Benesch 0092

Rembrandt, The Rape of Ganymede, 1770 x 1290mm

D Dresden, Gemäldegalerie alte Meister

Ben 0093 comp Dulwich Van Dyck

Benesch 93

The Taking of Samson, c.1636-38

D Dresden, Kupferstich-Kabinett

Comparative illustration to Benesch 0093

Anthonie Van Dyck: Samson and Delilah, c.1618-20.

1514 x 2305mm

GB London, Dulwich Picture Gallery

Ben 0094

0094  Anonymous Rembrandt school c.1640-45?

Milo of Croton

Private Collection (Harris?)

0094a   School of Rembrandt c.1635-40

St Peter, half-length

USA, New York, Morgan Library (Thaw Collection)

Ben 0094a Ben 0095

0095   c.1637-39

Jacob Lamenting at the Sight of Joseph's Blood-Stained Cloak

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 0095a schmidt etching

0095a etching by Joseph Schmidt (1750-1816) after a now lost drawing

The Raising of Jairus' Daughter (?)

Gerbrand van den Eeckhout??  c.1638-40??

 

GB London, British Museum (1895,0915.1431)

Ben 0096 Ben 0096 verso 001

0096   c.1640

A Woman's Execution

F Paris, Fondation Custodia, Frits Lugt Collection

0096 VERSO   c.1640

Sketch of the Head of a Woman, for a woman's execution

F Paris, Fondation Custodia, Frits Lugt Collection

0097    c.1635-36

Christ Falling under the Cross on the Way to Calvary

D Berlin, Kupferstichkabinett

Ben 0007 Ben 0098

0098   By or after Govert Flinck?  c.1635-40??

Soldier and Rearing Horse

R  Moscow, Pushkin Museum of Fine Arts

Ben 0097 Ben 0097 comp Schongauer

Comparative illustration to Benesch 97:

Martin Schongauer, The Road to Calvary

Engraving 291 x 432

Ben 0099

0099   c.1635

The Annunciation

Besançon, Musée des Beaux-Arts

Ben 100verso

0100 recto   c.1635

The Lamentation of Christ at the Foot of the Cross

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

0100 verso   c.1635

Verso:   Soldiers and Women (the Prodigal Son?)

D Berlin, Staatliche Museen Berlin, Kupferstichkabinett

Ben 100 verso comp Dresden

Comparative illustration to Benesch 100 verso

 

Rembrandt, The Prodigal Son Squandering his Inheritance

(Self-Portrait with Saskia) 1636. Oil on canvas 161 x 131cm

Dresden, Gemäldegalerie

Ben 0101

0101   c.1630

The Beheading of St John the Baptist

F Paris, Musée du Louvre

Ben 0101 comp etching by Vliet reversed

Comparative illustration to Benesch 0101

Jan van Vliet after Rembrandt, The Beheading of St John the Baptist

etching,  1st state, c.1631-33

Reproduced in reverse

158 x 124

GB London, British Museum (F,7.6)

 

Ben 0102 ex pubhist

0102   Ferdinand Bol?  c.1640-45

A High Priest

P Wroclaw, Ossolineum

Ben 0103

0103  Ferdinand Bol c.1640-45

Study of a High Priest

D Munich, Staatliche Graphische Sammlung

Ben 0103 comp detail Christ before Pilate

Comparative illustration to Benesch 0103

Jan van Vliet after Rembrandt: Detail of

Christ before Pilate, Bartsch 77,iv

British Museum, London (inv.F,4.183).

Ben 0104 with 127B

0104 and 0127B    Ferdinand Bol??/Rembrandt??? c.1635-40                                                                  Benesch 127B

Christ Comforted by the Angel on the Mount of Olives

D Munich, Staatliche Graphische Sammlung

Ben 104 verso

Benesch 0104 verso  Ferdinand Bol??/Rembrandt???  1635-40

Verso:   Christ Kneeling in Prayer on the Mount of Olives?

D Munich, Staatliche Graphische Sammlung

Ben 0105

0105   Ferdinand Bol??  c.1635-40

Sketch for Christ on the Mount of Olives

D Munich, Staatliche Graphische Sammlung

Ben 0106

0106  Ferdinand Bol??/Rembrandt???  1635-40?

Man in Fetters

D Munich, Staatliche Graphische Sammlung

Ben 0107

0107 Ferdinand Bol?? c.1635-40

Head of a Bearded Man

D Munich, Staatliche Graphische Sammlung

Ben 0108

0108  Gerbrand van den Eeckhout? c.1640

The Crucifixion (Calvary)

D Berlin, Staaliche Museen Berlin, Kupferstichkabinett

Ben 100 recto Ben 0109 pubhist

0109   Ferdinand Bol??  c.1640?

Joseph Interpreting the Prisoners' Dreams

USA Private Collection

0110  Rembrandt?? c.1635

Joseph Interpreting the Prisoners' Dreams

Private Collection

Comparative illustration to Benesch 8

Judas Returning the Thirty Pieces of Silver,  1629

Oil on panel, 79 x 102.3 cm.

Private collection

 

Ben 0008 comp Judas ptg

Fig.c. Judas Returning the Thirty Pieces of Silver, 1629

Oil on panel, 79 x 102.3 cm.

Private collection

Ben 0008 comp Judas ptg Ben 0007 comp Melbourne ptg

Comparative illustration to Benesch 7

Rembrandt: Two Old Men Disputing, c.1628

Oil on panel, 72.3 x 59.5 cm

National Gallery of Victoria, Melbourne

Ben 0012 comp etching Peter and John

Comparative illustration to Benesch 12

Rembrandt: Sts Peter and John at the Gate of the Temple

Etching, 223 x 169

London, British Museum (inv.1848,0911.50)

Ben 0052 comp

Comparative  illustration to Benesch 0052: detail of Christ before Pilate, etching, retouched by Rembrandt

London, British Museum

Ben 0111

0111   Govert Flinck?  c.1638-40

Sts Peter and John Healing the Lame Man

D Darmstadt, Hessisches Landesmuseum

Ben 0018 comparative Vliet etching

COMPARATIVE illustration to Benesch 18

Jan van Vliet after Rembrandt, St Jerome in prayer, etching, 1631

(Hollstiein, 13, i)

GB London, British Museum (inv. F,6.149)

Ben 0112

0112  Govert Flinck?  c.1638-40?

The Prophet Elijah and the Widow of Zerephath

Paris, Musée du Louvre (inv. RF 4670)

Ben 0113recto Ben 0113 verso

0113 Recto   Gerbrand van den Eeckhout? c.1638

The Virgin and Child Seated by a Window

London, British Museum

0113 Verso  Gerbrand van den Eeckhout? c.1638

An Interior Winding Staircase

London, British Museum

Ben 0114

0114  Ferdinand Bol??  Perhaps partly retouched by Rembrandt???  c.1635-38?

The Holy Family Seated by a Window

USA New York, Art Market (?)

Ben 0113 comp Beham

COMPARATIVE illustration for Benesch 0113

Barthel Beham (1504-40): Virgin and Child

Engraving

GB London, British Museum

0115   c.1638-42

Study for an Adoration of the Magi

NL Amsterdam, Rijksmuseum

Ben 0115 comp Hunterian

COMPARATIVE illustration to Benesch 115:

Lucas Vorsterman after Rubens

The Adoration of the Magi, engraving, Hollstein 9, 1621

(Detail; illustrated in reverse)

Glasgow, Hunterian Art Gallery

Ben 0021 comp etching

COMPARATIVE illustration for Benesch 21

Rembrandt, Diana at the Bath, etching,  c.1631 (Bartsch 201)

GB London, British Museum (inv. 1829,0415.17

Ben 0116

0116  Govert Flinck? after Rembrandt?

Diana with two Greyhounds

CH Geneva, Private Collection (Krugier)

0117  Govert Flinck? c.1638-40

The Death of Lucretia

D Private Collection

Ben 0117_New Ben 0118 BW

0118   Nicolaes Maes?  c.1647-50

Pyramus and Thisbe

D Dresden, Kupferstich-Kabinett (formerly)

0119  Govert Flinck? c.1640?

A Young Woman Kneeling in Prayer (Hagar?)

I Milan, Rasini Collection

Ben 0119_1 Ben 0083 comparative painting

Comparative illustration for Benesch 6 recto

Rembrandt: The Raising of the Cross c.1633

D Munich, Alte Pinakothek

Ben 0022vero

0022 verso

Ben 0115 COMP school variant

COMPARATIVE Illustration to Benesch 115

School of Rembrandt

Adoration of the Magi

Pen and borwn ink and brown and grey wash over traces of black chalk on four pieces of paper, joined and laid down. 174 x 150

Sold  Amsterdam, Sotherby's, 2 November 2004, lot 80

Ben 0052 ex Musee Bonnat 641-01 Ben 0029 pic ex BvB Mus site Ben 0029 pic ex BvB Mus site

Benesch 29, Enlarged

Ben 0110 pic ex Gibson cat NEW PHOTO REQUIRED Ben 0027 pic ex Christies Ben 0058 ex Harvard site

Fig.a. Rembrandt, Detail from Samson and Delilah, c.1628-1630. Oil on panel 613 x 501.

D Berlin, Gemäldegalerie

Fig.b. Rembrandt, Detail from The Rape of Europa, 1632. Oil on panel 62.2 x 77 cm.

Los Angeles, J. Paul Getty Museum

Ben 0043 Ben 0042_detail Ben 0040 Ben 0040 DETAIL

Benesch 40. Detail, enlarged

Ben 0006 recto from museum BvB Ben 0006 verso ex BvB Museum R 89 Ben 0056 Recto ex Ashmolean site Ben 0056 verso ex Ashmolean site Ben 0036 recto ex Museum BvB Ben 0036 Verso ex Museum BvB

Benesch 36 Verso

Head of a Man in a Fur Cap

Ben 0036 Verso DETAIL ex Museum BvB