THE DRAWINGS OF REMBRANDT:
a revision of Otto Benesch's catalogue raisonné
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0004 1627?
Study of an Archer
Munich, Staatliche Graphische Sammlung
00001A (Add.1) 1625-35
Roman Women Before Coriolanus
Paris, Musée du Louvre
00001B (Add.2) 1625-35
The Meeting of David and Abigail
Amsterdam, Rijksmuseum
0001 Gerbrand van den Eeckhout, 1664?
The Triumph of Mordechai
formerly Bremen, Kunsthalle
0002 Govert Flinck? 1640??
Oriental Ruler on Horseback (The Triumph of Mordechai?)
USA Chapel Hill, Ackland Art Museum, The University of North Carolina at Chapel Hill (The Peck Collection)
2017.1.64
0006 recto 1628-29
The Raising of the Cross
Rotterdam, Museum Boijmans van Beuningen
0007 1628?
Old Man with a Book, seated (study for St Peter)
Berlin, Kupferstichkabinett
Drawings still considered to be by Rembrandt are aligned to the left
Drawings no longer considered to be by Rembrandt are aligned to the right
0008 recto c.1628-29
Judas Returning the Thirty Pieces of Silver
Private Collection
0008 verso c.1628-29
Verso: Kneeling Man and Standing Figure (Judas and the High Priest)
Private Collection
0006 verso 1628-29
Verso: Two Figures seated
Rotterdam, Museum Boijmans van Beuningen
0009 recto [was called verso by Benesch] c.1632 (NB verso below c.1628-29)
Study of the Draped Legs of a Seated Woman
Amsterdam, Rijksmuseum
0009 verso [was called recto by Benesch] c.1628-29 (NB recto above c.1632)
Three Priests or Doctors at a Table below a Curtain
Amsterdam, Rijksmuseum
0010 c.1628-29
Oriental Leaning on a Stick, turned to left
Berlin, Kupferstichkabinett
0012 c.1629
Standing Man with Arms Extended
Dresden, Kupferstich-Kabinett
0011 c.1636 School of Rembrandt [by or after Govert Flinck?]
The Supper at Emmaus
Cambridge (Mass.), Fogg Art Museum
0013 c.1641
The Baptism of the Eunuch by St Philip
Munich, Staatliche Graphische Sammlung
0014 c.1629
Man in a High Cap (walking to left)
Paris, Musée du Louvre
0015 c.1628
St Paul
Paris, Musée du Louvre
0016 Jan Lievens c.1630
Bust of an Old Man
Darmstadt, Hessisches Landesmuseum
0017 c.1635
The Entombment of Christ (over the Raising of Lazarus)
London British Museum
0018 c.1630
Drapery Study for St Jerome in prayer
Paris, Musée du Louvre
0019 c.1631-33
St Jerome Resting his Hands on a Skull
Formerly Bremen, Kunsthalle
Ben 0020 1631
Bearded Old Man Seated in an Armchair, full-length, to left (study for Jacob)
New York, Private Collection
0021 recto c.1630-31
Diana at the Bath
London, British Museum
0021 verso c.1630-31
London, British Museum
0021a Jan Lievens c.1633
Soldier on Horseback Blowing a Trumpet
Amsterdam, Rijksmuseum
0022 c.1629
Beggar Couple with a Dog
Private Collection
0023 Not Rembrandt?? c.1630
Blind Man Leaning on a Stick, with a dog
Private Collection
Ben 0023a
Beggar Standing and Leaning on a Stick, facing left,
New York, Private Collection (Clement C. Moore)
Ben 0024 c.1631-32
Beggar Woman Leaning on a Stick
Washington, National Gallery of Art
0025 c.1631-32
Oriental Standing, in profile to left
Paris, École nationale supérieure des beaux-arts
0026 Govert Flinck?? c.1633
Bust of a Man in a Cap, turned to right
Dresden, Kupferstichkabinett
Benesch 27
Young Man Leaning on a Stick, full-length and turned to left, c.1631
USA Los Angeles, J. Paul Getty Museum
0028 c.1628-29
Sketch of a Man in a Turban, half-length, turned to left
London, British Museum
0029 c.1635-40
Seated Man in a High Cap
Rotterdam, Museum Boijmans van Beuningen
0030 recto c.1629
Standing Beggar Leaning on a Stick, turned to right
Amsterdam, Rijksmuseum
0030 verso c.1629
Half-length Sketch of a Man Seen from Behind
Amsterdam, Rijksmuseum
0031 c.1629
Standing Beggar with a Leather Pouch
Amsterdam, Rijksmuseum
0032 c.1629
Old Beggar in a Long Cloak and High Cap, turned to left
Amsterdam, Rijksmuseum
0033 c.1629
Standing Woman in a Long Veil Holding a Censer, full-length,
Munich, Staatliche Graphische Sammlung
0034 c.1629-30
Standing Oriental in a Long Robe and Mantle
Düsseldorf, Kunstmuseum
0035 c.1628-29
Sketch of a Man Leaning over a Table
London, British Museum
0036 c.1635
Standing Man in a Fur Cap, full-length, in profil perdu to left
Rotterdam, Museum Boijmans van Beuningen
0036A c.1629
Bust of a Bearded Old Man, turned to left
Private Collection
0037 1630
Seated Old Man, three-quarter length, turned to right
Washington, National Gallery of Art
0038 c.1630
Seated Old Man, his hands together
Stockholm, Nationalmuseum
0039 c.1630
Bust of a Bearded Old Man
Paris, Musée du Louvre
Benesch 40
Seated Old Man, 1631
Haarlem, Teyler Museum
0041 c.1630-31
Seated Old Man with Clasped Hands, full-length, turned to left
Berlin, SMPK Kupferstichkabinett
0042 recto c.1629-30
Bearded Old Man, in profile to left
Washington, National Gallery of Art
0042 verso c.1629-30
Drapery study: a sleeve?
Washington, National Gallery of Art
0043 c.1629-30
Beggar in a High Cap, full-length, walking to left
Berlin, SMPK Kupferstichkabinett
Benesch 44
An Elderly Polish Man, Standing, c.1629-30
D Mettingen, Draiflessen Collection (formerly Hilversum, Liberna Collection)
0045 c.1629-30
A Polish Officer, full-length
St Petersburg, Hermitage Museum
Benesch 36 Verso, detail, enlarged
0046 c.1628-29
Scholar at his Writing Table
Paris, Musée du Louvre
0047 Gerbrand van den Eeckhout? c.1650?
Sheet of Studies with Different Figures
Budapest, Szépművészeti Múzeum
Comparative illustration for Benesch 42:
Jan Lievens, Head of a Young Man
London, British Museum
0042 Detail, enlarged
USA Washington, National Gallery of Art
Comparative illustration for Benesch 0042: Lievens - detail of the above
London, British Museum
0048 Govert Flinck?? c.1635-40
An Old Man with a Book, and the Head of a Man Wearing a Turban
Private Collection
0049 c.1629
Seated Old Man in a High Cap, full-length, profile to right
Private Collection
0050 c.1629
Old Man with Flat Cap and Long Beard, bust, turned to left
Paris, Musée du Louvre (Edmond de Rothschild Collection)
Ben 0051 Jan Lievens?
A Foot Operation (the Sense of Touch)
Florence, Uffizi
0052 c.1629
The Reading
Bayonne, Musée Bonnat
0053 c.1628-29
Self-Portrait, with mourth open
London, British Museum
0054 c.1628-29
Self-Portrait
Amsterdam, Rijksmuseum
0055 c.1628-29
An Old Woman, bust, full face ('Rembrandt's Mother')
Ulm, Ulmer Museum
Benesch 0056 Recto
Rembrandt's Father, Harmen Gerritsz. van Rijn, c.1628
Oxford, Ashmolean Museum
0056 verso (detail) c.1628
Sketch of a Seated Man, full-length, leaning forward
0057 1633-34 [the etched head 1631]
Self-Portrait in a Soft Hat (the head etched)
London, British Museum
0057a c.1628-29
Entrance to a Town with two figures under an arched gateway
Cambridge (UK), Fitzwilliam Museum
Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, etching, Bartsch 7, touched in black chalk
Paris, Bibliothèque Nationale (Not in Benesch)
Comparative illustration for Benesch 57:
0057 in reverse
Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait, 1632. Private Collection
Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait, 1632
Glasgow Museums, The Burrell Collection
Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat and Patterned Cloak, 1631
Etching, 7th state (according to White and Boon)
Comparative illustration for Benesch 57:
An impression of the etching, Bartsch 7, 4th state, without any additions in chalk.
London, British Museum
Comparative illustration for Benesch 57:
Rembrandt, Self-Portrait in a Soft Hat, 1631
Etching, 4th state (according to White and Boon),
cut down and retouched in black chalk
London, British Museum (inv.1848,0911.9)
0058 c.1635-38
Kneeling Man
George and Maida Abrams Collection, Boston
0059 School of Rembrandt - Govert Flinck or Gerbrand van den Eeckhout?? 1635-40??
St Jerome Kneeling in Prayer
For a better image, see the Rijksmuseum website:
https://www.rijksmuseum.nl/en/search/objecten?f=1&p=1&ps=12&objectnumber=RP-T-1897-A-3475#/RP-T-1897-A-3475,0
0060 Govert Flinck?? c.1638-40
Christ Carried to the Tomb
Berlin, SMPK Kupferstichkabinett
0061 Govert Flinck? c.1638-40
The Raising of the Daughter of Jairus
Formerly Rotterdam, Museum Boijmans van Beuningen (Koenigs collection)
0062 Govert Flinck? c.1638-40
The Raising of the Daughter of Jairus
Private collection
0063 Govert Flinck? c.1638-40
The Lamentation at the Foot of the Cross
Dresden, Kupferstich-Kabinett
0063a Govert Flinck?? 1638-40
Christ being Nailed to the Cross
Private Collection? (Formerly C. R. Rudolf)
0064 Gerbrand van den Eeckhout? c.1640-45
The Entombment
Private Collection
0065 recto Govert Flinck? 1638-40?
The Temptation of Christ
Frankfurt, Städelsches Kunstinstitut
0065 verso Govert Flinck? 1638-40?
St Jerome in Prayer
Frankfurt, Städelsches Kunstinstitut
0066 Govert Flinck ? c.1638-40
The Temptation of Christ
Washington, National Gallery of Art
0067 Govert Flinck? c.1638-40
St Jerome Kneeling
Wroclaw, Ossolineum
0068 Govert Flinck? c.1638-40
Christ Conversing with Mary
Private Collection?
0068A c.1639
Christ and his Disciples on the Road to Emmaus
Edinburgh, National Gallery of Scotland
0069 Govert Flinck? after Rembrandt? c.1639
Study of Christ, near full-length, gesturing
Stuttgart, Staatsgalerie
0070 Govert Flinck? c.1638
Christ Walking on the Waves
London, British Museum
0071 Gerbrand van den Eeckhout 1638-40?
Sts Peter and John Healing the Lame Man at the Temple Gate
D Ulm, Ulmer Museum
0072 Rembrandt?? c.1642-46
The Circumcision
D Dresden, Kupferstichkabinett
0073 Gerbrand van den Eeckhout ? c.1640
Joseph Sold by his Brethren
USA New York, Morgan Library
0074 Gerbrand van den Eeckhout? c.1640
Daniel Interpreting the Dreams of Nebuchadnezzar (?)
USA New York, Private Collection (Clement C. Moore)
0074a Carel Fabritius?
David Taking Leave of Jonathan, c.1645-50?
GB Birmingham, Barber Institute of Fine Arts
Smaller than the above but a colour illustration of Benesch 0074a
0075 Gerbrand van den Eeckhout?? 1638-40?
Eli and Elkanah?
USA Glens Falls, New York: The Hyde Collection
0076 Gerbrand van den Eeckhout? c.1640?
The Centurion of Capernaum Kneeling before Christ
NL Rotterdam Museum Boijmans van Beuningen
0077 Gerbrand van den Eeckhout? c.1635-40?
The Centurion of Capernaum Kneeling before Christ
F Paris, Institut Néerlandais, Collection F. Lugt
0078 Govert Flinck? c.1638-40
The Angel Appearing to Manoah and his Wife
NL Rotterdam, Museum Boijmans van Beuningen
0079 Govert Flinck? c.1638-40
Christ Conversing with Mary and Martha
NL Haarlem, Teyler Museum
0080 Govert Flinck? c.1638-40
Joseph Interpreting the Prisoners' Dreams
USA Chicago, Chicago Art Institute
0081 Govert Flinck? c.1640-45?
The Departure of the Prodigal Son
D Dresden, Kupferstich-Kabinett
0082 c.1630-31 (but signed in 1633)
A Study for Lot Drunk
D Frankfurt, Staedelsches Kunstinstitut
Comparative illustration for Benesch 0082
Johannes van Vliet after Rembrandt
Lot and his Daughters, 1631 (Hollstein 1, 1st state, illustrated in reverse)
London, British Museum (inv. S.157)
0083 Govert Flinck? c.1635-40
The Raising of the Cross
A Vienna, Albertina
Comparative illustrations are ranged
down the centre
NB The illustrations are almost all taken from readily available online resources. They must not be used for commercial purposes.
Please see the disclaimer on the 'Home' page
Comparative illustration for Benesch 83
Rembrandt: The Raising of the Cross c.1633
D Munich, Alte Pinakothek
0083a recto (above) c.1630-31
The Raising of Lazarus, the larger plate: touched proof with a Sketch of a Woman Shrinking Back.
with detail (below left) showing Rembrandt's partly erased sketch for an adjustment to the figure at the lower right.
As Rembrandt drew, his lines were picked up (in reverse) on the verso of the sheet (below centre left, illustrated in reverse, and next to this as seen today); the subsequently altered figure in the etching is shown below right.
GB London, British Museum
0083a verso (above)
Comparative illustration to Ben 83a
Rembrandt: The Raising of Lazarus c.1630-31
Oil on panel, 962 x 815mm
Los Angeles County Museum of Art
Comparative illustration to Ben 17
Rembrandt, The Raising of Lazarus c.1630-31
Oil on panel, 962 x 815mm
Los Angeles County Museum of Art
Comparative illustration to Benesch 17
Jan Lievens, The Raising of Lazarus, etching 360 x 312 (Hollstein 7,i)
London, British Museum (inv. D,8.69)
Comparative illustration to Benesch 17
Jacob Louijs after Jan Lievens, The Raising of Lazarus,
etching, 410 x 315 (Hollstein 1,i) c.1631-34
London, British Museum (inv. S.28)
Ben 0083a Detail of recto showing Detail of verso illustrated in reverse Detail of verso, published by Benesch Detail of the 3rd state, with retouches by Rembrandt in graphite, and thus in same drirection as the as Benesch 83a, but in fact an offset. the adjusted figure
later partly erased, recto
0084 Govert Flinck? c.1640?
Two Figures, one kneeling
D Frankfurt, Städel Museum
0085 c.1638-39
Ahasuerus on his Throne
NL Amsterdam Rijkmuseum, Rijksprentenkabinet
Comparative illustration for Benesch 85
This older illustration from Benesch, 1954, reveals that the drawing continues to suffer from the destructive effects of iron-gall ink. The details here are significantly clearer, though may have been enhanced in the photograph.
0086 Gerbrand van den Eeckhout c.1640?
Manius Curius Dentatus Refusing the Gifts of the Samnites
P Warsaw, University Library
0087 1638-39?
Three Studies of the Bust of an Old Man
F Paris, Fondation Custodia, Frits Lugt Collection
0003 1627?
Study of an Oriental Archer
Dresden, Kupferstich-Kabinett
0088 Gerbrand van den Eeckhout? 1638-40?
Group of Three Figures Conferring
USA Private Collection
0005 1627?
Man Pulling a Net (?) behind him
Munich, Staatliche Graphische Sammlung
0089 1631 (and 1634)?
Christ Among his Disciples
NL Haarlem, Teyler Museum
0090 1634-35
The Sacrifice of Isaac
GB London, British Museum
Comparative illustration for Benesch 0090
Rembrandt, The Sacrifice of Isaac, 1635
R St Petersburg, Hermitage Museum
Comparative illustration for Benesch 0090
Rembrandt and studio, The Sacrifice of Isaac, 1636
D Munich, Alte Pinakothek
Comparative illustration for Benesch 0090
Rembrandt, The Sacrifice of Isaac, 1655
Etching (Bartsch 35)
GB London, British Museum
0090 Verso
A Rough Composition Study
GB London, British Museum
0091 Anonymous ("Munich forger"?)1640s or later, perhaps 18th cent.
Two Figures Seated at a Table
D Munich, Staatliche Graphische Sammlung
0092 c.1634-35
The Rape of Ganymede
D Dresden, Kupferstich-Kabinett
Comparative illustration to Benesch 0092
Rembrandt, The Rape of Ganymede, 1770 x 1290mm
D Dresden, Gemäldegalerie alte Meister
Benesch 93
The Taking of Samson, c.1636-38
D Dresden, Kupferstich-Kabinett
Comparative illustration to Benesch 0093
Anthonie Van Dyck: Samson and Delilah, c.1618-20.
1514 x 2305mm
GB London, Dulwich Picture Gallery
0094 Anonymous Rembrandt school c.1640-45?
Milo of Croton
Private Collection (Harris?)
0094a School of Rembrandt c.1635-40
St Peter, half-length
USA, New York, Morgan Library (Thaw Collection)
0095 c.1637-39
Jacob Lamenting at the Sight of Joseph's Blood-Stained Cloak
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
0095a etching by Joseph Schmidt (1750-1816) after a now lost drawing
The Raising of Jairus' Daughter (?)
Gerbrand van den Eeckhout?? c.1638-40??
GB London, British Museum (1895,0915.1431)
0096 c.1640
A Woman's Execution
F Paris, Fondation Custodia, Frits Lugt Collection
0096 VERSO c.1640
Sketch of the Head of a Woman, for a woman's execution
F Paris, Fondation Custodia, Frits Lugt Collection
0097 c.1635-36
Christ Falling under the Cross on the Way to Calvary
D Berlin, Kupferstichkabinett
0098 By or after Govert Flinck? c.1635-40??
Soldier and Rearing Horse
R Moscow, Pushkin Museum of Fine Arts
Comparative illustration to Benesch 97:
Martin Schongauer, The Road to Calvary
Engraving 291 x 432
0099 c.1635
The Annunciation
Besançon, Musée des Beaux-Arts
0100 recto c.1635
The Lamentation of Christ at the Foot of the Cross
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
0100 verso c.1635
Verso: Soldiers and Women (the Prodigal Son?)
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
Comparative illustration to Benesch 100 verso
Rembrandt, The Prodigal Son Squandering his Inheritance
(Self-Portrait with Saskia) 1636. Oil on canvas 161 x 131cm
Dresden, Gemäldegalerie
0101 c.1630
The Beheading of St John the Baptist
F Paris, Musée du Louvre
Comparative illustration to Benesch 0101
Jan van Vliet after Rembrandt, The Beheading of St John the Baptist
etching, 1st state, c.1631-33
Reproduced in reverse
158 x 124
GB London, British Museum (F,7.6)
0102 Ferdinand Bol? c.1640-45
A High Priest
P Wroclaw, Ossolineum
0103 Ferdinand Bol c.1640-45
Study of a High Priest
D Munich, Staatliche Graphische Sammlung
Comparative illustration to Benesch 0103
Jan van Vliet after Rembrandt: Detail of
Christ before Pilate, Bartsch 77,iv
British Museum, London (inv.F,4.183).
0104 and 0127B Ferdinand Bol??/Rembrandt??? c.1635-40 Benesch 127B
Christ Comforted by the Angel on the Mount of Olives
D Munich, Staatliche Graphische Sammlung
Benesch 0104 verso Ferdinand Bol??/Rembrandt??? 1635-40
Verso: Christ Kneeling in Prayer on the Mount of Olives?
D Munich, Staatliche Graphische Sammlung
0105 Ferdinand Bol?? c.1635-40
Sketch for Christ on the Mount of Olives
D Munich, Staatliche Graphische Sammlung
0106 Ferdinand Bol??/Rembrandt??? 1635-40?
Man in Fetters
D Munich, Staatliche Graphische Sammlung
0107 Ferdinand Bol?? c.1635-40
Head of a Bearded Man
D Munich, Staatliche Graphische Sammlung
0108 Gerbrand van den Eeckhout? c.1640
The Crucifixion (Calvary)
D Berlin, Staatliche Museen Berlin, Kupferstichkabinett
0109 Ferdinand Bol?? c.1640?
Joseph Interpreting the Prisoners' Dreams
USA Private Collection
0110 Rembrandt?? c.1635
Joseph Interpreting the Prisoners' Dreams
Private Collection
Comparative illustration to Benesch 8
Judas Returning the Thirty Pieces of Silver, 1629
Oil on panel, 79 x 102.3 cm.
Private collection
Fig.c. Judas Returning the Thirty Pieces of Silver, 1629
Oil on panel, 79 x 102.3 cm.
Private collection
Comparative illustration to Benesch 7
Rembrandt: Two Old Men Disputing, c.1628
Oil on panel, 72.3 x 59.5 cm
National Gallery of Victoria, Melbourne
Comparative illustration to Benesch 12
Rembrandt: Sts Peter and John at the Gate of the Temple
Etching, 223 x 169
London, British Museum (inv.1848,0911.50)
Comparative illustration to Benesch 0052: detail of Christ before Pilate, etching, retouched by Rembrandt
London, British Museum
0111 Govert Flinck? c.1638-40
Sts Peter and John Healing the Lame Man
D Darmstadt, Hessisches Landesmuseum
COMPARATIVE illustration to Benesch 18
Jan van Vliet after Rembrandt, St Jerome in prayer, etching, 1631
(Hollstiein, 13, i)
GB London, British Museum (inv. F,6.149)
0112 Govert Flinck? c.1638-40?
The Prophet Elijah and the Widow of Zerephath
Paris, Musée du Louvre (inv. RF 4670)
0113 Recto Gerbrand van den Eeckhout? c.1638
The Virgin and Child Seated by a Window
London, British Museum
0113 Verso Gerbrand van den Eeckhout? c.1638
An Interior Winding Staircase
London, British Museum
0114 Ferdinand Bol?? Perhaps partly retouched by Rembrandt??? c.1635-38?
The Holy Family Seated by a Window
USA New York, Art Market (?)
COMPARATIVE illustration for Benesch 0113
Barthel Beham (1504-40): Virgin and Child
Engraving
GB London, British Museum
0115 c.1638-42
Study for an Adoration of the Magi
NL Amsterdam, Rijksmuseum
COMPARATIVE illustration to Benesch 115:
Lucas Vorsterman after Rubens
The Adoration of the Magi, engraving, Hollstein 9, 1621
(Detail; illustrated in reverse)
Glasgow, Hunterian Art Gallery
COMPARATIVE illustration for Benesch 21
Rembrandt, Diana at the Bath, etching, c.1631 (Bartsch 201)
GB London, British Museum (inv. 1829,0415.17
0116 Govert Flinck? after Rembrandt?
Diana with two Greyhounds
CH Geneva, Private Collection (Krugier)
0117 Govert Flinck? c.1638-40
The Death of Lucretia
D Private Collection
0118 Nicolaes Maes? c.1647-50
Pyramus and Thisbe
D Dresden, Kupferstich-Kabinett (formerly)
0119 Govert Flinck? c.1640?
A Young Woman Kneeling in Prayer (Hagar?)
I Milan, Rasini Collection
Comparative illustration for Benesch 6 recto
Rembrandt: The Raising of the Cross c.1633
D Munich, Alte Pinakothek
0022 verso
COMPARATIVE Illustration to Benesch 115
School of Rembrandt
Adoration of the Magi
Pen and brown ink and brown and grey wash over traces of black chalk on four pieces of paper, joined and laid down. 174 x 150
Sold Amsterdam, Sotheby's, 2 November 2004, lot 80
Benesch 29, Enlarged
Fig.a. Rembrandt, Detail from Samson and Delilah, c.1628-1630. Oil on panel 613 x 501.
D Berlin, Gemäldegalerie
Fig.b. Rembrandt, Detail from The Rape of Europa, 1632. Oil on panel 62.2 x 77 cm.
Los Angeles, J. Paul Getty Museum
Benesch 40. Detail, enlarged
Benesch 36 Verso
Head of a Man in a Fur Cap
Fig.a. Left: Detail of Ferdinand Bol, Joseph Interpreting the Dreams of his Fellow Prisoners, pen and brown in with brown wash, 166 x 229. D Hamburg, Kunsthalle (inv.22412; Sumowski 101), with a detail of Benesch 80 (right). The description of the background architecture is especially similar
